David Payne: Welcome to Library Matters with your host David Payne.
Julie Dina: And Julie Dina.
David Payne: And today we're going retro, and looking at the record player, polaroid camera, rotary phone, and all radios, in other words, retro technology. And I'm very pleased to have two of MCPL’s most avid retro tech collectors with us today, welcome Eric Carzon, the manager of the Twinbrook Library.
Eric Carzon: Hi everybody.
David Payne: And Bill Carey, from our Information Technology Department. Welcome Bill.
Bill Carey: Okay, thank you.
David Payne: So, Eric and Bill welcome, and I can see from the props that you bought in today you've got some serious retro technology which we're looking forward to hearing all about. Well, sort of tell us both a bit about yourselves, and how would you describe retro technology, and what got you interested in the field? Let’s start with you Eric.
Eric Carzon: Alrighty, thank you. So, aside from managing the Twinbrook branch, I’m a lifelong Maryland native, I have two children, married, and I’m an amateur singer, songwriter. To me I define retro technology in a couple of different ways.
I think one way to define it, and look at it is that it's a piece of older technology that comes back into use, or fashion after an absence, bellbottom jeans, vinyl record players which we’ll talk a lot about. The other thing that I would say is that retro technology can sometimes be new technology that's sort of presented with the skin of an older technology.
So, it might be for instance sort of the old fashioned -- old fashioned, it’s kind of hard to call old fashioned. But the cell phones from the original first generation Nokia, which had sort of bigger buttons and were very simple, they’re sort making comeback now. And so they put the new guts into the old phone. So I think that's another way to implement retro technology.
It sounded kind of funny to me, I never thought I would wear polyester, but Under Armor if you break it down and think about it is basically plastic clothing like from the 70s, when everybody wore nylon. So, there's an example of retro in my opinion where they've sort of put a new spin on an old idea. And so why is retro tech interesting to me? Well, I come from the third generation of telephone people.
My dad was a phone lineman, my grandfather worked as a lineman and various other jobs in management in the C&P Telephone Company. So, I come from a family of tinkerers, basically. They were always tinkering with something, so I’ve got all their old tools and just sort of picked up that habit of tinkering with old stuff, and I just love to play with old junk.
And in fact I used some of their old bolts and screws that they gave me today to make a repair on something this morning in my house, so it comes in handy too.
David Payne: That's great, thank you. So Bill, are you a tinkerer as well?
Bill Carey: I certainly am. I’m a 50 year bass player musician, so I deal with vintage guitars, vintage bases and vintage tube amplifiers too, as part of my retro tech exposure, and I like old tube radios, the ones with vacuum tubes are the ones of interest to me, because you can actually play with the electronics and learn about the radio, how it works, and the same thing with the amplifiers I have.
You can actually tailor the sound of it by modifying components inside.
David Payne: So, do you actively still collect the old radios?
Bill Carey: When I can find them I do, they're getting to be hard to find now, because there's so many people that value them, you just can't come across one. I used to see them in thrift stores, garage sales all the time, and picking up occasionally, but I just don't see them anymore. Now you can find them online but you're going to pay the premium price for those online.
But still, I have about a half dozen I keep in my office here just for visual fun, and I work on them on the side occasionally get'em to work. This one, I brought one from 1941, just to see how everything is all -- most of it is all wooden materials and early plastic, but just wanted to show you the technology of vacuum tube, that’s what displayed in these things.
Even though this one doesn't have a power cord yet, because it still needs to be rebuilt, but most of them don't work that I buy, and I find that's better because I can get them for less money then.
David Payne: And you fix them up yourself.
Bill Carey: Sure.
Julie Dina: So, hopefully, before the show is over between Bill playing the guitar, and Eric the armature singer, we can get a commitment from the two of you.
Eric Carzon: We’re not in a gig here.
Julie Dina: We can have a gig.
Eric Carzon: Why not?
David Payne: Yeah, we did the Christmas party, why not.
Bill Carey: We did the Christmas -- right, a couple of years ago.
Julie Dina: We’ve got a contract. I’m privileged to be with the Outreach Team and, we’re currently getting excited and prepared for a vinyl day for our listeners and those who have no idea what Vinyl Day is, can you guys tell us what Vinyl Day is all about, when this is going to be, where, and who should attend.
