Adrienne Miles Holderbaum: Welcome to Library Matters, the Montgomery County Public Library’s podcast.
Alessandro Russo: Hello and welcome to Library Matters. I’m Alessandro Russo.
Mark Santoro: And I’m Mark Santoro, the Library Matters’ Co-producer, filling in today for David Watts.
Alessandro Russo: Are you an adult who reads teen fiction, or do you see teen books as just for teenagers? Today’s teen books also called YA or young adult books are more than broken hearts, dystopia and mystical creatures. Today, we talk to two librarians who enjoy teen literature and can give you book recommendations for you to take a second look at YA literature. Please welcome Agency Manager of Potomac Library, Tina Rawhouser.
Tina Rawhouser: Hello.
Alessandro Russo: And librarian at Marilyn Praisner, Annie Seiler.
Annie Seiler: Howdy.
Alessandro Russo: Thanks for being here, Tina and Annie. You’re both adults, why are you reading teen books? What do you like about teen books?
Annie Seiler: Go ahead Tina take it away.
Tina Rawhouser: Okay. So for me I started reading every little bit of everything anyway, but I started reading more teen fiction when I started working more in teen services here in the library system. So for about the last seven years or so, I’ve tried to read more teen fiction. So I know what I’m talking about when I’m talking to teens so that when I’m helping them and when we’re having book discussions, I know what they are reading. And I found that I like it too. There are plenty of interesting books that adults can enjoy that are considered teen or young adult literature.
Annie Seiler: And I read them because I think that they are a lot of fun. And as the teen librarian over at Praisner Library, I get a lot of questions from people of all ages asking what books to read. And so – and oftentimes, if there’s an adult fiction book that’s not quite there that they want to read and I turn people over and say, “Well, have you ever read young adult fiction?” And they really just have a certain positivity about them. Maybe some of the books are – take place in dystopian societies and stuff where the world is ending, but they expect to be better at the end. You expect a happy ending.
Tina Rawhouser: There’s still hope.
Annie Seiler: Yes, yes, exactly. Whereas a lot of – some – not a lot of adult fiction but enough adult fiction does tend to have so much heavy weight of life just dragging down the narrative and family drama and years of regrets that’s just not there in the teen fiction.
Alessandro Russo: Kind of too much for teens in the sense to hold the emotions and tags along with those adult fiction books.
Tina Rawhouser: Well, I think too with adult fiction the themes in adult fiction and teen fiction are similar, you know, world ending, drama and tragedy, life, love, romance, sex, violence, all that in teen books as well as adult books. But I think in adult books, it tends to get long-winded sometimes. There’s a lot more description. It’s more literary in some ways in some of the books. And it’s just written for adults who want to read these lengthy things. And the teens aren’t as interested in that, so we do have the same themes but in a slightly different perspective really. And that’s one of the things I appreciate about it. I don’t particularly enjoy too much literary fiction but I will read more literary teen books versus adult books. I don’t know if that makes any sense, but–.
Mark Santoro: Would you say that teen books are more optimistic or positive than adult books or is that going too far?
Annie Seiler: I think it depends.
Tina Rawhouser: Okay.
Annie Seiler: I really think that it depends on the point of view of the author. And I find that you do have a lot of literary authors who have that weight. And a lot of the teen writers, they are still – maybe it’s just the authors are just silly, or not silly, they’re still positive people.
Tina Rawhouser: I think too it’s when as a teen, teens still have a lot of life ahead of them. So even though they’ve undergone something, you know, in a book that is –
Annie Seiler: Traumatic.
Tina Rawhouser: – traumatic, tremendously traumatic, you know, death, grief, there’s still a little bit of hope at the end because there’s life ahead of them and they’re looking forward to that. I think in adult books, we tend to be a little bit more cynical. You know, there’s not as much life left ahead of us as there is for teen. Hopefully there’s still a lot of life left ahead for most of us. But I think in adult books, there is a lot more ambiguous and heavy endings, whereas teens as Annie said, the ending can be more optimistic because there’s a future. Even if the future is uncertain, the future is there, we’re looking forward to it, we’re going to do something good, is what I get from teen books.
