David Payne: Welcome to Library Matters with your host David Payne.
Julie Dina: And I am Julie Dina.
David Payne: And for today's episode we're turning to summer, read and learn the MCPL Summer Reading Program and joining us today, we welcome the return of two guests who are very knowledgeable in that subject. Both members of the MCPL Summer Read and Learn Committee, Christine Freeman, the Acting Branch Manager and the Olney branch, welcome back Christine.
Christine Freeman: Thanks for having me.
David Payne: And Amy Alapati, the Head of the Children's Services at Damascus Library. Welcome back Amy, good to see you again.
Amy Alapati: Thanks, it's exciting to be here.
David Payne: And to begin with, let's talk a bit about the Summer Read and Learn Program. As we head into summer, the weather is warmer or hopefully weather's warmer. School's out, summer camp is in, people go on vacation. But why is Summer Read and Learn so important as a program?
Christine Freeman: So summer reading programs help to prevent summer slide according to American libraries magazine, children who read four to five books over the summer help prevents them from experience a loss in reading achievement. We know that children from low income families are at the highest risk for summer learning loss and summer reading is a way that the library can help to close the academic achievement gap. And also it's fun.
David Payne: It's fun too yeah. Amy, do you have anything to add?
Amy Alapati: Well, as with any learning, any skill that we learn, if we don't practice it, we easily forget it. So practicing reading during the summer helps keep up that scale. But on top of that, the Montgomery County Public Library Summer Reading and Learning Program, engages kids and connects them to books and literature in a fun way, combining reading with hands on activities.
David Payne: There you are, you heard it the fun way.
Julie Dina: It sounds great. Well, now that we know how important it is to read over the summer, can you tell us specifically about MCPL Summer Read and Learn Program, for example, when does it start, when does it end and things like that?
Christine Freeman: So the program will start on June 15th that's a Saturday after kids get to school and it would be ready at the branches to sign people up, sign kids up. It does end on August 31st that's the last day of our program.
Julie Dina: Amy?
Amy Alapati: If you want to know how to sign up for the Summer Reading Program, it's all online through the library website. We use an interface called Beanstack. So you can sign up at home using your own computer or tablet or you can sign up in person at the library. Either way, you need to make sure to visit the library in person to pick up your game board and your minor league baseball ticket at the information desk of any Montgomery County Library after you sign up.
Julie Dina: And now can anyone participate in this program?
Christine Freeman: We do have programs for zero to age 17, so we have a program for little ones, early literacy zero to five. We have an elementary school program, six to 12 and a team program 13 to 17.
David Payne: So, does one need a library card to take part in the read and learn?
Amy Alapati: No, you don't need a library card, although it would be great to get one because it is free and it gives you access to tens of thousands of books, movies, audio books, exclusive online resources and so much more.
David Payne: And is there a theme this year?
Christine Freeman: There is a theme, it's a universe of stories in celebration of the 50th anniversary of the moon landing this summer and we will be celebrating all things space.
Julie Dina: And for those who cannot see – actually David is already celebrating…
David Payne: I’m already into it already…
Julie Dina: Because he's wearing a tie with the moon and space, but that's really cute and fun.
David Payne: Yeah.
Julie Dina: Now, now that you've mentioned there's a theme, if there's a way we can talk a little bit about the team program for this year, because I know for my outreach I do get a lot of teens asking me if they have anything specific for teens during the Summer Read and Learn Program. Can we touch a little bit on that?
Amy Alapati: So teens also sign up online and track their activities online, but instead of a game board, they'll pick up a bookmark and each time they complete an activity and log it online, they'll earn a raffle ticket. The activities include things like sign up for summer reading, that's an easy one. Read for one hour, attend a library program and write a book review. They can repeat those last three activities as many times as they want to earn more raffle tickets, but now that they've earned the raffle tickets, they're eligible for two different types of raffle. One is a branch raffle and the other is a system wide raffle. The branch raffles for free books are held every other Friday in July and August. Teens just need to earn at least three raffle tickets to be eligible for those. But there are also county wide raffles to win themed prize packs, including one with a classic Super Nintendo. For those raffles, teens have to earn at least six raffle tickets by August 31st and they get one entry per person. The drawing will be held on September the 3rd and there are eight different themes for those prize packs. Did you want to hear more about those?
David Payne: I think so, yeah.
Amy Alapati: All right, so there's the at the movies theme, which includes an AMC gift card, popcorn, drinks, candy and books. There's a book nerd themed Bundle that includes a kindle fire and several author autographed books and a bookmark. There's an Instax pack, which is an Instax Mini 9 camera. The case, the film that goes with it, Selfie Lens and a Color Lens, a photo album, a frame and some stickers. The forth pack is a Harry Potter Pack, which includes the board game, Harry Potter Clue, a coloring book, a Griffin door water bottle, a Mischief Managed PopSocket. There's a gaming bundle that includes that Nintendo classic edition, also a $25 GameStop Gift Card and a Game Boy Stadium Cup. There's a music lover pack that's includes a $25 iTunes Gift Card and Mpow Bluetooth headphone set and Oontz Angle Bluetooth speaker. There is an artwork pack with an iPhone charger, a sticker face set, a coloring journal and markers, pen and pencil set. There's a doodles notebook in that and a watch from a draw at the game and a flipbook kit. There's a lot packed into that one pack. And the final one is an anime and Manga themed box, which includes a Bento box, Manga drawing book and kit, a Crunchyroll mystery box, Origami paper and a book and some chopsticks.
Christine Freeman: Lots of fun stuff. And I've played that classic and yes it's lots of fun.
Julie Dina: I've got to say though, after hearing all those prizes, can I be a teen again?
Christine Freeman: We’re hoping it will inspire them to come, look at our programs and do lots of activities in reading with us this summer.
David Payne: Certainly a great selection.
Julie Dina: Yes.
David Payne: So if someone is lucky enough to bet to be a winner, how will they know they've won a raffle prize?
Amy Alapati: A staff member will contact them by email or phone number.
David Payne: Okay. What’s the last date for actually picking up the prizes?
Amy Alapati: For the teen program, the raffle doesn't happen until September. So there will be a deadline given then, but for the kids program, the last day to pick up prizes is August the 31st, and we will notify about individual branch prizes for raffles and those – the staff will let them know when the last day the pickup is.
Julie Dina: Well, it's known that generally for summer reading it always comes with lots of reading, but this year everyone's wondering are there going to be other activities which are not just limited to just reading books for our Summer Read and Learn Program?
Christine Freeman: We do have many activities that kids can choose from. They can actually read a book or do an activity depending on what the kids want to do. So the activities might be like go out and look at constellations in the sky, visit our local planetarium, read a book outside with your caregivers, lots of fun things to choose from.
Julie Dina: So sort of like different activities for 1000 books, where it's not just limited to reading and you can sing along?
Christine Freeman: Exactly. And if you have children that are preschool, toddlers or babies sign up for both 1000 books and summer reading, because then you get double the prizes and its lots of fun.
Julie Dina: Yes.
David Payne: Going back to the prizes and I've been asked this question, can you explain to us why does MCPL award prizes for summer reading?
Amy Alapati: Well, kids who love reading will always read just for the fun of it. They don't really need any incentives to get them to read, but some kids need extra encouragement to read and they're exactly the kids who can benefit the most from reading throughout the summer. So since they're a little more reluctant to read, we offer small incentives or prizes to make it even more fun.
Christine Freeman: And we hand out those incentives, we always make a big deal about the accomplishments. We do a lot of praise, a lot of well done, good job and try to help them find more books to read or other activities to pick out as they go along. And this is the first year that MCPL will be giving away books as prizes for those kids that complete, we’re very excited.
Julie Dina: We know everyone looks forward to the highlights of activities and events for the summer read and learn program. What are the highlights you'd like to share with us today?
Christine Freeman: Well, each library has a variety of special events for kids of all ages. So you need to check the website for a complete listing. That's www.montgomerycountymd.gov/library. But to give you some examples, there are family science nights, there are puppet shows, dance programs, magic shows, music, live reptile shows, weekly story times, stem workshops, including those by Energy Express and science in the summer, there's read to a dog at many libraries, there are coding and animation workshops, book clubs, makerspaces, live farm animals, a traveling planetarium and at least one laser light show.
Christine Freeman: So if you have children at home bored and you don't know what to do, take them to the library.
Amy Alapati: And it's all free.
Christine Freeman: Free, it can't get better than that.
David Payne: That’s right.
Julie Dina: Do they have to register for any of these events?
Amy Alapati: Each library has a different system and it can vary from program to program even within the library. So some libraries might give out free tickets just before the program starts. Some might start giving them out in a week or week or two, in advance. Some of them will have online registration, but it depends on the event. So it's definitely important to check the website or check with your local library to find out how to register or get a ticket or just show up for the program that you want to attend.
David Payne: So Amy and Christine, you've had quite a bit of involvement over yes with MCPL Summer Read and Learn Programs. What do you both enjoy about the Summer Read and Learn Program? Let me start with Christine.
Christine Freeman: I think for me it's a sense of accomplishment when a child finishes and they come in and it's very exciting just to see how their eyes like light up and you hand them little prizes, because for them that's important. They accomplished a lot by doing all these activities of reading over the summer. So I never get tired of that, it's always exciting for me to be out on the desk when the kids come up.
David Payne: Right.
Amy Alapati: It lets us make a real connection with the kids when they come in to tell us what they've read and how excited they are, but like selfishly I also love decorating for the theme to get everyone excited about joining. And especially this year, because I'm a real science fiction fan, I love astronomy; I wish I could be a space explorer. I like dressing for the theme, so you will find me in some pretty spacey outfits this year.
Christine Freeman: And just to know that she does have constellation pants on and star slippers on and a moon shirt.
Amy Alapati: Just to get in the mood.
Julie Dina: Christine, did you have anything to add to it?
Christine Freeman: I think just I loved the chaos in the summer. I love when all the kids are out of school and asking for books and I just love that, I feed off it, it’s an exciting time.
Amy Alapati: They bring an energy.
Christine Freeman: Yes.
Amy Alapati: A tangible energy to the library in the summer, that's really exciting for all of the staff.
Christine Freeman: And if you're like me, you feed off of the excitement of summer reading.
David Payne: And it was nice to see you know children who you've introduced to the library during the summer, then you see them again over the course of the school year.
Amy Alapati: Yes.
Christine Freeman: And we do try to do class visits and we do see those kids in the classroom come into the library and say, “Oh, I remember you at our class.” they come and visit us.
Amy Alapati: Even sometimes when you're at the supermarket and they're 20-years-old and they say, “I remember you came to my classroom 10 years ago and taught about summer reading.” It's great.
Julie Dina: What a great feeling.
Amy Alapati: It makes a real impact on their lives, it does.
David Payne: It does and they remember, yeah, absolutely yeah.
Julie Dina: So with all that excitement going on, will the library be providing a summer reading list this year. I know in past years we always have and if we are doing that this year, how can customers find that list?
Amy Alapati: The lists are all on the library website on the summer reading page. So the links to the graded book lists are there and they're there all year round. So, once the lists for 2019 go up, they will stay on there until 2020 rolls around on the kids' site.
Christine Freeman: And don't forget that we do have book lists for babies, toddlers and preschoolers on a 1000 books before kindergarten website as well.