Eric Carzon: All right, great. I’ll tackle that. I’m on the committee, so I’m helping to plan it, and we’re really looking forward to it we think it should be fun as the first time that MCPL is doing this. So, the event is called Just for the Record, A Vinyl Record Day. And it's going to be held at the Silver Spring Library on April 21st, and it's going to be from 11 o'clock in the morning, through 4PM in the afternoon.
It’s fun for all ages, everybody is welcome, all the events are free. And let me give you a few samples of things that are going to be going on during the event. We're going to have several panel discussions. We've got some experts who will talk about live music that drove the golden era of record making, we’ll have people that talk about record collecting.
We're going to have a group that's talking about the recording industry in Eritrea, in Eastern Africa, and we're going to have some DJ performances. We'll also have an opportunity for music and dance, a little karaoke. We're going to be doing really cool crafts where the kids get to build crafts out of old records, so that's going to be really nifty.
Our keynote speaker is John Corbett, he’s an author he wrote the b ook Vinyl Freak, Love Letters to A Dying Medium. So, he is a music expert and a long time DJ, and collector and he's going to be rounding the afternoon for us. We’ll also have music/record display rooms throughout the library, and we’re actually asking for folks to volunteer to demonstrate those.
So we're hoping we might get a blues room, or a gospel room, or jazz room, that kind of thing. So, the website folks who are interested in displaying their music in one of these music rooms is www.folmc.org/vinyl-day. And where did the Vinyl Day idea come from? April 21st is actually National Record Store Day, and that's been around more than a decade.
It's a day to celebrate music and what record stores bring. And so we combine that with --. In August there's an actual Vinyl Day that is also about a decade old and commemorates the patenting of the recording technology, the record.
So, we sort of morphed the concepts together and said, “Well, let's have a day that celebrates the vinyl record, and we’ll actually in honor of Record Store Day there will actually be a sale during record day at the library, so one of the rooms will actually, you can actually buy records and books from the Friends of the Library, Montgomery County book sale, they are one of the sponsors.
In fact the event is a co-sponsorship, it is co-sponsored Montgomery County Public Libraries, the Friends of the Library Montgomery County, Levine Music, and Open Sky Jazz are the co-sponsors of the program, and it's going to be a really good time.
Julie Dina: So it sounds like we have a variety.
Eric Carzon: Oh yeah, it is going to be a lot of fun.
Bill Carey: So the Eritrean recording industry is being done on vinyl, is that what they're doing, are they’re doing--
Eric Carzon: Well, they are going to describe like the history of it, so I’m sure that they use a mix of technologies today just like the American recording industry.
Bill Carey: They want to do it in digital and vinyl on the side or something because I still have all my vinyl records from the 60s and 70s. I store them in my basement, thought they’d worthless get around -- I thought I was going to get around the donating and were throwing them out, and now they're valuable again.
David Payne: Now you're glad you didn't.
Bill Carey: Now records I bought for 2.50 or $3 are now $30, so it’s amazing. And if you kept in good shape, they sound good and they still work, and in my younger days in high school I was on some local release recordings, that we did a local record in DC and the structure of making a record back in the 70s was you had to record it first in a recording studio, and then send it off to have it mixed down, and then mastered.
It was quite a bit of money, and then you'd have to pressed into vinyl records, the key thing back then was the quality of the vinyl affect, the quality of the sound. So, if you had virgin vinyl your record sounded better than if you had recycled vinyl, and that was a big issue back then when you had a company do records because they tried to cut costs, use recycled vinyl, and you’d have all these pops on your record.
People get upset. Well, that's what you had to pay extra sometimes, you get to specify, “I want virgin vinyl used for my record pressing." You got a better sounding record as a result. And hopefully that's they’re still doing today, at $30 a pop for an album, because you can hear a very big difference, especially when you’re comparing it to a CD.
The background noise is the downfall of vinyl record, but that’s how you also get the analog sound so it's a trade off.
David Payne: But let me ask you, you both. We talked about the revival of vinyl, and record players and so on. Why do you think that there has been this revival of vinyl record players, and retro the retro tech in general? What's the appeal, why has it come back?