Annie Seiler: And I think also in teen books, they’ve enjoyed telling us – the authors enjoy telling a story. Sometimes there are more literary teens books that really draw you in in a way that you have similar lines with adult literary fiction. But overall, they’re out to tell a good story.
Mark Santoro: I have heard that teen books are more pros-oriented, more plot-oriented. Does that seem right?
Annie Seiler: Sometimes. There have been teen books that I have read that really are solely character driven. One of them that I know – that I will reference in particular is Challenger Deep by Neal Shusterman.
Tina Rawhouser: Yeah.
Annie Seiler: That one is entirely character driven because the story exists in two places. But those two places are both in the main character’s head.
Tina Rawhouser: Yeah.
Annie Seiler: The premise of this story is you’re following this boy’s descent into schizophrenia.
Tina Rawhouser: Yes.
Annie Seiler: And he is in high school. And one thread of the story, he is on a boat sailing to the Marianas Trench to go dive down. And that’s how the schizophrenia is talking. And the other thread of the story, it’s what is actually happening in reality. So that is an example of a story that is fantastically literary because you are taken with the main character who I cannot remember the name of, but it’s entirely character-focused. So it truly depends on the book itself as it would for any other type of fiction that really is how the author choose to weave their story together.
Tina Rawhouser: Right. I agree. And I’m thinking along the lines of literary fiction for people who do enjoy that. One of my favorite teen books is really one that I think has crossover appeal for adults which is Code Name Verity.
Annie Seiler: Oh, yes.
Tina Rawhouser: And I had a really hard time getting into this book. But about halfway through, there is a narrative switch. And once that switch happened, it just completely sucked me in and I could not put the book down. I put it down many times over six months trying to get through the first half. Once I got to that midpoint where the change happened in narration, I could not put it down. And I stayed until 3 o’clock in the morning to finish the book.
Annie Seiler: Yes.
Tina Rawhouser: Because it was just – it blew my mind. I mean it just really grabbed hold of me. And it was very, very well-written and not – you know, it’s plot-driven but it’s also got all the intricate twist and turns that I think many adult novels have that not so many teen books do. That one I think is definitely on a higher level.
Annie Seiler: Well, and perhaps that expectation is that teen books don’t have this when in reality not all adult fiction may have that. I think it really depends on the type of book that you want to pick up. And, yes, there are the really teen romance books that they’re like, “When am I going to get my next boyfriend? Oh my goodness.” But then they’re starting to – then you have others that are really, really intense.
Tina Rawhouser: Yeah.
Annie Seiler: And so many of them tap into a lot of current social angst, not even of the current age group that you are working with the teens or going through with finishing high school and going into college, coming into their own bodies, and all of the crazy, messy stuff that comes with that. But then you have – then you throw in the social drama of – for example black lives matter, are being an undocumented – finding out that you’re an undocumented resident. And what happens then? What happens when your entire world gets turned upside down?
Mark Santoro: What books did you read as a teen? And are those still around?
Annie Seiler: Okay.
Mark Santoro: What’s the shelf life of teen books?
Annie Seiler: I think that it really depends on – and this is a theme that you’re going to keep hearing me say. I think it really depends on the book itself. The books that I loved reading as teens, I read classics. I loved Little Women.
Tina Rawhouser: I read a lot of classics too. Yeah.
Annie Seiler: I was all about The Hobbit and Lord of the Rings. I loved my fantasy novels.
Tina Rawhouser: I maybe showing my age, but they’re still around. I read a lot of Harlequin Romance novels when I was a teen because that’s what my mother read. And they were short, they were easy to get through. And by the age of 20, I had read so many of them that I was a romantic cynic thinking, “Why are all these 18-year-old girls, the stars of these romance novels falling in love with 36-year-old man?” As an 18-year-old, that was just bizarre to me. But that’s what was around the house and that’s what I read.
And my father read a lot of high fantasy, Hobbit, books by David Brooks. And so I read a lot of that too. I mean it was kind of two different ends of the spectrum. And I remember reading a lot of classics. I can’t remember any particularly teen books, books written for teens that would have been considered teen fiction back then in the olden days.