David Payne: So talking of reading this, could you both recommend any good books for this summer or ones that fit this year summer reading theme Christine?
Christine Freeman: So I brought with me today ‘The First Men Who Went to the Moon’ by Rhonda Gowler Greene and this is a nonfiction book, pretty new, I think that would appeal to lots of lots of kids. And then I brought one of our new VOX books. So VOX books are books that can talk and they can read along with your children. And I have a book in front of me called ‘How do Space Vehicles Work’ by Buffy Silverman. I'm pretty sure I'll be taking this home for my grandson when he comes to visit.
Amy Alapati: There were so many books I wanted to talk about right now, so I'll just talk about a few. And Christine mentioned one of them, ‘The First Men Who Went to the Moon.’ But Frank Cottrell Boyce has written a book called Cosmic for it's a children's fiction chapter book and also he wrote ‘Sputnik’s Guide to Life on Earth’ and they're both funny and poignant and charming and have appeal to both boys and girls. ‘Armstrong: The Adventurous Journey of a Mouse to the Moon’ by Torben Kuhlmann in our children's fiction collection is another good one that is mostly illustrated with amazing illustrations, but not quite a graphic novel. Although ‘Cleopatra in Space’ by Mike Maihack is a graphic novel that kids would enjoy. ‘Mousetronaut’ by Mark Kelly if you're looking for a picture book, would be an excellent choice. He Mark Kelly is of course an astronaut and he wrote a charming picture book about a little mouse that goes to space and he notes that it is mainly a true story. I wonder which part is not. ‘Spaced Out’ by Stuart Gibbs takes place completely on the moon for mystery fans that would be a good choice. Some nonfiction that I enjoyed recently, Almost Astronauts, 13 women who dared to dream about women who were in the space program in the 1960s and didn't get to be astronauts, but were in the space program. So that was an exciting one by Tanya Lee stone. And another children's nonfiction book, ‘The Sun is Kind of a Big Deal’ by Nick Seluk, Sun is a Big Deal, it keeps us alive and you can find out how by reading that book.
Julie Dina: It sounds really good, Amy.
Amy Alapati: There are so many more, but…
David Payne: That's a great stock. Christine, you mentioned the VOX books. Can you just take a minute to tell us what makes them different rather children's books and where can they be found in the library?
Christine Freeman: So this can be found in our libraries throughout Montgomery County Public Library System. And so you can actually turn them on and they will read to your children. So after you've read the book for the 10th time and they want to read the 11 time, you can let them listen to it and they can actually read along with the book. Look at the pictures, see how the words connect to the sounds really, really cool and very popular.
David Payne: They are indeed, yeah.
Amy Alapati: My favorite part of the VOX books is that the little sound that they make to let the children know when to turn the page often is reflective of the topic of the book. So the book about helicopters, it's the sound of a helicopter…
Julie Dina: Taking off?
Amy Alapati: Yeah, taking off and I just think that that's really creative. The duck one has a little duck quacking every time it's time to turn the page, so.
Christine Freeman: What I like about this, like when we were kids, we had the cassette, right? You put the cassette in and it comes unwound, I’m showing my age here. But these ones all one piece, you can't lose a part of it, so that's great.
Amy Alapati: And they can use them with ear-buds or listened to them from speaker that's included in the phone.
David Payne: Yup.
Julie Dina: You know when I listen to the two of you, your excitement and you know I can see it in your eyes how you love talking about summer reading and you know all the great things that come along with it. Now that we've touched on that, could you share any memory that you have either with your children or at any of the branches where you’ve worked in relationship to summer read and learn program?
Amy Alapati: Well, professionally one of my favorite memories is one year we were putting the kids' names up on the wall as they finish the program and we would trace each child's hand and then they would cut it out and they would write their name on it. And so we had this whole wall of all different size hands, all different colors. It was just charming all those little hands up on the wall.
Julie Dina: Ooh.
Christine Freeman: I think for me at Noyes, we present a medal when they do the challenge, which is when they do 12 planets this year. And what we like to do at Noyes is when we give the medal, we announce the name and everybody who's in the room will start clapping. So you can just see how excited and how much pride they have when we put the medal over their heads and when everybody is clapping for them, it’s so exciting.
David Payne: Now we talk about the importance of reading over the summer period. What are some tips that you can share for parents to encourage their children to read over the summer? I’ll start with you Amy?
Amy Alapati: Kids are great imitators, if they see their parents and the other adults in their lives dedicating time to reading, they'll get that it's important and a fun thing to do. Family read alouds are a great way to involve everyone. Even when your kids are old enough to read on their own, you can try a chapter a night together and if you're going on a road trip, you can check out some of the audio books to listen to in the car. You can get them on CD or you can check them out electronically. Pick something the whole family will enjoy and then talk about what you're listening to. And you can always ask a librarian for suggestions if you're just not sure what to choose.
Christine Freeman: I think it’s important we want to make sure that reading is an enjoyable activity. It is a matter of what they're reading, if they are reading graphic novels, nonfiction, electronically they’re listening to it or they are reading on a kindle or an iPad. As long as they're reading, it's going to help them in the future.
Julie Dina: Well, it's that part of the show where we usually like to ask our guests what they're currently reading. Let’s start with you, Christine, what are you currently reading?
Christine Freeman: I'm currently reading ‘Before the Devil Breaks You’ by Libba Bray, is part of the Diviners series. I really like it, it's a YA novel and I just finished reading, One Good Thing about America by Ruth Freeman. We're going to start our social justice book club this month at Olney, and that's the book we'll be discussing this month.
Julie Dina: Amy.
Amy Alapati: And like Christine, I’m never reading just one book. So I'm reading a children's ghost story called Trace, it's by Pat Cummings. I'm also reading a children's science fiction story by Margaret Peterson Haddix called The Strangers, it's her new series. And in the car I'm listening to Unfamiliar Fishes by Sarah Vowell, which has a history of Hawaii.
David Payne: Some great multitasking there.
Julie Dina: Yes, they're the super-fun librarians. Well, I want to thank both of you for coming to the show this afternoon and sharing all those wonderful news about Summer Read and Learn. Let's keep the conversation going by following us on Twitter, Facebook, Instagram and Pinterest. Don't forget to subscribe to the podcast on the Apple podcast app, Stitcher or wherever you get your podcasts. Also, please review and rate us on Apple podcasts, we'll love to know what you think. Thank you once again for listening to our conversation today, see you next time.
David Payne: Welcome to Library Matters, I'm David Payne. And on today's episode, we're going to be looking at the vinyl revival, the renewed interest and the increase sales of the gramophone record and how it ties in with MCPL second annual vinyl day. And who better to have as our guest today than MCPL's very own music man Twinbrook Branch Manager Eric Carzon. Welcome back, Eric.
Eric Carzon: Hi, good to be back.
David Payne: Eric, of course, has been on several podcast talking about music-related matters and he's also in charge of Twinbrook's collection of musical instruments. How is it going Eric?
Eric Carzon: Oh, it's going great.
David Payne: Oh, very good. So let's start off by talking about the upcoming Vinyl Records Day. What do we need to know? Where, when, what?
Eric Carzon: All righty. So, Vinyl Record Day is on Saturday, April 27th at the Silver Spring Library and it's from 12 p.m. to 4:00 p.m., so you do not need to register in advance. And some of the highlights of what's going to be going on at the vinyl record day, we're going to preview some clips from the upcoming documentary, Feast Your Ears, that's about the famous radio station WHFS 102.3, so the original HFS. And one of their deejays, Cerphe Colwell is going to be there to kick that off and also signs some of his books. WHFS was very famous starting in the '60s, played a very eclectic mix of music.
Some folks in more recent years might remember it as WHFS 99.1 where it played a progressive alternative rock for a number of years before being bought out in 2005 and changing formats. And then it sort of has a colored history after that, going in and out of different formats and bouncing around all over the country in different incarnations. We also are going to have a panel discussion on vinyl record recording a collecting with some folks that are in the industry and we are going to have our – do again our famous arts and crafts with vinyl records, which was a big hit last year. So that's a great family activity.
We also are going to have our first ever Make Music Montgomery Talent Showcase, so we did some auditions earlier in the year. We're going to have several talented folks from our community play us some music. We're going to have a couple celebrity community judges who do local things in the music scene here. And they're going to provide some commentary and select some of the best acts from Make Music Montgomery. There'll also be a record sale during the whole thing, so you would be able to buy some vinyl records from the Friends of the Library, Montgomery County. And, of course, you can dress up as your favorite artist if you wish. And then to cap it all off, we have a volunteer group who's going to have a record-listening room after the event's over so you'll be able to head up to the fifth floor and listen to some records after 4:00 o'clock.
David Payne: That's great. So something for everybody.
Eric Carzon: Yeah exactly.
David Payne: Will you be taking over the whole building the whole library or this is –
Eric Carzon: No. This year, most of the actions are going to happen on the third floor and the fifth floor.
David Payne: Great.
Eric Carzon: So the fifth floor is where the arts and crafts are going to be and the record listening at the end of the day. And then all of the main events are going to be on the third floor.
David Payne: Great. You mentioned the – sorry. You mentioned the Make Music Montgomery contest, tell us a bit more about that and how did the auditions go with that?
Eric Carzon: Oh, great. Yeah, so the auditions for Make Music Montgomery went great. Well, we tried to make it as easy as possible. So if you're interested in doing this next year, we do it next year. We had people submit audio files basically and/or video files we said, you know. Basically, submit us any current format that's readable. We didn't have any problem with reading the files. We did have a live audition and a couple of folks took advantage of that. We just basically made a recording of them. So we had sort of a subpanel of judges go through the acts and select the best ones. And so those acts will perform at Make Music Montgomery on Vinyl Record Day. And that should be a good time. We sort of stole the page from America's Got Talent. So, we're going to do a nice version. You know, there's no mean judge in there.
David Payne: Was there a great diversity in the type of performances and the type of –
Eric Carzon: We tried to get as much diversities as we can. You're going to see, there's a – some – from the Chinese community, there's going to be – they're playing the zither, a Chinese instrument, and doing some dance along with the zither playing. We got some ukulele guitar. We have original songs from the diversity of artists. And then, so we'll pick like an overall best act and the most physically challenging, the most original, the best tribute to an artist, and the most charming, the sort of the crowd-pleaser acts are some of the categories that we have.
David Payne: So we had a very first Vinyl Day last year. From that, what learned from that kickoff? What are the changes that you made this year? How did you go about sort of thinking about this second year?
Eric Carzon: Yeah. I think we tried to tighten the focus a little bit. So that's why most of the actions are on the third floor, a little bit on the fifth floor. We put in Make Music Montgomery to break up the panel. I think we had, like, a speech and two panels last year. So we tried to make it a little more active in terms of our – in terms of our programming.
David Payne: Do you anticipate a large crowd this year?
Eric Carzon: I certainly hope so.
David Payne: Yeah, yeah, yeah.
Eric Carzon: You know, but, you know, as long as – as long as whoever comes has fun, then we'll be happy.
David Payne: And, again, looking back at last year, what are some of your favorite moments from that first one?
Eric Carzon: I think watching the kids eat up their crafts was really great. You know, there's a lot of energy there. Just people enjoying the records, you know, because there are some – there are some gold in there – in those records, you never know what you're going to find.