Eric Carzon: I’ll start I think a couple different factors. I think one is definitely just generational. Now I’m gentleman of a certain age, and I you know now I can relive that experience. For me vinyl records were right in my childhood, and so I can go back to specific moments and say, “I’m seven years old, and my mom's playing Gordon Lightfoot, and were hanging out in the house, and it's a happy time.
Because of the way that the vinyl records are that is an experience. So, it's you know it's a time delimited experience of 20 minutes per side, and each side sort of goes with the other side, and you sort of experience it in this linear fashion which is a lot different than what you can do with Mp3 and mix. A lot of albums on CDs seem like just a collection of songs, don’t get me wrong, some vinyl was just a collection of songs too.
But, the medium lent itself and the fashion at the time, Jesus Christ Superstar, Pink Floyd Dark Side of the Moon, Marvin Gaye, What's Going On. These records were tight, they were integrated, and that's an experience--
Bill Carey: Sergeant Peppers for instance.
Eric Carzon: Yeah, exactly.
Bill Carey: That order made a difference.
David Payne: So basically it's also they cover the self, which is in many ways iconic.
Eric Carzon: Yeah, so I think there is this sort of nostalgic element, and generationally people are sort of thirsting to experience that again. Kids grow up, I got more free time, I'm ready go back into the record store and experience that maybe have a little more cash, I’m not broke like I was when I was 22, or whatever. So I think there's some generational, there's an economics.
I think for newer generations I think as an experience it's kind of like a luxury experience, and I do lots of stuff with digital music, So I’m very happy mixing and making -- I’ve got mixes that last for 26 hours, and that's great to be able to do that and that is an experience too, but I can see the appeal of someone younger who's only experienced CD and electronic music going, "Wait a minute, what's that?
Oh, I like that scratching sound, I like that analog sound, the kind of warm --" Because digital kind of cold, and when it goes bad it's kind of very punchy, where as in analog technology, if it's slightly degraded or bad, it doesn’t spoil the whole experience. You still experience something, in fact it can sort of add to the experience.
It's a totally different kind of package for somebody, and it's almost like anything, wine tasting, clothes or whatever. Anybody of any age could go, "Hmm, let me try that, what's that all about?" And I think some people have, and they've gone, "Wow, this is a wonderful way to experience this album." Some of them they might be exploring --
Actually, one of my notes for this is we are kind of in this age of we've done so much in the 20 and the 21st century that we're retreading. If you think about it like, how many Batman franchises have there been now? I've lost track.
Bill Carey: Nostalgia.
Eric Carzon: Modern artists are going back and they are recreating kind of “classics,” so, experiencing a classic as it was intended in its original form is something you can do with vinyl, and I can see somebody from any age, but especially from the new age going, "I want to experience this album, this classic album that I keep hearing about. Frank Sinatra, Tony Benin, whatever.
I want to experience this as it was experienced by the people who created it at the time it was created, just to have that experience, and see what's it’s all about. And then I want to put a modern spin on it." And that sort of spiders into, "Oh, let me take Lady Gaga's album, she's doing a duet with Frank Sinatra or whatever, so let's have her --
Let's do it the modern technical way, so it can be marketed and sold, and blah-blah-blah, but let's see what it sounds like on vinyl too." The other thing about vinyl at least is you get this huge 12 inch package, you can do all sort of different things with the art work, it's different. The written words are different. If you have a booklet kind of thing in there is actually readable. You don’t need a magnifying glass.
Artistically it makes a huge difference. Some of the books we have in our collections sort of go into that, like, "Hey, here's the classic album covers, and here's the first album cover where all the people on it were naked, and that was like a big thing at the time, it made everybody crazy." So, there's all sort of special things you can do with art work that CDR work in.
Basically, it just let's you recognize it. "Oh, that’s CD, I kind of recognize that CD." But, you're not going to hang it on your wall, or--
David Payne: You don’t buy a CD because of the cover.
Eric Carzon: Right.
Bill Carey: That's why CDs lost out on a lot, because the surface area was small, it couldn’t grab your attention as easily, and that's nothing to consider as when you're going to buy a classic album in vinyl, it was originally recorded in analogue equipment. So this is going to sound different than even a modern album recreated by the same band.
If you back and listen to an original Beatle's album even hearing it on CD, or you heard parts that you've never heard before, because now you can hear all the bass notes, and everything perfectly clear. But if you replay it on original vinyl record that is exactly how it was intended to be heard, or how it was heard when it was first released, so there's value in that, just like you said.