Annie Seiler: And you also had I think one of the first teen series that went I guess more mainstream that people now remember is Sweet Valley High.
Tina Rawhouser: Yes.
Annie Seiler: And my mom would not let me read those because she thought they were too grown up. But then –.
Tina Rawhouser: Oh my goodness.
Annie Seiler: I was maybe 11 or 12.
Tina Rawhouser: Right.
Annie Seiler: And she didn’t like the covers. But I would read anything I can get my hands on. And wait, I didn’t have the access to the Harlequin Romance and stuff. So I real – I went to the library and just as much as I could, Michael Crichton, the classics. Like I think I already mentioned, Little Women, fantasies. And that’s really where I prefer to be whenever I would go to bookstores and stuff. I would go to the high fantasies because it was just the total escapism of versus growing up in rural America. You didn’t have a lot of choice for – other than what was at the library then you get to go to the big city and get – go to the bookstore. And – I mean, and this is also pre-Amazon, pre-Kindles.
Tina Rawhouser: Right.
Annie Seiler: It was the half price books.
Tina Rawhouser: The genre, teen literature has really developed and grown over the last probably 10 to 15 years, which is I was not a teen 15 years ago. So, you know, it’s developed since after my teen years. But I think it’s kind of funny that I read a lot of teen books now not just because I work with teens anymore, I’m not as involved in teen services, but because I’ve come to enjoy a lot of the books that I find in that genre.
Alessandro Russo: Has young adult fiction been around as long as adult fiction, or – and there was never a kind of tag on what’s teen and what’s adult?
Tina Rawhouser: Yes. Yes. And I think – I read an article from I think it was The Guardian about this that prior to these books being separated out when teens became sort of a marketing phenomenon, prior to that, the teen books were in with adult books and they had, you know, what is a – why do we consider something teen literature versus adult. And it’s usually because there is a teen protagonist. So when you think about things like Catcher in the Rye, Lord of the Flies, those are all books with teen protagonist but they were never in a section. They were never in the children’s section. There wasn’t a teen section. And they were with adult books. And a lot of adults consider them adult classics. But they’re kind of teen classics really.
Alessandro Russo: Right.
Annie Seiler: I would agree with that that teens have been – the young adult literature has always been around. It just never had the name young adult literature. And that is a modern invention, a modern marketing invention because the publishers and the book sellers realized, “Hey, there is a huge market that these young people can drive that if we provide books to them, they are going to go to their parents and say, “Buy this for me.”
Tina Rawhouser: Yes.
Annie Seiler: And so, it has become so much flashier and mainstream because as a marketing cohort, teens are incredibly powerful.
Tina Rawhouser: Yes, they are.
Annie Seiler: As with – even though they’d have no direct purchasing power, if there’s good fiction out there for them to read, their parents typically will pony up the money. And so that’s why young adult literature as a major genre of the publishing industry has really just exploded.
Tina Rawhouser: Yeah.
Annie Seiler: And it’s awesome. I love it.
Tina Rawhouser: And I think too that teens do have more purchasing – direct purchasing power now than they did in the past. More of them have jobs. They – teens have more disposable income. My stepdaughters have more disposable income than I ever had as a teen because they’re, you know, getting money from family, they’re getting money for chores and things like that. And until I went out and got a job as a teenager, I didn’t have that disposable income. And, you know, I think it’s a different teen world in terms of book marketing and, you know, the cohort as Annie mentioned for targeting them as consumers is very different than it was 15 to 20 years ago.
Annie Seiler: And as an author, not – I’m not speaking as author because I am not, but I know people who are, that they are incredibly excited to be writing for teens because that is the type of story that they want to tell. So many of my friends who are writers that’s where their passion is. They want – as much as we love reading stories in and around teens, they love writing them because maybe it’s harking back to a heyday that they had where things were awesome. And again, there’s that inherent optimism where they want to write a story that is imbued with hope.
And their – as – because they are such a strong marketing force that young adults have, they are given the opportunity to get their work published and put out there. And so it’s just growing and it’s just a huge snowball and it’s fantastic for all involved because you have amazing works of literature coming out into the genre marketed specifically for teens that are great reads. And I think the adults who read teen literature are really some of the largest side beneficiaries of this great boom because we get to – we also get to read these books too. And we’re not being ashamed for it.