David Payne: Right.
Eric Carzon: And then the people are really engaged in the panel discussion. They had a nice discussion about collection, about playing them on the radio and about the artists.
David Payne: And what can we expect from the Friends of the Library record sale this year?
Eric Carzon: There's a good diversity of records because, you know, people donate constantly to the Friends of the Library. So a lot of the genres are represented. You know, sometimes you'll encounter something fairly rare. You might encounter – you know, I've got one that I bought that was signed by the artist. So, you know, there are stuffs that sometimes people don't know what they have. They throw it away and don't realize that oh, you know, I've got a, you know, I've got a Michael Jackson records signed by Michael Jackson or something.
David Payne: So it's clear from Vinyl Day and your experience it and the trends that we're seeing that people are still very clearly listening to vinyl. Why do you think in a world in which technology has greatly changed the way in which we listen to music, what is it about, a basic glossy seven or 12-inch disc that makes it so attractive to people?
Eric Carzon: Oh, yeah, there's a few things about vinyl. I think that the vinyl record highlights the album experience. So, you know, some of the restrictions of the format are actually some of the benefits. So you've got a fixed amount of time, about 50 minutes to make that impression. And for decades, artists, you know, utilized that to really craft an experience. So I think that is still a benefit of the vinyl record experience. And, you know, it's sort of a reaction to the digital, which, you know, has its benefits. I mean, I – I'm a fan of both. And, you know, the great thing about digital music is it's very portable.
You got thousand songs in your pocket. You can make mixes. So, you know, you can have Sting and Elton John and Nickelback on the same mix if you want. And, you know, if you want to throw Ella Fitzgerald, great. But there is something to be said for absorbing an artist conception of, like, you know, "I'm an artist, you like me. You like my music, I'm going to give you 15 minutes of an experience." It's like listening to a story or reading somebody's book. So that is also an experience. I think another thing about it is there's an element of nostalgia.
David Payne: Yes.
Eric Carzon: I mean, you know, a lot of us grew up with vinyl records, you know, that was my first music experience. So I think we have fond memories when we re-experience vinyl. And, you know, we like the scratch or the sort of – the rhythmic pulse of the thing going up and down and there's sort of a slight background hiss that's there, and turning the record over and the A side and the B side. So those are all things that resonate with people.
David Payne: Plus the actual covers themselves.
Eric Carzon: Yeah, I agree. And that's a – you have a lot more flexibility with the cover art. You can do a lot more, you can actually read. I mean, the frustrating thing with CDs is you really can't read the words or any of the things in the cover art. So I think that is also an element. And, you know, like I said before, it's not an all or nothing proposition. The way I like to think about vinyl records now is it's kind of a luxury experience, you know. It's kind of like the dessert to your meal or your after-dinner coffee or maybe owning an antique car. You know, you're probably not going to drive your antique car to the grocery store but on that perfect Sunday or if you're having people over, you know, you're going to show them to your garage and say, "Here's my antique car."
So I look at vinyl records the same way. It's like you want to have a sort of special experience, you'll like, "Hey, let's have a special music listening experience." And then you can – and you can pull it out. And, you know, there is also an element of it's a different sound experience. And I'm not an audio file but there are arguments to trade back and forth over which formats have which advantages. You know, there are certainly people in the camp that will say that the vinyl record is actually the superior audio experience. That the analogue recording and playback captures more fully the actual intent of the artist in the full sound spectrum as opposed to the digital music.
There are digital audio file that will tell you, "No, no, no, it's the opposite," you know, if you look at the parameters or whatever, you know, if you listen to high fidelity, high quality digital audio, it's like, you know, sonically better. You know, for me, I ditched all that and just go, "Well, you know, what are you in the mood for? And what is your purpose?" you know. If I'm going on a six-hour drive, then digital music is great and I can make – I can make a six-hour mix if I want to very easily. You're not going to do that with vinyl. But, you know, if I want the vinyl experience then, it definitely has its benefits.
David Payne: So that takes me to my next question that you partially answered. How does the sound quality of the vinyl record compare with other recording formats?
Eric Carzon: And I think for me, it's just mostly a difference in the experience, you know, the – one of the things – especially I remember back when CD started to come in to play, the absence of the background noise threw some people because vinyl records have a very distinctive beginning and end background noise and mechanical noise. And, you know, some people like that. Digital music actually there are so many different qualities of digital music like, you know, the MP3 format. It's intentionally less music. So there is less there. And if your ears are that attuned, you would be able to tell the difference in listening the MP3 file, there is less sound there and they do that in order to compress it down and create less data so you can fit more songs on to a given length of digital media. But, you know, CD quality versus vinyl quality is sort of one of those arguments on media that the people argue back and forth. But to me, it's really more about the experience.
David Payne: So are there any new developments in vinyl, particularly thinking of how they're made these days?
Eric Carzon: Yeah. Apparently so. I've done a lot of research. You know, I'm no expert but I did read up on a couple of articles in our area, for instance, there is a new vinyl record press, and that's sort of a trend. So there's been a few and – like I was reading an article from the vinylrecordfactory.com and they said that – they were talking about how presses were opening up in five different continents, including United States. And one of the more recent ones in our area in 2018, the Furnace Record Pressing Company opened a new press in Alexandria, Virginia. And if you go to their website, you'll see they're very active.
They've got pricing and you can – if you want to go press yourself a vinyl record, you've got a new source to do that. And the other thing that – I was reading an article in Popular Science magazine and they were talking about a company called Viryl Technologies that developed a new vinyl record press. And that was an accomplishment because up until a couple of years ago, most of these record presses were basically scouring the world for old vinyl presses that had been left over an then they were refurbishing them and restoring them to working order and then running their presses.
And so there's actually been a lot of pent up demand because that was a very slow process, they break down a lot, it's a very messy and difficult manufacturing process. So this company invested and created a brand new. I think the model number is called WarmTone. But they created a brand new record press which hadn't happened in awhile. And according to their website, the Furnace Record Press, for instance, is using one of their new models and so are few other companies around the world. So the fact that they're sort of reinventing the pressing process and, you know, taking 20 or 30 years' worth of technology advancements, I'm sure that the new press is probably more efficient than the old press.
David Payne: Right. How much do you think as an aside institutional knowledge about the whole process, the record press process, I mean, was it Sony I was reading when they decided to go back into the world of gramophone records? They had a hard time finding somebody old enough to remember how to – how to manufacture them.
Eric Carzon: Yeah. I'm sure it's an issue, and that's one of the questions that we'll probably come up in the panel discussions at the event because I think we're all interested to hear a little bit about that.
David Payne: Yeah.
Eric Carzon: I did. You know, in fact, there are some new tech – the other new technology I was reading about is there is supposedly some work going on on a new vinyl format, so really like high definition vinyl. So that would be interesting. But the fact that the Viryl company, you know, they had to gain enough expertise to be able to invent a new format. So that's – I think that's a probably good for the industry that they're, you know, getting some people to invest in new knowledge. And, theoretically, they probably had to catch up on the old knowledge in order to be able to do that.
David Payne: So for anybody who wants to get into the world or develop their collection of vinyl records, how does one go about developing a great collection of vinyl?
Eric Carzon: Well, if you got a relative that might be a starting point. But, actually, there are – we're blessed with a lot of local record shops. A few that come to mind; there's Joe's Record Paradise and The Record Exchange. Those are both in Silver Spring, pretty close to each other. Barns & Noble has a pretty – I'd like to say about a third of their media section is devoted to vinyl now. And it's interesting, it's a mixed of old and new vinyl. So, you know, if you go and you browse, you're going to see like remix of classic vinyl albums but then you'll also see like the latest, you know, the artist's very latest album, you know, pressed out there vinyl.
So a little of both is going on. Now, the Barns & Noble and the new – the new records are actually more expensive than CDs but, you know, by a – not insubstantial factors as far as I can tell. But there is a wealth of used records as well. So the Friends of the Library bookstores, both of them, one Rockville and the one in Colesville Road, the old Silver Spring Library site, and eventually will move back to the Wheaton Library when Wheaton reopens. Both of the Friends of the Library book sales have a substantial record collection that you'll see at the festival. And the other place that has a pretty substantial used record collection that I've seen is Wonder Book in Gaithersburg.
David Payne: Yes, yes.
Eric Carzon: And they've got like a whole room dedicated to vinyl. So there are lots of different places, you know. You could probably hit yard sales as well. Although, the – since you don't know what temperature control the user kept their records in, so a little more dicey.
David Payne: That's right, yeah, buy everywhere. Yeah.
Eric Carzon: Yeah, absolutely.
David Payne: Would you know particularly with new vinyl, are we seeing new vinyl in sort of across the board in terms of the various musical genres and classical, jazz, rock or is it more confined to a particular type of music?
Eric Carzon: I haven't shopped enough to fully tell. But as far as I can tell, there is a bit of diversity. Yeah. Especially with the – I'd say the more I've seen is actually the pop.
David Payne: Oh, yes, yeah.
Eric Carzon: You know, like soft – the sort of pop artist seemed to have a lot of vinyl coming out.
David Payne: Yeah. Looking ahead, do you see the vinyl revival continuing to grow as much as it has in recent years?
Eric Carzon: Yeah. I think the jury is out on that as well. I think that the fact that the industry is invested in new pressing factories because that is a substantial capital investment.
David Payne: Right.
Eric Carzon: So, I think that suggest that they believe that the trend will continue enough to remain stable enough for them to make that investment.
David Payne: Right. Yeah.
Eric Carzon: Personally, I don't see vinyl ever resuming its dominant role.
David Payne: No.
Eric Carzon: But I could totally see it as kind of this stable niche of this luxury music experience.
David Payne: Right.
Eric Carzon: You know, it's not going to be for everybody and it's, you know, not even for people who like it. It might not be their mainstay of how they absorb music but, you know, it's kind of a – it's a reachable luxury, you know, it's a hobby you can have. And I personally think that it will remain that way for some time.
David Payne: And who would have thought that it would have developed the way it did, so.
Eric Carzon: Yeah, yeah.
David Payne: So, amongst your vinyl collection, do you have a favorite album or song you listened to on vinyl?
Eric Carzon: Yeah. I've got a couple. My favorite vinyl album of all time, I think, Janis Ian, Between the Lines. And I like the whole album experience. I love that. My mom was a big Gordon Lightfoot.
David Payne: Oh, yeah.
Eric Carzon: So I got the bug as well and I love his first album actually. It's his very first album that was great and I listened to it over and over again. I used to listen to Barbra Streisand's Greatest Hits Volume 2 over and over again, Billy Joel and Elton John. And one I've actually been looking for, I regret, I don't know – you know, I was a kid when I listened to it but I don't know how it got lost or destroyed or whatever, but I used to have a soundtrack of Star Wars that had the music and the dialogue.
David Payne: Oh, nice. Yeah.
Eric Carzon: And so, you know, and I got it right when the movie first came out in '79 and I listened to that thing to death. And I had the whole dialogue memorized. And I have looked high and low for that record, even in CD format and I cannot find it. So that was one of my favorites. And one of these days, I hope to find it again in any format.
David Payne: Sounds like a collectable.
Eric Carzon: Yeah.
David Payne: Yeah.
Eric Carzon: Yeah.