That's part of an experience where you go through the vinyl record, and you want to put it on a turn table, and then run through a tube amplifier, I’ve an old Dynaco tube stereo, you then get a full analogue experience, because tubes tend to emphasize the even harmonics of the harmonic series, they sound sweeter than the cold harsh electronics of CDs and solid-state amplifiers.
Solid-state amps are easier, and less maintenance, it’s a lot less headache, but a tube amp, or whatever has a good sound quality of sound. The original Woodstock, all the sound system was run on tubes. And if you go listen to that movie or go see it that's what you are hearing. You're hearing Macintosh amplifiers which is the primary amp ever used in stereo systems, they use that for Woodstock in '69.
So, there's a lot to be said for that, resurgence of that technology because of the quality of sound you don’t get in modern technology.
David Payne: Interesting.
Eric Carzon: Yeah. It's almost like a luxury product, it's like you drink the $8 bottle of wine, here it is, with Mac and cheese, if you want to heighten the experience every once in a while, or once in a couple of months. You're like, "You know what, in Deloitte a bottle of wine is fine, but I want the $25 bottle of wine tonight. It's special night." Or "I'm feeling like I want to indulge."
Bill Carey: With a $75 bottle.
Eric Carzon: Yeah, so it's like an experience. I would say the other reason I think vinyl records and other retro track is coming back, but it's kind of initiating point to me about vinyl records, because as a library staff member it's also sort of the same thing with paper and books. It's aside from the experience being different we have sort of discovered a sort of dirty little secret of CDs.
It's now that CDs have been around for two decades or more we started to realize that they don’t hold up. Just like cassette tapes, and I love cassette tapes. But the unfortunate fact of cassette tapes is they have a life spam, and it's a limited one. And so CDs as well people have discovered like, "Oh, if I play this CD regularly it will die after 20 years. Like just die and -- once it's dead it's useless."
So, vinyl is a lot like paper, in that it can get useless if you don’t take care of it, or if you abuse it. But if you take care of it we could be playing that vinyl record 300 years from now, just like we can go into a special library and find the Magna Carta from 1,200 years ago, or whatever, and that has its value.
David Payne: Yeah. And even with the scratch or too you can still play a record, and in some way that’s the whole feel of the record, that scratch.
Bill Carey: It is true. And if you get a scratch on the top of a CD you can kill the whole CD.
Eric Carzon: Exactly.
Bill Carey: Exactly, it can't quite handle it.
Eric Carzon: One of the reasons they used a record for the Voyager probe, so the Voyager is out there, but after 40 years, and what does it have on it? It's got a copper record on it with a makeshift record player, because that is a durable--
Bill Carey: That's right. They did include a record player where they think they wouldn’t have to depend on the aliens to invent something to play it.
David Payne: And now a brief message about MCPL services and resources.
Febe Huezo: Looking for guitar lessons for your child? MCPL has you covered. With artists work you can learn to play a new instrument, take voice lessons or try something special like jazz piano lessons. Sign up today it's free with your library card. For more information about artist work check out the link on this episode show notes.
David Payne: Now back to our program.
Julie Dina: So here we are in 2018 talking about vinyl records, retro tech devices, and I can see the excitement between Eric and Bill. I can see the excitement in you guys. Is there any particular favorite device that actually made a comeback that you guys were like, "Oh my god, I’m so glad this is here."
Bill Carey: I’m actually shocked that vinyl records came back, because I thought it was going to be too expensive, too -- But it's actually a boon for the music industry, if you think about it. Vinyl records couldn't be copied easily, even though you could make tapes of them and cassettes, they didn’t quite sound the same.
And when CDs came out that was like the big loss for the record industry. They thought, "You will make all this money on CDs." They were cheaper to make, they could put them out, but the fact that it's digital and all of a sudden with the internet and people are having more powerful PCs you can download these digital files, all the music is available and can be copied and pirated that hurt the music industry.
The recording industry it's a cut through business but also it's kind of interesting. Seeing vinyl records come back, well that's one royalty the record company or the artist is sure to get because you are buying that record. Now, somebody can buy used album but then again it's degraded, somebody else hasn't taken care of it.