Tina Rawhouser: Right.
Alessandro Russo: Plus, we have the excuse of being librarian, so we can go, “Oh, we’re reading it for Readers’ Advisory.”
Tina Rawhouser: Of course, absolutely.
Annie Seiler: Right.
Tina Rawhouser: That’s what I tell my husband. I have this stack of teen fiction romances for high – for summer romances because I have to read it for Readers’ Advisory. Of course baby.
Alessandro Russo: So teen fiction or just teen YA books come in all different varieties. How do you think that impacts teen literature, having so many different genres within the teen fiction?
Tina Rawhouser: Same way it affects adult literature. I mean, it’s something for everyone. And I think, you know, we kind of talked before about the differences between adult and teen stuff. And I think we talked about character-driven, maybe they’re not as literary. But I think a lot of teen fiction is also very issue-driven. It’s tackling something big that teens are maybe encountering in their lives for the first time. Whereas in adult fiction, we don’t see as much of the – it’s not as common to have issue-driven stories as it is with the teen literature. But I think the variety and scope is very similar between adult and YA these days. I don’t honestly see much of a difference.
Annie Seiler: I believe that the different genres within teen fiction and young adult fiction, it is – it reflects the readership, it reflects the authorship. There are people who want to write the sci-fi books with the teen protagonist. And those have been around for decades. Look at Orson Scott Card writing Ender’s Game. That’s another young protagonist. And whenever you look up these books in the Montgomery County system, those are within the adult section. And same as Ready Player One by Ernest Cline. Those are in the adult fiction. I think that it was the time point and as when they were published. That’s what moves them into the young adult area.
Alessandro Russo: Do you find yourself turning to teen books in a specific genre, like let’s say teen science fiction, but then when you started reading adult literature, you’re going to mysteries? Or do you kind of just mix it all up.
Tina Rawhouser: I mix it all up.
Annie Seiler: I don’t really go to teen nonfiction as much because if I’m going to read a nonfiction book, I want a big meaty nonfiction book. And so much of the teen nonfiction is great for school assignments and reading and – but me personally, I love like the big doorstop nonfiction books. But give me teen fantasy and adventure books all day long because those are my hearts, totally my hearts. I love me some Sabaa Tahir and I can just read her all day long.
Tina Rawhouser: I think I go to teen books when I’m in a certain mood to – I listen to a lot of audio books. And sometimes too many thrillers in a row make me paranoid in life.
Annie Seiler: Tina, there’s someone behind you.
Tina Rawhouser: And so, I need something a little bit lighter to carry me through that. And I will, you know, pick up a teen novel, not because it – you know, they still have issues, they still have problems but it’s – there’s a certain lightheartedness to some of it. Right now, I’m listening to The Selection by Kiera Cass.
Annie Seiler: I love those books.
Tina Rawhouser: And, you know, I’ve been wanting to read this or listen to it for a while. And I’m enjoying it because it’s, you know, still interesting, but it gives me a break from some of the really heavy things that I may read or listen to more often.
Annie Seiler: It’s like watching an episode of Frontline, Frontline, Frontline, then going to listening to MPR on your car and then saying, “You know what, I need a break. I’m going to watch The Bachelor.”
Annie Seiler: Yes.
Tina Rawhouser: Sometimes you have to have that little bit of fictional candy.
Alessandro Russo: So is there a teen book for everyone out there?
Annie Seiler: There is. We just need to find it for you.
Tina Rawhouser: Absolutely. Yes, go and ask us and we will – tell us what you like because the more we – the more you know what you like to read, we can give you similar suggestions.
Annie Seiler: Yes. We’re kind of good at that as librarians.
Mark Santoro: How do you think an adult’s reading experience of teen book is different from a teen’s experience reading that same book? Do they experience the same book differently?