David Payne: Yeah. Well, thanks for sharing your personal record collection with us. And we normally each episode by asking our guest what they're currently reading or a book or something they've recently enjoyed. So while you're listening to your vinyl records, what are you reading?
Eric Carzon: No, absolutely. So I just finished Adventures of an IT Leader. And it's a great book. It teaches sort of serious IT management principles that you would, you know, take in graduate school, but it does it in a guise of story. So it's like very entertaining, very educational. It was actually assigned to me in a graduate class so I read it. And it's in the MCPL collection on RB Digital as an audiobook and I highly recommend it. I'm about to start the book City on the Line which is by our Chief Administrative Officer. His name is Andrew Kleine. And he writes about his experience as the budget chief in Baltimore City during the Great Recession.
David Payne: Right.
Eric Carzon: And then, finally, since I am the manager of the Library of Things: Music, I do read the Daily Ukulele almost daily. It's got 365 ukulele songs. I use it for my monthly program. And it's a staple of MCPL's music collection, so you can find it in a lot of branches.
David Payne: Great.
Eric Carzon: And if you're starting out on uke that is the book you want.
David Payne: And you're developing your repertoire.
Eric Carzon: Yeah, right.
David Payne: Yeah. And for our listeners, you can find details of all those on our show notes. So, Eric, thank you very much for sharing your vinyl record knowledge. I hope the Vinyl Day 2019 goes very well. Good luck with that.
Eric Carzon: It's my pleasure.
David Payne: And we look forward to Vinyl Day 2020.
Eric Carzon: Yeah.
David Payne: Keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don't forget to subscribe to the podcast on the Apple Podcasts app, Stitcher or where you get your podcast. Also, please review and rate us on Apple Podcasts. We love to know what you think. Thank you for listening to our conversation today and see you next time.
David Payne: Welcome to Library Matters, with your host David Payne.
Lauren Martino: And I'm Lauren Martino.
David Payne: And for our episode today, we're going to be talking all about money. There are two important events coming up in the calendar relating to money, one is Money Smart Week, the week of March the 30th to April the 6th, and then April is National Financial Literacy Month.
Lauren Martino: Not to mention tax month.
David Payne: Indeed, how could we forget? And joining us today I'm pleased to welcome our two guests, Mark Santoro who has swapped his usual technical producer role for guest.
Mark Santoro: Hello.
David Payne: And also Angelica Rengifo, who is normally to be found in the outreach department, but she's here, along with Mark, sharing her interest - strong personal interest in financial literacy. Thanks for joining us, Angelica.
Angelica Rengifo: Thank you. Thank you for having me.
David Payne: So, let's start off with asking you both, what do you mean by financial literacy. Let's start with you, Angelica.
Angelica Rengifo: Well, financial literacy can be a mix of financial credit and debit management, and the knowledge necessary to make financially sound decisions.
Mark Santoro: So, I checked out - I went to Investopedia and checked out their definition of financial literacy, and it goes something like this; financial literacy focuses on the ability to manage personal finance. It includes knowledge of and the ability to make decisions about investing, insurance, real estate, paying for college, retirement, tax planning. So, that's kind of a formal definition. My own personal definition is having the knowledge to control your finances rather than your finances controlling you.
Lauren Martino: Think you covered it.
David Payne: Think you covered it, yeah.
Lauren Martino: So, Mark, how did you become interested in financial literacy, can you tell us a little bit about your financial literacy journey and why you're here talking to us about financial literacy today?
Mark Santoro: I think basically it was life kept giving me prompts.
Lauren Martino: Life will do that.
Mark Santoro: Yes. So I graduated from college and was living on my own for the first time, in my own apartment. So there was all the financial aspects of that, finding an affordable apartment, and then what kind of car can you afford. And that kept happening over the next couple of years; living on my own, getting married, buying a house, so - and every time something like that was coming up that was new to me I turn to books, and that kind of got me into it.
Lauren Martino: So, and Angelica, can you tell us a little bit about your financial journey, and why this is of interest to you?
Angelica Rengifo: So, the idea of being debt-free for good, no mortgage, no car loan, no student loans became very appealing to me when I started following people on Instagram. And I follow people who are minimalists, and then I follow fashion bloggers. And -
Lauren Martino: The interesting combination.
Angelica Rengifo: Exactly. So, one, you can guess - one group will give me anxiety, and the one to like go, "Oh, I would like to have debt. Oh, maybe I need that." And then I will have the other one, the other group, and I'll be like, "I don't need any of this other stuff that I'm hearing from this other group."
Lauren Martino: Talked a lot about that in our de-cluttering episode, I remember.
Angelica Rengifo: Yes. So the idea of just not being a slave to the things that you own, to the debt that you have, and not being able to live your life because you worry about how you're going to make the next payment, it's something that is very appealing. And also, I guess, seeing family members, I have a cousin, who I believe he was born with this knowledge.
Lauren Martino: Born with this knowledge.
Angelica Rengifo: Yes.
David Payne: That's useful, yeah.
Angelica Rengifo: Yes.
Lauren Martino: Wow, that's winning the lottery right there.
Angelica Rengifo: Yes. Ever since he was a little, five, seven, he will lend money to adults.
Lauren Martino: What?
Angelica Rengifo: He will be able to like save so much that he will be able to lend money to other people and ask for interest.
Lauren Martino: When he was five and seven?
Angelica Rengifo: Uh-huh, or nine. Yeah.
Lauren Martino: Wow.
Angelica Rengifo: So, and I didn't get that knowledge, and we were raised in the same household, so.
Lauren Martino: So, I'm curious what's he doing today, is he a banker or -?
Angelica Rengifo: No.
Lauren Martino: No?
Angelica Rengifo: No, but he's very good managing money. And yes, I think I will bring him up a little bit more later as well.
Lauren Martino: If we do the show again we'll have him on there.
Angelica Rengifo: Yes.
David Payne: So, you've both given very good definitions as to what financial literacy is and your interest in it. But can you sum up for us why financial literacy is so important. Let me turn to you first, Mark.
Mark Santoro: Well, like I said, you want to be in control of your finances and not the other way around. And we all have to deal with money. And the older you get the more complicated it gets. So, everything from - you start out as a kid and you need enough money to buy that cool toy, and then as an adult, well, you got to think 40 years ahead and make sure you've got enough money for retirement and everything in between.
Lauren Martino: And every one of those steps seems really pressing, doesn't it, like the toy is. It's always a big deal no matter where you are.
Mark Santoro: Right. Yes, and that's probably one of the big challenges is prioritizing.
David Payne: Uh-huh, exactly.
Mark Santoro: So much of it, if you don't know it at all to begin with, know what is a priority.
David Payne: Right.
Mark Santoro: And the priorities change depending on your age.
David Payne: Right.
Angelica Rengifo: I think I agree with Mark about having that freedom, well being financially independent. And being financially independent isn't like, "I don't live with my parents anymore." It's more like, "I don't owe the bank X amount of money, and this money I can use it for my benefit."
Lauren Martino: Uh-huh.
Angelica Rengifo: So, it's about changing your priorities also.
David Payne: Changing your priorities in a world where financially there are so many different options right now, different choices for people that you can really get lost in things.
Angelica Rengifo: A lot of consumerism in our everyday world.
Lauren Martino: It seems like financial literacy isn't just about money and numbers, it's about your life, and your priorities, and where you're going to put that.
Angelica Rengifo: And goals, yeah.
Mark Santoro: Well, yes, that's what I've - I listen to a lot of personal finance podcasts.
Lauren Martino: Do you have any favorites?
Mark Santoro: So many.
Lauren Martino: Sorry, let me put you on the spot then.
Mark Santoro: We'll get to that.
Lauren Martino: Okay.
Mark Santoro: But my point was, one of the things they talk about in like selecting a financial advisor, right - because they always make this distinction on the podcast, "We are not offering financial advice, we are just providing you with information. Then you've got to go - if you want the nitty-gritty see a professional, right."
Lauren Martino: Uh-huh.
Mark Santoro: But one of the big questions is, well, how do you choose a financial advisor. And one of the things they talk about is, before the financial advisor is asking you about income or debt or whatever, what are your goals, what do you want to do, and you need a direction first before you can start driving the financial car.
Lauren Martino: Is that a common term that they use, the financial car, or is that your -?
Mark Santoro: No, that just - I just coined it on the spot.
Lauren Martino: I like it. Okay, so this is where it originated.
Mark Santoro: Right. You heard it here first, folks. But yes, the goals are important. And then you get into the nitty-gritty detail of how much do I have to save towards retirement or what kind of car do I want, et cetera.
Lauren Martino: Angelica, can you tell us a little bit about how one begins to become financially literate?
Angelica Rengifo: I will recommend someone to find books, find books that interest you. It might not be the whole book, as we all are not inclined to read those kind of books for pleasure. Some people might, I believe Mark is one of them. But wanting to know where you stand financially will be the first step.
Lauren Martino: So recognizing you have this need?
Angelica Rengifo: Yes. Because nobody is going to put that interest in you, no one is going to change your situation for you. So, that is, again, being a little bit corny, knowledge is power, and in this sense is very true.
Lauren Martino: Uh-huh. Mark, do you have anything to add to that?
Mark Santoro: It's unlikely that someone's going to say to themselves, "I should become financially literate." So there's going to be a prompt, something's going to bring up this need, either because they have a lot of debts or because there's a life event, like they're buying a house or whatever. So it kind of depends on where you are. I mean, ideally you learn some of these - learn about personal finance as a child because your parents are talking to you about it.
Angelica Rengifo: But it is never too late to start.
Mark Santoro: But it is never too late to start, and you don't have to know. If you're 30 and you're like, "What? Oh, how do I do this?" That's what the library is for.
Angelica Rengifo: And there is no timeframe for learning, so you can learn maybe that you have to write down what you spend on a week, and that's your first step, and you can stay on that step for as long as you need. And maybe you can go to the next step and say, "Oh, this is how much I owe here, this is how much I owe here, this is how much the interest for each of these accounts or debts are." And just like have that little bit of knowledge or like in the back of your mind, "Okay, now I know this, but what am I going to do."
Lauren Martino: Uh-huh.
Mark Santoro: One of the nice things about financial literacy, for instance, is that you can use different formats. So you can go to books or you can go to blogs, or you can go to YouTube videos or podcasts. There's lots of different formats that you can use to get yourself started. And depending on how specific information you need and how tailored it is to you.
Angelica Rengifo: And people can also use different methods and mix them up to their own needs. It doesn't have to be, "Oh, I can only use this one method, but it doesn't cover everything that I need."
David Payne: It's a very personal subject, it's -
Angelica Rengifo: Yes, it is. Yeah.
David Payne: Yeah, absolutely.
Lauren Martino: There's such wide interests there's so many difference resources.
Angelica Rengifo: Not two people have the same debt or the same income.
David Payne: The same need, you're right.
Angelica Rengifo: The same needs, yeah.
David Payne: Right, yeah, absolutely.
Angelica Rengifo: Or wants.
Mark Santoro: So one of the things that you want to make sure is never rely on one source. So, if you're, say, a fan of Dave Ramsey, who is a -
Lauren Martino: There are some hardcore Dave Ramsey people out there.