You want to buy the new record album to sound the best it's kind of interesting to see all that work. But, whether it's going to hang on or not I don't know. But, the record industry loves having vinyl coming back at least to a small degree.
Eric Carzon: Now, back to your question my couple of favorite retro texts is the human voice in my opinion is the retro tech I'm most excited about, I am so happy that acapella music has come back into vogue and made such a big splash with Pitch Perfect, and my kids love that movie.
Julie Dina: I love that movie.
Eric Carzon: I loved it in college, and I know it never really went away, but for a while it was like not popular. You had to be a nerd or geek or just like in a low level to be appreciated. So I’m glad it sort of made this resurgence of, "Hey, you don’t need all these high tech stuff to make music. You can have a bunch of people together, and they can make something that's really exciting."
That to me is an exciting retro tech, and I think acoustical instruments to me is retro tech, and there's a plethora of them, sort of much more popular, and much more used now than I think they were in let's say the '70s, and '80s. Ukulele for instance in particular was just sort of a little boutique instrument, then it sort of had some heyday in the 60s and 70s, went away for while, I think now it's coming back in a big fashion. I think that’s pretty--
David Payne: Quite a revival.
Bill Carey: Martin Guitar said it's their fourth ukulele revival actually. Ukulele first came out and strong in the early 1900s, in the '20s then they went away. In the 1920s and '30s you see ukulele parts in all the sheet music. And it resurged a little bit in the '50s it went away in the 60s, now it's coming back really strong
David Payne: Now it's coming back again.
Bill Carey: It's just amazing how things go around. But nothing is going to beat the human voice, you're right. That’s why this shows like The Voice, and when you hear a good singer, there's something compelling about that. If somebody sings like themselves in their own voice, and they are a good singer, well you've never heard that before, if you really think about it.
You've never heard that person sing ever before from anyone else, even though it may be similar it's not exactly them, and that’s still compelling.
David Payne: Well we've talked about things that have made a comeback. Let's turn the question on its head, and if I can ask you, can you think of examples of person, older technology of any kind that hasn’t made a comeback that you would like to see reappear. Let me start with you Bill.
Bill Carey: Well, that’s a tough one. I do like tube technology, tube circuitry, I think it's interesting, although it is expensive, it is still out there. I find it fun to work on, of course no cut music, legitimately going to make a tube radio. It costs so much, and you can have a better radio on your cell phone, or you get on a tube.
But the fact that you can manipulate the electronics and actually tune the actual sound of the instrument, or the radio, AM radio is not a good example, but for music instrument amplifiers the tubes make a real big difference, and that's why they do make boutique amplifiers for guitars that are two or three thousand dollars, even more, going up from there, depending on where your maker is.
That's kind of interesting, although I don’t see that’s coming as wide spread for everybody. It's kind of interesting. Again, Eric and I were talking about old day AT & T phones, the old bell system phones. And I still hear some from his father working on the industry. Those phones are made the last -- they build the last a couple of centuries, they'll never wear out.
I have a couple that still work. They are hooked up to my house. I’m an early adopter of FIOS, but my dial phones still works on the FIOS line. They give you a battery pack to make sure your old phone works, The phone company was amazing. They said, "This is the battery to operate the bells on your telephone." Because I told them, "I've got these dial phones., are they going to work?"
They said, "They sure will, unless you lose power." And sure enough they do. When you use it like -- I've got a neighbor who's 99 years old, he still calls me on the old dial phone. That’s the old house phone, he doesn’t know my cell number that well. That’s how he reach out. Of course all the rest of the calls are crank calls, but that's life in 2018, so, unfortunately.
That’s where I like the old phone. I'm thinking, it's neat, but it sure doesn’t have quite convenience of a cell phone, but it still it has heft, it has weight.
David Payne: It has the quality.
Bill Carey: Yeah, the quality and that weight, and the idea of you -- you hold that phone, and that’s also fun to freak out on nine year old neighborhood kids, and they want to call home, "Here, try this." "How do I work that?"
Eric Carzon: I'm totally with bill on tube technology. I describe it as the Patsy Cline sound. There is just sort of warmness to the early era that it is really a special sound, and I love technologies that will replicate that, and then I would love to do manual crank technology. A lot more of that so that when all the lights go out we'll be able to see something. And I was watching this Grade-B Sci-Fi/Horror Flick.