Tina Rawhouser: I think everybody experiences the same book differently no matter what your age is. But I do think that age can make a difference because teens have less variety in life experience for the most part than most adults do. So when I’m reading a teen book, you know, I’m looking at it through the lens of being older and wiser we hope. But, you know, teens, this may be something new that they’ve not experienced before and it is, you know, a window or mirror onto something that they haven’t experienced that they can take some sort of guidance from or learn something from so that when they encounter it in real life, they – there is a framework for understanding it. Whereas as an adult, I’ve already got that framework. And I think – you know, I’ve got two teen stepdaughters and what they read and the way they read and understand things is definitely different from my own perspective when we read the same things.
Annie Seiler: I think it’s really important to go back and as an adult read teen fiction because it brings you back into that mindset of, “I remember how I felt whenever I was going through my first high school crush.” This – I remember what this feels like because I’m so far beyond that point in my life. And especially if you are a parent of teens, you’ve gone through the whole process of when they were a baby, when they were a kid and growing up. You’ve spent so long in the mindset of parent, it’s always good to go back and remember what it was like whenever you were that age, especially whenever it comes to struggles that they may be going through. And I think that it’s a good window to the past of your own teenage years. And – but absolutely, adults experience teen books differently. I’ve gone through reading teen books that I want to reach through the pages and shake this kid and say, “Don’t worry about the boy.”
Tina Rawhouser: Yes.
Annie Seiler: You can – you’ll go to college and you’ll meet others.
Tina Rawhouser: I agree with Annie that the window back into being a teen is important sometimes for adults to see especially if you’re parenting teens, there is a lot of drama in teen lives. There’s a lot of drama in teen books sometimes, unnecessary drama, created drama because when that crush turns out not to like you anymore or goes out with your best friend –
Annie Seiler: Or turns into a zombie.
Tina Rawhouser: – it’s devastating to a teen. But as an adult, you know that times goes on and you will get over it, you’ll fall in love again, you’ll hardly get your heart broken again, and you still go on, you know, and find happiness eventually. But I agree with Annie that there are times when I went to reach though the pages and shake the character and say, “What are you thinking? Why are you doing this?”
Alessandro Russo: I mean, it sounds like a fascinating social experiment to like have an adult book discussion group read a team novel and then have that group, a teen group read that same novel and then compare their answers and then flip it.
Annie Seiler: Oh, that can be very fun.
Alessandro Russo: That would be a good social –.
Mark Santoro: New library program.
Alessandro Russo: Yeah.
Annie Seiler: Yeah. I think that should –.
Alessandro Russo: Teens read adult or adults read teens kind of –.
Tina Rawhouser: So book groups that are out there could have a mother-daughter or mother-child session of the book group where you all read a teen book and invite your children to the book group and discuss.
Annie Seiler: Or father.
Tina Rawhouser: Or father. Any – yes. Parent and child I should say.
Annie Seiler: Yes, there we go.
Alessandro Russo: I kind of did that unofficially with the book The Lovely Bones because we have so many different age groups, you know, so curious, different perspectives from a single mom, someone who’s lost a child, from a teen, from – and I kind of accomplished this and it was just fascinating responses, like –.
Annie Seiler: Right. That’s an intense –.
Alessandro Russo: And I read it many years ago when I was single and I still felt for each character even though I never ever had their experiences, you know, so.
Annie Seiler: Which is a mark of an amazing book. Yeah.
Alessandro Russo: How has growing emphasis on diverse books affected teen literature?
Annie Seiler: I think it has been amazing because I feel that from what the – it’s a study in how to do it right. We’re providing an avenue for writers, authors of color, with characters of color, with – from different backgrounds, different sexual orientation, immigrants’ backgrounds to come in, have a push to get these books published and out there in the hands of people who want to read them. It’s incredible. And I am absolutely loving the richness of stories that have come out of these movements. It’s better for everyone involved. Again, with the mirrors. It provides more mirrors for the readers because when I was growing up, it was the Sweet Valley High, those two little white girls on the book covers which looked a lot like me. But now, I am gravitating more and more to characters of color because their experience is so different from what I grew up with, and I want to know what the world is like for them because those are – that’s the population that I serve with in my particular branch. They are customers of color who are coming in, and they want to read these amazing books too. And they deserve to have characters and authors that look like them, that they see themselves in these pages.