Mark Santoro: Yes. So he is a - he does YouTube, he does podcasts, he does books all around the theme of personal finance. And some of what he says I like and some of what he says I don't. But don't just choose one person. Don't be the Dave Ramsey guy or the Suze Orman girl or whatever. You've got all sorts of different sources so you can, if five different sources say save 15% to 20% of your income, then that's a hint that this is kind of right. And the more you listen or read the more you'll be able to kind of discern this is what everybody is saying, this is different, and it's wacky or it's - okay, just different.
Lauren Martino: Or maybe this is where it's going to get.
Mark Santoro: Right.
Lauren Martino: This is what I need to get me where I'm going.
Mark Santoro: Right. And like I said, no one sits around and says, "I need to be financially literate." No, it's something prompts you.
Lauren Martino: If you, gentle listeners, are that person that is - please write us and tell us what you think anyway.
David Payne: So Mark, you talked about resources, and we talked about what financial literacy is. Tell us about some of MCPL's resources that might be helpful for personal finance, investments, as well as other resources that one might find, perhaps on social media?
Mark Santoro: Okay. So, obviously, there would be books. And you would have books such as something general, like Personal Finance for Dummies. And I love this series because it just takes a topic and it just breaks it down, it's like an introduction in 300, 400 pages. So, Personal Finance for Dummies, it's got real estate, it's got investing, it's got budgeting, all in one place in your hand. So, we have books that are general like that.
Lauren Martino: For people just getting started, yeah.
Mark Santoro: Right. And then we have things that are very specific, so just investing, just real estate, just taxes. For example, there is Every Landlord's Guide to Managing Property. You go really, really general all the way down to landlords, so.
Lauren Martino: Which is a big thing around here, I mean it's not - it's specific, but there's a wide audience I think in this area for that.
Mark Santoro: Yes. I mean, that's in the podcast sphere there are some podcasters who are kind of really big into being landlords and having investment property that are residences and they're using the rent as an income stream. So, yeah, that's one part of personal finance that you - and whatever your specific need is we probably have a book about it, or at least to get you started. We have general finance magazines, personal finance magazines like Money Magazine, and Kiplinger's Personal Finance, I think it's called. There are online resources as well. I think the best one would be Safari, which is a collection of e-books.
Angelica Rengifo: There's a lot on Safari.
Mark Santoro: Yes, there's a lot on Safari.
Angelica Rengifo: In depth.
Mark Santoro: Yeah, so it's smaller than what you'll find physically in MCPL's collection, but it does the same thing where it's big broad personal finance to flipping houses, right. It has books that are very broad and very specific. Lynda.com and Gale Courses are online classes. They have a few items related to some aspects of personal finance. Not as strong as Safari, but if you like to kind of sit there and watch the video or do the exercises you might find something in one of those as well. And then finally, if you're really a hardcore stock investment type of person we do have online access to Morningstar, S&P NetAdvantage, and Value Line, so you could go and you could see all the very detailed information about Disney's finances.
Lauren Martino: Uh-huh.
Mark Santoro: Or the mutual fund that you're looking to invest in. And that's a lot more hardcore than I get into. I'm a simple index fund guy. But if you're really into it we've got them for you. They're available online, you can get them from your house and anywhere else you have an internet connection, long as you have an MCPL library card. Signup today.
David Payne: And I probably should note or remind listeners that accessing, particularly those last few items that you mentioned, is completely free. And that's a very good deal because normally it would cost quite a bit of money to get hold of those.
Lauren Martino: And you can do it from home too, you don't have to be in the library to get a lot of that.
Mark Santoro: Yes. Enhance your personal finances by using the library, because all our stuff is free.
Lauren Martino: Angelica, do you have anything you'd like to add?
Angelica Rengifo: Some of the resources that I found were mainly some books. The first book that I actually started reading when I wanted to become more knowledgeable was Beating the Paycheck to Paycheck Blues, which -
Lauren Martino: This was a problem for you at one point or?
Angelica Rengifo: It was just a good start because I didn't know how to live beneath my means.
Lauren Martino: Uh-huh.
Angelica Rengifo: Below my means. So, I think it was a good way to learn how to not overspend, a good point of reference.
Lauren Martino: Uh-huh.
David Payne: Something that's very easily done.
Angelica Rengifo: It is not easily done. It definitely takes time to even just make the decision to, okay, I want to learn about this, and then -
David Payne: Follow through with it, yeah.
Angelica Rengifo: The next decision is like how am I going to implement this, and what is the goal, what is the purpose.
Lauren Martino: It's a lot easier to read books than it is to like practice what is says.
Angelica Rengifo: Yes, very true.
Lauren Martino: So, this is - as it's April and we are celebrating Financial Literacy Month and other fun April events dealing with finances, such as tax season and Money Smart Week, can you tell us a little bit, Mark, about some of the events that are going on around MCPL for the month of April?
Mark Santoro: Okay, so yes. There's Money Smart Week, which starts March 30th and runs through April 6th. We've got events around that, and then all of April is National Financial Literacy Month. So there's all sorts of different events centered around this. One example is Making Sense out of Money, which is going to be at the Potomac Library in early April, and that's for kids. So, a representative from the Montgomery County Office of Consumer Protection will lead a fun and interactive activity all about spending money wisely, we presume.
Lauren Martino: Is this for children then or?
Mark Santoro: This is for children, yes. This is labeled for elementary school-aged children. And we've got some other things later on. For the end of the month there's something at Wheaton about the basics of investing, and then there's another one at Twinbrook, How to Protect Yourself Against Identify Theft.
Lauren Martino: It's an important topic.
Mark Santoro: Yeah. So there's different events for different people that covers very different - lots of different aspects of personal finance. And you'll be able to see a link to all these events from our homepage so you'll be able to check out when and where they're taking place during that first week of April and then throughout the month of April.
Lauren Martino: In addition to the homepage, it’ll probably be on our show notes as well, right.
Mark Santoro: Yes, it'll be on like our show notes as well.
David Payne: And one might think that financial literacy is something that only adults should pay attention to, but clearly the younger the better. Let me ask you both why is financial literacy as equally important for children and teenagers as it is for adults? Let me start with you, Angelica?
Angelica Rengifo: I believe because teaching them about money and how to manage it could have a great impact in their future. And the sooner they learn about it the easier it will be for them to master it.
Lauren Martino: Like your cousin.
Angelica Rengifo: Yes where I don't know when I didn't - what I missed.
Lauren Martino: I remember having to take a class where we had to budget and pretend - this is the job we were going to pretend to have and this is how we're going to pay for everything. And I mean we did the exercises, but I don't think it made a very big impact. So I'm like, "Oh yeah, yeah, yeah, I'll figure it out." Yeah, and then it's kind of hard to communicate to you, yes, you will have to do this in real life at some point.
Angelica Rengifo: Maybe a way to teach kids also is with an allowance. As they - maybe they might want something that is more -
David Payne: More than their allowance, right, yeah.
Angelica Rengifo: Expensive than their allowance so they have to budget for it. And yeah, and plan for it.
Lauren Martino: I think a lot of people employ that strategy. I'm kind of curious, Mark, you've got kids at home. Do you have a sense of are they learning this in school or do you give them an allowance to - how are they learning about financial literacy?
Mark Santoro: So yeah, there's a thing in the parenting sphere, and I guess to a certain extent in a personal finance sphere, allowance or no allowance, all right, so there's a little -
Lauren Martino: Yes, we've been pondering this in my house actually.
Mark Santoro: A little controversy here, and my family -
Lauren Martino: And do you make it work for them - or do you have to work for your allowance or do you just give it to them, and -
Mark Santoro: Exactly.
Lauren Martino: All these questions, yes.
Mark Santoro: Exactly. So, my family is in the pro allowance camp.
Lauren Martino: Okay.
Mark Santoro: Until you get to 16, then we cut you off.
Lauren Martino: And you get a job on your own?
Mark Santoro: Right.
Lauren Martino: Yeah.
Mark Santoro: So, our oldest daughter turned 16, well, she kind of cheated. She already had a job. So by the time we cut her off it was all right. But yes, so the kids get an allowance. There's a mandatory savings amount that they have to - so it's almost like a family social security program. So yeah, your weekly income is - now I'm going to get in trouble because I don't know what it is. Thanks, hon; my wife takes care of that.
Lauren Martino: Your wife dolls out the money?
Mark Santoro: Yeah. Anyways, so let's say it's $10, for easy math, they only see $7 of it.
Lauren Martino: Well, that's an important lesson to learn, isn't it, because they will be dealing with that for the rest of their lives?
Mark Santoro: Right, and the $3 goes into a - they all have bank accounts.
Lauren Martino: Uh-huh.
Mark Santoro: And so that's where that taxed money goes, into their bank accounts. Actually I think it's six. So, yes, we're in the pro allowance camp. So, what was the original question about why is it important for kids and teens, well, one, they got to deal with money right now. And not just in the future when they're adults; they're alive now and it's something. Why can't I have this $100 replica of the Millennium Falcon or whatever, so it comes up.
David Payne: And it's interesting because therein lies the difficulty, particularly with teenagers if you think how much of the advertising market.
Lauren Martino: Right.
David Payne: Is aimed at teenagers, in particular, spending money, so important for that age group to really understand.
Angelica Rengifo: But then, I do not have kids, but I will think that teaching them about delayed gratification it's a good way to teach them how to -
David Payne: How to think about -
Angelica Rengifo: Save for something, maybe be, be a little bit tight for a couple of weeks, and in the end you'll get something bigger than if you had not waited.
David Payne: Right, absolutely.
Mark Santoro: Yes. And as Angelica mentioned, it sets them up for their adult years when they have bigger responsibilities. I remember when I was growing up my parents never taught me anything about money.
Lauren Martino: Uh-huh.
Mark Santoro: I mean they might have said something generally like, save money. That's true, and not very useful, so -
Lauren Martino: More to it than that.
Mark Santoro: Yeah, my poor children, they get the lectures -
David Payne: They get the [CROSSTALK].
Mark Santoro: Yeah, at the dinner table, "Why do we live in this house? Let me tell you, it's because blah, blah." Lots of very specific information about why we did this, why my wife and I did this, or how we paid for this, or how we plan for this; everything from housing to college education to - so, because I didn't get much growing up in terms of information about - I have no idea what my father made when we were kids.
Lauren Martino: Uh-huh.
Mark Santoro: No scope of what the limitations where or anything, what he felt about how expensive a vacation we could go on; nothing. So I've probably gone too far the other way, and they know a lot about our specific situation and why we do what we do.
Lauren Martino: But do you think it helps that they understand maybe a little bit more about why you make the choices you make?
Mark Santoro: Hopefully, that's the plan.
Lauren Martino: Because I remember, oh gosh, the other day, like my daughter destroyed one of her water bottles and she's like, "Oh, we can just go out and buy another one." It's like, "Well, we can. But we can't willy-nilly destroy everything we have and just buy other ones. Like there are limits." I remember go asking my parents, it's like, "Oh, we need money; we'll just go to the ATM and get money, right, because that's what you do."
David Payne: It's a money tree.
Lauren Martino: That's what you do to get money, right. So, Angelica, what do you think one of the worst mistakes people tend to make with their finances is?
Angelica Rengifo: I think blinding yourself to where you stand; not knowing what is coming in every month and what has to come out every month. A lot of people get the look of deer on headlights kind of when they hear the word budget.