One of the interesting things about it, I don’t even remember its name. But one of the interesting things about it was, all the computers in the super high-tech space ship that flew from earth, to like Alpha Centauri, or someplace really far all had little cranks on them, because they anticipated like, "Oh my gosh, if all the power runs out in the space ship we need to be able to like fire up the computers so we can figure out what quadrants of the universe we're in.
Julie Dina: Isn't that great?
Eric Carzon: Yeah, So the dude benched out, and he cranks it up. And all the little lights on the computer come on and I'm like, "Oh my God, that's so awesome." I think that will be a really cool retro. We have those little prank powered radios, with like tiny little LED lights. It'd be fascinating if that technology made it just a little bit further. You could like bicycle up your whole house and run it for an hour or something.
Bill Carey: Going further back, I have an old Victor talking machine, a wind up record player from 1910. I inherited it from my great aunt, and it still works, and it's -- you literally crank it up and it plays the '78 album. And I have albums from Enrico Caruso, and all kinds of different artists, from the early parts of 20th century, but I always wonder how far that technology could have taken had they … it's totally mechanical.
There is nothing electronic on it, it's not operating any battery or charging. It is totally running on a main spring, and resonance going this system to produce the music. It's like a mica diaphragm, it works. It sounds great.
Julie Dina: So, while I have both of you here, and since you're the experts, I haven’t heard you mention the VCR, and I've been praying and hoping that that will come back. You want to know why?
Bill Carey: Why?
Julie Dina: I have tones of VHS tapes that I've kept hoping that this day would come. So please, tell me, do you know, do you have any idea if the VCR will be making a comeback, at least for my sake?
David Payne: For me as well. Tell me before I start converting all my VRSs to DVDs too.
Julie Dina: And I think for Mark, our producer too.
Bill Carey: All I would say is scour the yard sales, buy free used ones because I knew a guy who could fix them, but I don’t anybody now who can really get into them. They're quite complex inside, but you can have your VCR, your tapes converted to digital visual stuff if you have it linked up to the right system, it's just the quality is not going upward what you're going to see on a modern digital camera, because it was done on VHS.
It's not that the old line system. But you can still play the tapes. I have a bunch of tapes of my children being on VHS, and the same situation. When the player dies, there it goes. Isn’t that the problem with all these archival mediums? If you don’t have the device to play it, it is like five and quarter floppy disk.
Some law firms had all their stuff on five and quarter disk, and I remember a guy who got a job converting all their files, and he was the only guy in this company you could find that had a five and a quarter disk drive, he charged him $500 for the disk drive, because it was unavailable anywhere else, they needed it to hook up to a computer to convert all their files over to modern technology.
VHS is kind of the same thing. Whether that’s -- or Sony Betamax. Betamax is actually a better system, but they lost out in the market place because they were too proprietary, they didn’t share it. VHS was cheaper, and beat them down in popularity. Because they were less expensive, just like Windows and Macintosh, same thing.
Eric Carzon: I don’t think video tape will same comeback that vinyl has, because there's nothing special about the video tape medium. It's not -- All that stuff that we described about the experience of a vinyl record, I don’t think you can say that for tape, it's just a medium, and the disk medium is superior, and even the disk medium is going to be overtaken by digital just as soon as possible, It's already starting to happen.
I think you should convert it as soon as possible, like if it's of value to you like a personal thing like a wedding or whatever. You need to get that converted as soon as possible. There's plenty of stores now that we'll do it. You can find them on Rockville Pike, and Damascus, and other places, they exist if you Google video editing, or whatever, you'll find it.
You can probably find it on the internet as well, but there're services that will take your old 16 millimeter, or your VHS, or whatever, and now converted it down to digital, that's expensive. You probably only want to do it for something that has a personal meaning. If you just want your copy of ET to live, just buy--
Bill Carey: Of course. [inaudible] [0:30:46] like that, but-
Eric Carzon: Finding a library or whatever. We have of the DVDs in the library, but I would definitely convert your stuff. And you can do it yourself too. There's still stuff on Amazon, the best buy where you buy the little plugs and software, and you can just download from whatever device you have, whatever player, and basically it'll -- you can buy whatever converter to take output of that, plug it into your USB drive, download it on to some little piece of software.