Tina Rawhouser: It reflects their world. And I think something in the recent workshop we attended here at the system said this diversity exists in the world. We may not see it in our lives because, you know, as Annie said as a white women, I grew up in a very conservative nearly white area. And now I live in one of the most diverse counties in the county, and I love every minute of it. And I never realized what life is like for anyone who wasn’t like me because that just didn’t exist when I grew up.
So now being able to look at it and being in this area watching my stepdaughters grow up in a much more diverse world than I ever experienced, they need to see these books that reflect what their life is like. They’ve got – you know, in their classroom of 30 kids there are kids from six different countries speaking six different languages with English as a second language. Their backgrounds are all different. Their skin colors are all different. And that’s not something I ever experienced. And I think it’s just amazing that we can offer this now to so many more teens and children than we have ever been able to before.
Annie Seiler: It is so incredible valuable and I think that’s the proudest thing that I feel about being a teen librarian is that we’re able to promote and get excited and say, look at these amazing books that truly are becoming so much more reflective of the world around us. And I think it’s again a study in how to – maybe not a complete study in how do it right. But – because nothing is ever perfect. But it’s a great start.
Tina Rawhouser: Right.
Alessandro Russo: So now that we’re all energized about this teen book, if you’re a customer, you come in to Montgomery County Library, how do you find them? Where are these teen books?
Annie Seiler: They are in the young adult sections. And which ever bridge you want to come into, you can come and ask the information desk and we will let you know. We will guide you to the really amazing ones that are out there. We also have some great list on our website. If you are a fun of a particular genre, like if you like the mystery books, if you like fantasy books, if you like LGBT books, we have great curated lists of books that have come out in the past 10 years or so that count or within this genre.
Tina Rawhouser: You can also take advantage of What Do I Read Next.
Annie Seiler: Yes.
Tina Rawhouser: Our online readers’ advisory service. And our catalogue, searching in the catalogue and narrow things down to young adult or teen materials.
Annie Seiler: Specific to your branch if you’d like it. And if you have – if there is a book that is – that you want to read that has been on your radar and it is not currently available to your branch, ask a librarian to put it on hold for you, and we will send it to your branch to pick up and then you can join us on any of our social media platforms and just rave about how awesome this young adult book was. Let yourself be surprised by the amazing writing that’s out there.
Alessandro Russo: So if an adult approaches the information desk and they have no clue what they want to read and a YA book just pops in your head, how do you kind of convince I guess that adult to kind of test out this YA book?
Tina Rawhouser: This is one of my favorite things to do to adults who come in and ask about things because I’ve read so much teen fiction and literature that in some genres I have a better knowledge of what’s in the teen section than I do of what’s in the adult section. And if we’ve gone through a list where an adult customer is looking for five different books and we don’t have any of them on hand and they want something in their hand today to take home with them, I will – you know, something comes in to my head that’s young adult, I will say, you know, “Would you consider reading a young adult book?” You know? And depending on the expression on their face when I ask that question, sometimes it’s easier, sometimes it’s harder to guide them in that direction. But I love recommending things like Code name Verity type – not much in several time. Things like The Book Thief too is a really good crossover –
Annie Seiler: Yes.
Tina Rawhouser: – for people who, you know, think teen fiction can’t be literary. It can be very literary and very interesting. Ender’s Game and Ender’s Shadow which we mentioned at some point during this before by Orson Scott Card. Those are great for sci-fi fans. Books by Terry Pratchett, there are a lot of them in the adult section. But there is a young adult series that’s never shelved in the adult section that I think is my favorite subseries of his. And he is one of my favorite authors. And the first book is the Wee Free Men. And it’s just tremendously fun. So for people who are looking for something a little offbeat, I will take in that direction too. You know, I think as long as an adult has an open mind about it and they’re willing to give it a try, then they will find they enjoy some of these things that are a kind of crossovers between young adult and adult fiction.
Annie Seiler: Usually whenever I approach that question, if a – if I’m recommending a murder mystery to a patron and they’re kind of a little bit tired in David Baldacci, there’s not a Scott Turow available for them, there is a couple of particular books that I would recommend within the young adult section if they really like those types of mysteries. This is Our Story, by Ashley Elston. That is a great murder mystery and a fantastic who’ve done it that’s written with teen protagonists and antagonists.