Lauren Martino: I can relate, yeah.
Angelica Rengifo: And budget is not just like putting yourself limits, but also budgeting for fun. I have in my budget, personally, like a little bit of me. I have on my budget certain amount of money for every two weeks. There was a time recently that I spent my allowance.
Lauren Martino: You gave yourself an allowance.
Angelica Rengifo: Yes, I spent my money for the two weeks in a weekend.
Lauren Martino: Oh wow.
Angelica Rengifo: So I had to make changes for that week. And the only person to blame was myself, but it puts limits on what you can spend. I can go to the movies, I can go out to have drinks with friends, I can go out to have a lunch or dinner with friends, but I'm not going to be doing that every single day.
Lauren Martino: Uh-huh.
Angelica Rengifo: So that's where it comes, the limitation. And also, maybe not a mistake, but something that you find with like creating a budget is contentment. Contentment that a walk in the park, which is free and good for your health, it's a good way to spend your time. So, I will say, yeah, not knowing what your financial situation is is a mistake.
Lauren Martino: So knowing your financial situation isn't just about knowing your limits, it's about using your limits to create freedom.
Angelica Rengifo: Uh-huh.
Lauren Martino: And being able to explore those things that we're so focused on our consumer culture it's like this is going to make me happy, this is going to make me happy, whereas you miss everything that makes you happy that you're not getting advertised about all the time.
Angelica Rengifo: Uh-huh. And that's the thing that we think that what we are getting and buying is going to make us happy, but that's not going to last for a long time. The high is not going to last until - and then we need another thing, and another thing. And we go back to a little bit of minimalism with like trying to be happy with what you have. You do not need to be spending money all the time to be happy, and thus contentment.
David Payne: So you've both obviously read and learnt an awful lot about financial literacy. Let me put you on the spot and ask you both, out of everything that you've read and learnt what's the best piece of financial advice you've ever heard, Angelica?
Angelica Rengifo: I will go back to my cousin.
David Payne: Can't blame you.
Mark Santoro: Yeah, we wanted to hear more about him actually, so.
Lauren Martino: [CROSSTALK] start his own empire after this.
Angelica Rengifo: I hope that he listens to this. The fact that he says that the light gratification, it's a way to save for bigger things has put things on the spot. I don't need to have, oh, I need something, I have to go to the store and I can get it because everything is available within 24 hours with Amazon Prime, for example.
Lauren Martino: Oh gosh.
Angelica Rengifo: Which is a bane of my existence right now.
Lauren Martino: The bane of your existence, yes.
Angelica Rengifo: But that's the thing, changing our mindset about what we need and what we want is, I think, is key in being financially stable.
David Payne: How about you, Mark?
Mark Santoro: Goes back to the idea of planning. And the first part of that is to know where you are. So, what's your net worth, how much debt do you have, if you only know what your monthly payments are and don't know the total that's a problem. Knowing how to calculate these things or how to find out what these things are. Maybe people avoid it because it's a scary number, but knowing is better than not knowing, and that's the key to get started.
Angelica Rengifo: But it's like not being afraid is a good - you cannot be afraid forever. And the other side of that is living without debt. Like what if your whole income was yours to do whatever you wanted; no mortgage, no car payments, no credit card payments, just food, clothing, and a roof or not even that, like electricity and things like that. What if that's all you had to worry about, you wouldn't have to worry about making a lot of money either, and you could have more hobbies, more fun.
Lauren Martino: Or the choice to do what you like as opposed to what's going to earn you enough money to sustain this amount of debt.
Angelica Rengifo: Uh-huh, yeah.
Lauren Martino: So we talked a little bit about budgeting. Do you think, Mark, that maintaining a budget is a guarantee to a financial success or is there other things that you need to take into consideration?
Mark Santoro: Well, guarantee, no. There's no guarantees in anything. But I mean that's part of knowing your situation. You can't really succeed if you don't know where you are at the time, so you would start with that. There's among the podcasts that I listen to, personal finance enthusiasts are all about like know where every penny goes. And then there's others who are a little bit more relaxed who are, "Okay, know what your expenses are, have a savings goal, and what's left is yours to be free with." So, having a budget, it depends on where you are. And of course how much room you have. If you make a lot of money you have a little - in theory anyways have more elbowroom than if you don't make a lot of money. And we have budgeting books in the library. We have books about helping you get out of debt. So, for instance, this one had a fun title, The Spender's Guide to Debt-Free Living.
Lauren Martino: Sounds very useful for a lot of people.
Mark Santoro: Yeah. And then one of Dave Ramsey's things and why he is a little controversial in the personal finance sphere is he's vehemently anti-debt, anti-debt extremist. But if that's your thing, if you're starting at the bottom of the heavy debt load that might be a place to start, Dave Ramsey is the entry level personal finance person.
Angelica Rengifo: He has Baby Steps - they are called Baby Steps to Financial Freedom, and they are definitely a good way to start. You can - but time or learning about other methods can change them to your liking, but he is a good first step to financial freedom, debt-free life.
Lauren Martino: So, it sounds like understand debt and credit is really important understanding financial literacy.
Mark Santoro: Right. And as a, say, as a foil to Dave Ramsey, you would have someone like - there's a podcast called Money for the Rest of Us, by a guy named David Stein, and he's a little bit more traditionalist. In his previous professional life he managed investments for universities and other large organizations. So he kind of has more of a traditionalist view of things, about how to manage debt versus investments, for instance.
Lauren Martino: Uh-huh.
Mark Santoro: So as we said before, you don't want to rely on one person, so get kind of a broad view.
David Payne: A broader view.
Mark Santoro: Yeah.
Lauren Martino: A range of opinions to figure out what's good for you.
David Payne: Right.
Mark Santoro: I don't know how to shoehorn this in.
Lauren Martino: Shoehorn away.
Mark Santoro: Thank you.
Lauren Martino: Shoehorn away.
Mark Santoro: In preparing for this I ran across a book that brought a smile to my face. So I mentioned before how life events were kind of prompting me to go look at books. So, my wife and I were pretty young when we bought our house. And no one had talked to us about how to buy a house.
Lauren Martino: And that's a big thing.
Mark Santoro: Yes.
Lauren Martino: I remember I had the same experience, like what the heck are we doing.
Mark Santoro: So, we knew we were ignorant. So we went to the bookstore and we found this book with this cheesy title, 100 Questions Every First-Time Home Buyer Should Ask. And in preparing for this podcast I find it's still around. The library owns it. It is in its fourth edition. It is straightforward and it brought back memories. And it's literally - it's just each section is a question, and it's very straightforward and very easy to follow, and I was glad to see it still around.
David Payne: That's great. As Lauren said, it can't get much bigger than buying a house.
Lauren Martino: I wish we'd had that.
David Payne: Yeah. So, can you tell us what your favorite apps for money management or budgeting are, Mark?
Mark Santoro: Ah, well this is where I'll show my age. I'm going to have to defer to Angelica, because I don't actually use any money management apps, other than listening to personal finance podcasts. I've heard of them, but I haven't actually used any of them.
Lauren Martino: So, Stitcher is your favorite money management app?
Mark Santoro: Yes.
Angelica Rengifo: I think the first app that you need to be looking at daily or maybe even more than once every day is your bank's app. You need to know so that way - you need to know what you have so that way you don't overdraft. That's $30-$35 right there that you're wasting.
Lauren Martino: Uh-huh.
Angelica Rengifo: So that will be my first recommendation in apps, the bank app. If you have a few banks check them constantly so you also know when checks clear, and anything that looks suspicious you would know what it is or what it isn't.
Lauren Martino: And there are apps that will consolidate like different banks, right. And we use Mint at home.
Angelica Rengifo: Oh.
Lauren Martino: And that'll give us all the credit card debt. And you have to kind of go through and say, okay, well this money it decided was a -
Angelica Rengifo: I usually use Mint for budgeting. So, like I said, I have a budget so I put this is how much I can spend on this, this is how much I can spend on gas, this is how much I can spend on food per week. So that way if I'm getting close I'm like, okay what do I need - like especially on food, what do I need right now that cannot wait until my next budget or my next allowance comes in, so.
Lauren Martino: I might be showing my ignorance because, yeah, I'm not the one that typically sets all this up. So, I'll leave it to you, sorry.
Angelica Rengifo: The other app that I found looking for ways to pay down the only thing that I have right now, thank god, student loans.
Lauren Martino: Oh, student loans.
Angelica Rengifo: But I found an app called Debtor, D-E-B-T-O-R.
Lauren Martino: Uh-huh.
Angelica Rengifo: And the app is free. You do not have to connect it to anything. And it's up to you if you use it. I just like the -
Mark Santoro: Not connected to any bank accounts or credit card accounts?
Angelica Rengifo: Bank accounts or credit cards, yes. The reason why I like it is because it gives me a visual of my debt. I input how much it is my loan, how much it is the interest rate. And I can either enter how much I pay monthly and it gives me how many months I will have to be paying that amount, which is scary. Or it gives me the option to enter months. So I can enter 12 months, I can enter eight, 15, 18, 24. And it gives me also how much I will have to pay per month and how much I will save, or overpay in interest rate. And it will show me a graph of the debt, of the amount. So I really like that because a lot of people don't know how much more they will be paying on top of the original loan or debt that you have, but this app does it all for you if you have.
David Payne: And it is a scary thing for people, which is one reason why I think many of us avoid it, perhaps.
Angelica Rengifo: Yes, I agree.
Lauren Martino: It sounds like a really - sorry.
Mark Santoro: So, if you wanted to pay off your debt early this will tell you how much extra you have to put in a month?
Angelica Rengifo: Uh-huh, yes. It will tell you how much, if you enter by months, it will tell you how much will be - should be your monthly payment and how much you will save on the interest rate.
Lauren Martino: It sounds like a really powerful app. I remember like scribbling all over pieces of paper when we were buying a house trying to figure out -
David Payne: Things that keep changing, yeah.
Lauren Martino: Yeah. And know I now when I enter the numbers and then it's right there.
Angelica Rengifo: Yeah.
Lauren Martino: That's awesome.
Angelica Rengifo: Yeah.
David Payne: So, we normally close our episodes by asking our guests to tell us what they're currently reading or a book they recently enjoyed, Angelica?
Angelica Rengifo: So, I recently finished reading Little Fires Everywhere, by Celeste and I have no idea how to pronounce her last name.
Angelica Rengifo: It's Ng. And I just found out that Hulu got the rights to make into a miniseries. So, I'm really looking forward. I'm not promoting Hulu, just in parenthesis, but I'm just looking forward to definitely seeing what they do with the book.
David Payne: Thank you. And Mark?
Mark Santoro: So, I just started this book. It's a short - it's a science fiction short story collection. And you may have heard about Howard Zinn's A People's History of the United States.
David Payne: Uh-huh.
Mark Santoro: It's a play off that. This one is A People's Future of the United States. So it's a bunch of short stories set in the future. And this is - each one is kind of distinct and separate, but this is what the U.S. might look like in 20 years, or 50 years, or whatever. So, just started it. The first story that I read had - California had broken away from the United States, and they were separate countries. But there was this one town there was a bookstore that sat on the border, and there are literally two entrances to this book store. And you could come in and browse the books, and it was one of those places that, in theory, the people of California and the people of United States could come together. But of course there's still kind of some tension there.