And basically once you get it in the digital format then you're able to keep archiving it or copying it or switching it from format to format. Get it into digital format before it's too late.
Bill Carey: Somebody on YouTube can show you how to do it too, I'm sure.
Julie Dina: So, what you're both trying to tell me is no revival there?
Bill Carey: Not that I can see happening, but I was shocked about vinyl records, so what do I know.
David Payne: And tape is a medium that will die. I converted my audio tapes too late, so some of my conversions are very wobbly, because metallic tape does not last, it will die. Even if you don’t play it it will die. After 20 or so years the magnetic properties of the tapes start to wear away, and you lose it. So, you definitely want to convert it if you care about it, because otherwise it will be gone.
Bill Carey: VHS tapes do have very good audio though, because it's an equivalent of like 30 inches per second. I compare it to regular wheel to wheel tape recorder, you'll get much better fidelity. If you had a concert or something on VHS, even though the image may not be that great, the audio should be very good, and a lot of them are recorded in stereo.
So, depending on the quality of the recording, the audio can last and be very impressive when you transfer, so that’s one thing to think about.
Julie Dina: That’s good to know. Thanks guys.
Eric Carzon: One more thing about that. The poor man's way to do it, like if you don’t want to bother with all that play it in whatever medium you have. So if you still have the working VCR player...
Bill Carey: And a TV that can play it.
Eric Carzon: Plug it into VCR, take your cell phone, you record it with video, and at least you'll have it. If nothing else maybe do that with your wedding video before you send it off to the photo editor, just in case they stick it in the machine and it gets eaten.
Bill Carey: Right, Record it. It's okay if it's an old CRT television that can play that VHS tape in the right format, because a new TV you're going to see the quality difference pretty -- If you can't even hook it up that’s one thing. I have new television I couldn’t connect any of my old VHS players to it, because the plugs we're different, they're all HTMI now, that I don’t have the old RCA connectors.
You might need an older television to go along with your VHS player, if you're going to play those tapes just seeing--
Eric Carzon: That’s what make adaptors for. You might have to plug like 15 cables to [inaudible] [0:33:27] each other
Julie Dina: Just to get it to work.
Eric Carzon: You can get it from those RCA type video outputs, to HDMI, it's possible. But you might need like two or three little things in between.
Bill Carey: I don’t know if I trust that, half way through they got them unplugged.
David Payne: Well, now that we're feeling totally nostalgic we typically close each episode by asking the guests what you're reading now. So--
Julie Dina: Or in their case what they're listening to.
David Payne: What they're listening to, yeah. So, let's start with Eric.
Eric Carzon: All right, a couple of things that I'm reading now. One is this book I got that the system doesn't quite own yet, but we're going to order it. It's called, Vinyl the Art of Making Records, by Mike Evans. And it's a great little piece because it talks about the albums, and it also talks about how they're made. It's got a lot of cool pictures about showing like how a vinyl record is pressed.
I'm also still reading through John Corbett's Vinyl Freak. I've read like about a third of it, and that's a pretty book, and the system owns that one.
David Payne: Bill?
Bill Carey: I'm not reading tentacle right now, I'm reading a book on Roosevelt's, from the PBS special. I found it in the book sale, and Cars, Cars, Cars. I don’t remember the author, but the history of automobiles from -- it was written in 1967, it's really interesting because it's 50 years ago, of the earlier details was quite much more extensive than anything found today. Because they really cover -- This guy covers the '18s and '20s like no other book I've ever seen, so it's really interesting that way.
David Payne: Great. Thank you both very much.
Eric Carzon: Thank you.
Bill Carey: Great.
Julie Dina: Once again I'd like to thank Bill and Eric for joining us today. Let's keep the conversation going by following us on Twetter, Facebook, Instagram, and Pintrest. Don’t forget to subscribe to the podcast on the Apple podcast app, Stitcher, or wherever you get your podcast. Also, please review and rate us on Apple podcast, we'll love to know what you think. Thank you for listening to our conversation today, and see you next time.
David Payne: Are you ready okay so we brought a vinyl record player with us, courtesy of friends of the library and my George Benson, Give Me the Night Album will give you a little taste of it, from the real vinyl.
[0:36:21] [Audio Ends]