It’s really easy to find books that are written in – as for historical fiction and fantasy books within the teen section for adult readers. The books by Ruta Sepetys, The Salt to the Sea and Between Shades to Gray. Those will have you bawling. But they’re such amazing stories that if you’re a fan of historical fiction at all especially World war II fiction and survivors, you have to read these. And there is really no difference between those that you would – those two books. And ones written by Kristin Hannah are Tatiana de Rosnay as far as that amazing time period.
And there are – if you’re – if you prefer reading more grown up romances, there are absolutely some of those. There are two that that have less of the, “Oh, he’s my crush,” struggle but true romance in these books. Sarah J. Maas is one of those writers that if you enjoy high fantasy fairies but a good strong female main character as she grows into her romances, it’s fantastic.
Alessandro Russo: Our favorite question on the show is to ask what’s your favorite, in this case, teen book or what is currently in your nightstand?
Annie Seiler: Currently, my favorite teen books, again, they’re with – they’re fantasy fairytale retellings. That’s just my favorite go-to for a fantastic read. But the ones – the books by Leigh Bardugo. You have The Grisha Trilogy. Those are really good action stories with the fantasy background. But it feels like you’re reading in a fantasy Russia. And then she has some – a couple of great spin-off books that really if you like your antiheroes, Six of Crows, Crooked Kingdom. Those are such fun books to read. And if you’re going on a plane ride, they’re nice big thick books too. So that will last you a while.
And I’m also a huge graphic novel nerd. So one of my other gateway to graphic novels which also for teen fiction, you have a great selection. But my favorite through there is Nimona by Noelle Stevenson. It’s hilarious. It’s wonderfully drawn. And it’s a great struggle between who truly is the hero and who are villains of the story, and what does it mean to be a monster.
Tina Rawhouser: For me, I tend to – the first thing that came in my mind were along the fantasy line also because that’s one of my favorite genres. And while I think it’s really cruel to ask librarians what your favorite book is because we read way too much and we have too many of them –
Annie Seiler: Yes.
Tina Rawhouser: – what I came up with was the Cress series by Marissa Meyer.
Annie Seiler: Marissa Meyer.
Tina Rawhouser: The first one was just Cinder.
Annie Seiler: Cinder.
Tina Rawhouser: It was tremendously fun to read. It’s a modern retelling, a steam punk retelling of Cinderella. And –.
Annie Seiler: Cinderella is a cyborg in this series and she’s awesome.
Tina Rawhouser: She is awesome. But I’m – as I also mentioned, I’m reading The Selection by Kiera Cass. I love the Terry Pratchett series, The Wee Free Men series by Terry Pratchett. I loved Code Name Verity.
Annie Seiler: There are way too many.
Tina Rawhouser: They are too many. It was really hard to come up with any answer for that question.
Annie Seiler: There is also so many really good realistic fictions out there. One of the books that I keep looking on our shelves to pick it up but it’s been checked out ever since it was released was The Hate U Give by Angie Thomas.
Tina Rawhouser: Yes. That’s on my to read list also.
Annie Seiler: Yes. I’ll arm wrestle you for it whenever it comes into the branches. We’ll go check on the shelves and see and we’ll have an arm wresting contest for it. But that – that is a book that falls within the – we need diverse reads that follows the story of what happens when you have what witness to a police shooting of an unarmed man. And it’s – I cannot wait to read it because it’s just been getting so many great reviews.
Tina Rawhouser: Yes.
Annie Seiler: And so those types of realistic fiction books within the teen – within the young adult new books. If you see it, pick it up because it’s going to be off the shelf the next hour. They go like hot cakes.
Alessandro Russo: So we want to thank both of out guest, Tina and Annie. And remember keep the conversations going by following us on Twitter, Facebook, Instagram and Pinterest. Don’t forget to subscribe to the podcast on iTunes, Stitcher, wherever you get your podcast. Also, please review and rate us on iTunes. We love to know what you think. Thank you for listening to our conversation today. See you next time.
Annie Seiler: Bye.
Tina Rawhouser: Bye.