Lauren Martino: Ooh.
Mark Santoro: And then one of the things the countries are fighting over is water rights. And so a conflict -
Lauren Martino: California, yeah.
Mark Santoro: A conflict, an armed conflict breaks out over this and it kind of talks about the experiences of the people in this bookstore at the time. So, it's an interesting kind of way of exploring how the tensions that are going on, the cultural wars in America now or how does this play out 20 years from now, 50 years from now.
Lauren Martino: And do you think that's based on the library that's on the border of United States and Canada they talked about - there was a podcast, like This American Life, where they kind of - there is a library on the border, and like all these immigration issues because they'd have people like - there were like big signs everywhere saying, "No reunions." But you get people that like couldn't leave the United States because they were like waiting for their Green Card or whatever, and they'd end up reuniting with family that couldn't enter the United States and this library.
Mark Santoro: Oh, that's interesting. I hadn't heard about that, but perhaps the idea of the bookstore on the border came from that.
Lauren Martino: That's fascinating, yeah, because there's so many cultural things that can happen in such a place.
Mark Santoro: Yeah.
Lauren Martino: Now or in the future. Thank you so much Angelica and Mark. I know I'm going away with a lot of new information and new motivation to deal with my own finances, and I hope our listeners are doing the same.
Please keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don't forget to subscribe to the podcast on the Apple Podcast App or Stitcher or wherever you get your podcasts. Also, please review and rate us on Apple Podcasts. We are very interested to know what you think. Thanks for listening to our conversation today and we'll see you next time.
David Payne: Welcome to Library Matters with your host, David Payne.
Julie Dina: And I'm Julie Dina.
David Payne: And actually this is a podcast with a different -- differences we're doing double duty today.
Julie Dina: Yes we are.
David Payne: And we are the hosts, we are the guests. So this is a new format and today we're going to be looking at library lovers’ month. February is more than candy hearts, chocolate and Valentine's cards it's also Library Lovers’ month. So Judy, let's start with the why and the what of library lover’s month. Library lover’s month is basically a month long celebration of libraries of all types, public, academic, school, special and for MCPL. The celebration of libraries lover’s month throughout the month is being facilitated by our friends of the library, Montgomery County. And if you go to their web page or their social media sites, you'll see all the things you can do to get engaged with that. Also we should mention that in each branch, there are postcards that are available. And if customers would care to write down all the things that they like about the library, they will be forwarded to our friends’ group and then sent to the Montgomery County elected officials. So a good chance to say why you like the library and express your feelings about the very wonderful things that MCPL does. And there is a link on the Montgomery County library's website which will take you directly to all the library lover’s month related programming. So that should be very easy to access. Now, why have library lover’s months?
Julie Dina: Just like people show their love for friends, their kids, their spouses, why not show your love for the library that you frequently visit.
David Payne: Right and all the great things that libraries do and have.
Julie Dina: I mean we've got a ton -- we've got tons of resources that are heavily used by our customers. And having library lover’s month is one way for the customers to actually not only show the library how much they love all the services and all of the support that they actually get from the library, but it's also a way of them -- how can I put this? It is just their way of showing how much they love using the library and that they're glad that they actually have a library they can count on.
David Payne: Which if you think about it is a great resource. If you think about the power of library card which is free.
Julie Dina: And I say don't leave home without it.
David Payne: Absolutely. And it's really a passport to all kinds of wonderful things opens our eyes to the world beyond our front doors.
Julie Dina: Yes.
David Payne: Also they connect people to people, see some of the many events that go on in our meeting rooms. They basically offer more than just book line lending.
Julie Dina: They also bridges the gap if you really think about it. There are a lot of -- I personally being an outreach person I've seen people, immigrants, refugees, I've seen them at all of our branches at different times. And why are they there? They tell me because they're hoping to find books that are in their languages that otherwise they would have to go buy or not even find at another place. Like you said earlier we provide a space, most people charge to utilize these spaces, but we actually offer it for free.
David Payne: Right. And you talk about languages we have the word language collections throughout the system.
Julie Dina: We've got Mango languages.
David Payne: We have got Mango Languages and we have got Rosetta Stone so
Julie Dina: You can't go wrong.
David Payne: If it is a language you want to learn or read it's there somewhere in the county all accessible with a library card and really libraries offer more than just book lending. Many people think that it is the book lending that is what the libraries are about, public libraries are about. And while they're known for their collections of books and magazines really they and we offer a whole host of other community services, quiet reading and writing spaces, computers with internet access, laptops for use in the library and in some branches to take out.
Julie Dina: Go kits.
David Payne: Go kits for our younger readers.
Julie Dina: CDs, DVD.
David Payne: Help with workforce matters, job searches, resume writing, story times.
Julie Dina: Printing services.
David Payne: Printing, audio ebook options, programming we really promote literacy that's the bottom line so all reasons to support the library and express your like of the libraries this month.
Julie Dina: And mind you that's not even half of what we even provide.
David Payne: That’s right. So perhaps we should tell the listeners a bit about us, a bit of background. Julie you are in outreach, and I'm the Branch Manager of the Aspen Hill library. How long have you worked with MCPL and what have you done in the various stages of your career here?
Julie Dina: I actually was just thinking about it. I can't believe it's actually been over 17 years. So I actually started as a volunteer because I loved coming to the library. I would always stop at both desks, the information desk and the circulation desk I would talk to the librarians, I would ask about books. And lo and behold, one of the managers actually asked if I would like to volunteer. I said, “Oh, of course I would.”
David Payne: Little knowing what that would lead to.
Julie Dina: Little did I know that I will be talking about this years later. So I started as a volunteer as I mentioned earlier and then within six months I found out that there was a vacancy with the circulation desk. I got promoted to work in as a library assistant, I think that's what it was called. That's how far back. And even while I'm supposed to be checking out books, I'm talking with customers and we're discussing the books they're checking out. I'm telling them about services that we offer or did they know if you get this – this is also something that you might like. And then after that I left once I graduated from college, I left and went to go work elsewhere. But I loved the library so much I came back after a couple of years and then I started working, at this time I started working with the information desk as a library associate.
And this way I was able to suggest books for customers, I could actually help do research for my customers since I already love talking to them. I would go out you know, in the stacks and see what people might need help with. And best of all, I am now an Outreach Librarian which means I get to go out not only wait for the customers to come to me, I go out to them. And that's the part I love the most because I love talking to people. I not only love staying in one place, I like to go to different places. And this way I can see all our customers from all different walks of life in different places, talk about services that we offer which is an array of resources and I can never list them all. But in a nutshell that's what I do.
David Payne: Great, and we'll come back to outreach in a bit.
Julie Dina: Sure. How about you, David.
David Payne: Well, I've been with MCPL what, a year and a half now. I've been at the Aspen Hill brands managing there since June 2018 before that I was manager at the Davis library and Potomac as well. So I already seen a bit of the county. Most of my working life has been in public libraries across the country. I worked in Florida; in Ohio; Philadelphia where I was a branch manager as well for many years and then federal county libraries and then here. So it's been a big change.
Julie Dina: So now that we've actually talked about that, let's move into bringing into an international perspective. David, you mentioned that you used to work as a library assistant in Britain. Can you also tell us about if you've had any experience as far as public library experience in Britain is that something you can share with us?
David Payne: Absolutely. I mean, the Public Library movement in Britain really parallels that of this country. It goes back to the 19th century. And had -- you know there has been or was a fairly robust network of public libraries. Growing up for me growing up as a boy in London in the 1970s the local public library was rather nondescript plain building as far as I was concerned. But it was one of the focal points of my growing up there. I remember as a boy I was really into two things trains and football or soccer as you call it here. And so I think I went through every single book on trains and soccer in my local branch. And that used to be the thing I used to look forward to the most of the weekends after school. And actually I always remember that I was able to combine my like of trains and soccer by traveling all over the country the length and breadth of Britain supporting my favorite football team.
So I used to go into library and to the reference section where they used to keep the national, British National train timetable. So I used to spend hours poring over that and used to be a running joke that perhaps it should have been shelved under fiction. But so that was my recollection as a boy, but when you look at the Public Library Movement in Britain now it really reads like a horror story. And there's a tail in there that really relates to why things like library lovers month is so important. Over the past decade or so due to local government budget cuts the Public Library Movement or network in the UK has been savaged. And over the past 10 years or so, probably well over 500 libraries have been closed. Many of them have, the ones that haven't been closed are now staffed run by volunteers or community groups.
Many staff have lost their jobs. I think I read looking over the figures which I researched before this broadcast, about 8000 jobs have gone in public libraries over the past 10 years, 500 libraries cut number of books held by libraries have dropped by 14 million, which is quite staggering. And you can imagine the effect that has on everyone in terms of literacy; in terms of the economy and really the whole country. And it's not to say that people there, people in Britain don't rally and support their libraries they certainly do. But I think the message is this is why showing your support matters. And obviously in this country, there being cuts and libraries up and down the country have had challenges, but not on the same scale. But again, library lovers month an opportunity to express the reasons why we need libraries and why that's so important.
Julie Dina: Thank you so much for sharing that with us.
David Payne: That's quite a -- quite a sobering tale.
Julie Dina: Yes, I hope things turn around.
David Payne: Well, hopefully.
Julie Dina: For the good.
David Payne: hopefully, hopefully. And perhaps Julie, you can talk about your background from Africa.
Julie Dina: Specifically Nigeria. So although I don't remember a public library experience specifically, as far as libraries are concerned, what's more prominent back home are university libraries. And I do remember that some elementary schools and this is something that teachers come up with because libraries are generally funded by the federal government of the country. And so when there's not enough funding, that means libraries will not function as they're supposed to be. So I do know some teachers in certain schools do something called an invisible library, which means parents and teachers donate books, then the teacher assigns each person to a particular book, and then they give a certain amount of timeframe for you to read that book. You come back to school after that timeframe is over. Everyone talks and shares their experience about the book they've read and then she reassigns.
So typically the book is not being shelved in school because there is -- you can't get an account for it. So it's just -- it's just a change of hands but it does exist. And so I know there's the National -- I mean, the National Library of Nigeria and the goal originally when they were only 36 states were to have a branch in each state. But so far, I think it's still only 16 as much as they do aspire to run the library as frequent as they would just like in the Western world economy is what it boils down to. So like you mentioned, it's good to show your support for libraries lovers’ month here in the States because there are parts of the world where people don't get a free library card. They certainly do not get free resources and more importantly, the vast array of resources that we have here is nowhere near what they have back home.
David Payne: Right and I think it is important you mentioned the word free. I mean even in Britain today the libraries that have survived for many years now while taking out books remains free if you take out a CD or a DVD you pay a nominal fee so again, a big difference.
Julie Dina: Yeah, so that really matters so keep loving your library.
David Payne: So obviously the Public Library has a place in the community, a big place. Where do you see MCPL in the community from your viewpoint in outreach?
Julie Dina: I actually see MCPL as a glue factor. The library connects a lot of people to a lot of things. You mentioned earlier that we are a space for people to meet and to me, that's enriching the community. People look forward to come into the library to meet other people who they're working on the same project, the same goal. People are meeting for Lego groups. People are meeting here for knitting groups, book discussions. We've got immigrants who when they come here as an outreach person, when I tell them come to the library, you're going to get this service for free. And it's like I have to keep saying free, free, free like the commercial because they can't believe it. But the library is very prominent in the fact that we provide a lot of -- these are not just services that are luxurious service – these are basic need, who doesn't need to learn a language?
And they need this language in order to have conversations with other people who can provide a service that they need. So I think MCPL is very prominent in our community and we've got, may I also mention, we have partnerships with a lot of organizations. We have partnership with the Rec department. We've got partnership with the JCA, not only the JCA. And for those who are wondering what it means it means the Jewish Council of Aging. Not only that we also have a huge partnership with HHS. If you look in the community, especially in the HHS departments you'll see a lot of deposit collection in the community and these are books that MCPL provides.
Not only that we also have partnerships with a lot of the barber shops in the areas. So not only are you waiting to get your hair cut, or to get your hair washed while you're there, you get to read one of our books or have one of our resources, which is right there in place for you. So that's just -- that's just a minimal amount of what I've mentioned. But people know who we are and they rely on us for a lot of things.
David Payne: And I think from my viewpoint as a branch manager you see the larger picture and the impact of the branch of the library in the community. You mentioned some connections. I think there's also the fact that the library is an anchor for economic development and neighborhood revitalization, the Wheaton library for instance, part of that work down there. We really help to strengthen community identity.
Julie Dina: That's true.
David Payne: We are free. We provide a place for me people to meet each other. We hear about the third space, that mix of first and second space the home and work or whatever it is work and home. Home and work.
Julie Dina: I think it is homework.
David Payne: Homework and the third space that mix that fusion between –
Julie Dina: I was just talking about that earlier.
David Payne: So it's that's a safe space. I mean really as you mentioned identify and fill gaps in community services, early childhood education, lifelong learning and the work we do in in technology literacy.
Julie Dina: Which is very huge.
David Payne: Which is very huge.
Julie Dina: And we have -- I know we promote a lot of early literacy especially the big one that's coming up 1000 books before kindergarten. People just can't believe that there's such a program and it as big as the summer reading program. So we've been going into the communities; we've been going into daycare centers and parents as well as caregivers as well as teachers are all excited about it.
David Payne: Right. So tell us about 1000 books –
Julie Dina: Before kindergarten.
David Payne: Before kindergarten.
Julie Dina: So this is sort of reading program that's parallel to our summer reading program where our goal is to get both parents and kids to read or perform any educational activity, 1000 before kindergarten. So basically how it works is you go to any of our 21 branches just like you would with summer reading and sign up for this program. And for every milestone, there's a very wonderful gift waiting for you at the branch. And not only that, when we say 1000 books people are like, “Oh my gosh, how do I read 1000 books?” Don't you fear because it's not just limited to books it could be a trip to the grocery store and you and your child you're singing along that's an activity.
You can log that has an activity or you guys are driving in the car and you say, “What shape is the stop sign?” That's an activity. So even with the one sentence I just made you've already done two activities. So we want a lot of -- and we've actually, the outreach team, we've been covering a lot of daycare centers, we've been going into headstart schools, and we have been letting all caregivers know that this is a wonderful program. And I think the community is actually excited about that.
David Payne: Absolutely. There have been great response. And we should also mention, you can read a book more than once.
Julie Dina: Oh, yeah that’s true.
David Payne: You read it multiple times and get to a 1000.
Julie Dina: So if it's your favorite book this is your time to utilize it.
David Payne: So Julie you mentioned -- you talked earlier about your work in outreach. Outreach does what exactly; what do you and your team do and what part of your work do you think would most surprise people the most?
Julie Dina: So let me start from the back. What would surprise people the most is people just can't believe that we actually do pop up libraries which means we're not at a branch. It could be a festival sort of like Poolesville day or Potomac day and we would have our table there. And guess what, people just can't believe we're actually given out library cards. So that's one thing that surprises people also the fact that we do pop up story times. We now have a partnership with the Lake Forest Mall. And people in my team actually would do story times and sometimes even crafts. That's not something that you know libraries are known to do in the past, but we do do those and we also do dance parties and I know I did a couple of them this past summer and had fun doing it. And that was my -- that was my cheaper way of going to the gym.
So as far as what we do outreach, just like the name outreach, we go out into the community and tell our customers about all the wonderful resources and services that MCPL has to offer. We tell them about our educational resources. I mean, I've been to a lot of events where we have a table and just a few flyers that I have in front of me. People just can't believe that we're actually offering these for free. I'll tell you about a particular one linda.com which actually has over 300 professional video courses. And this is that these are actually taught by the industry experts and which your library card, this is free. Believe it or not, if you were to subscribe to it and I'm sure some of you are going to test it as you're listening to me you will be paying money for it. It's not free.
David Payne: Big money.
Julie Dina: A lot of money.
David Payne: And it's a great great resource.
Julie Dina: It's a great resource. Those customers who actually know about linda.com when they see it on my table, although I'm telling them it's free, they still tell me what's the discounted price because they know the value of it. So if you're someone who has been thinking about a career change, you know, you're someone who has certification in your career. Some of the courses that are actually taught are actually certification base. So imagine how much you will be paying for that. So that's one thing I love going out to do. We go to festivals, we go to schools, a lot of schools, we do presentations about resources that we offer, which is also a way when we go into high schools we tell high schoolers who are always looking for SSL hours that the library is one place they can start their search.
Also, outreach team does a lot of -- as I mentioned earlier story time. We have that at the branch but also for those who can't come to the branch, we go out and give them exactly what they love. We give them story times I mentioned we do dance parties. So it's not just limited to the branch. I feel like the outreach team is MCPL on the move. So we go out there, give the customers what ordinarily you would get at the branch.
David Payne: And how many do you have on your team?
Julie Dina: It's four people right now.
David Payne: Four people doing all that work.
Julie Dina: There used to be eight of us, but now they've got the Fantastic Four.
David Payne: Now can customers contact you to request your participation in events? Or do you just choose which–?
Julie Dina: There's actually a form on our website when you go on our website, which is actually attend your events, whatever your event is, you fill out that form and of course -- one of our – one of our outreach member will get back to you. And at the show notes of this program will actually include the link to that form. Now, David, you being an agency manager, and you mentioned at the Aspen Hill library, what do you think will surprise people most about the work you do, especially in a busy public library where you are?
David Payne: I think what I don't do basically, I have many people who have asked me why do you need a Library Manager? Why do you need a branch manager? And many people are surprised that you actually need a branch manager really the fact is that libraries don't run themselves and as a branch manager over the years, not just an MCPL I actually often been amazed myself for some of the things that I've done many of them less glamorous.
Julie Dina: Such as?
David Payne: Being on my back fixing leaking toilets. And one of the great things about the job is literally don't know what each day will bring.
Julie Dina: That's exciting.
David Payne: That's exciting in some way. But many people don't realize what the scope of the job is. And again, each manager approaches it differently. For a hands on person like me I chip in wherever needed. I was helping set up a room for a program last Saturday at my branch and the customer popped ahead and and said, “Wow, you do everything.”
Julie Dina: You are wearing different hats.
David Payne: Yeah, basically with different hats. And really my job is really to make sure that the branch is running and that involves work with the staff, with scheduling, you have to make sure the building, the facility is as it should be as work with a collection. There's programming, work with community groups, friends groups, library advisory committees. It is really no end to it. So it's really almost a jack of all trades. And that's what I really like about it. And I think like I say, most people don't realize the actual scope of the job in really making sure that the branch runs as it should be from day to day.
Julie Dina: So what you're saying is that a lot of people should start applying to be agency managers?
David Payne: Oh sure. Sure if you like adventure there you go. So Julie, when you do your outreach visits, what are the most popular services that you highlight?
Julie Dina: Artists’ works which is also a great resource where you actually are able to learn any of the different musical instruments that they offer for free. And not only that, it's also the instructors are actually Grammy and Emmy Award winners, which is really cool. And more importantly let me tell you what people cannot believe that's a surprise and this is a recent resource that we just acquired for our customers. It's called canopy and with canopy it works sort of parallel to Netflix. You're able to stream hundreds of movies and guess what guys, it's for free.
David Payne: It is so free and these movies are actually from all over the world I think.
Julie Dina: I just found that out last week yeah, because they sent me a suggestion. So imagine I could actually go on and on. People also love Mango Languages because I come across a lot of people who may not necessarily be from here, or even people who are from here like myself, I want to learn French and the fact I have Mango language and I don't have to go pay a specialist or someone who actually would charge me that's unheard of. And I'm so thankful to my MCPL for making that possible. So if you want to hear more, or if you want to know more about services and resources that we offer, I suggest go on our website go under -- actually you can go through A through C resources and see every and all of the resources that we offer or you can come to one of my events. So David, this is a question we usually ask our guests and since we're being both today I've got ask you this. What are you currently reading?
David Payne: I'm actually reading a new book by Frederick Forsyth, that great writer of thrillers and intrigue, it's called The Fox came out last year and it's a slightly different approach by him about -- the story about a 18 year old computer hacker and the havoc he wreaks in terms of hacking and technological espionage. Forsyth to me is a great writer and this is certainly a good work perhaps not his best without going into details. It is slightly humorous it's a parody of current politics in this country and in Britain. So there's a touch of humor and irony in there which may not be for everybody and again it's not -- perhaps not his best work but certainly great Forsyth read. And then I return to you Julie.
Julie Dina: Well, I'm currently reading and I not even halfway into the book, but the book it's called Ghana must go. And I remember having to display this book when I still worked at the Wheaton Library branch. And at one point, I had to place a hole because it was very popular. And it's by the author Taiye Selassie. And it's basically about a father who lives in Accra, which is the capital city of Ghana and he's a known surgeon and he suddenly dies. And at this point all his kids are scattered in different parts of the world of which I think United States is one of them. But because the death of this man has rippled through the whole world, his kids get to find out and one of the reasons why they all moved part was because of family secrets and crimes. And I think at some point their dad failed them as a father. But because of this death they're all coming back together and they're revealing things that we didn't know about in the beginning and at this point I'm going to say I have not finished a book. So I do know we have copies in our catalog so if you would like to come along this journey with me check -- check it out from one of our branches.
David Payne: And the same of the Frederick Forsyth book many copies of the fox in your local branch.
Julie Dina: We do know how to pick them.
David Payne: We do.
Julie Dina: Well well well this has been a very interesting program.
David Payne: It has been different.
Julie Dina: It has been different but I'm glad we were able to tell you or give you are you know opinion as far as what we love about the library and our experience in libraries from different parts of the world. With that, I would like to say let's keep this conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don't forget to subscribe to the podcast on the Apple podcast app, Stitcher or wherever you get your podcasts. Also, please review and rate us on Apple podcasts we’ll love to know what you think. Thank you for listening to our conversation today. See you next time.
Lauren Martino: Welcome to Library Matters. My name is Lauren Martino; I'm your host today. Black history month is right around the corner and with us today are two MCPL staff members ready to give you some background on African American fiction as well as some titles to read for black history month and all year round. With us today is Christian Wilson who is a librarian at the Silver Spring library, hi Christian?
Christian Wilson: Hello, how are you doing today Lauren?
Lauren Martino: I'm good. How are you?
Christian Wilson: I’m doing well, I’m doing well.
Lauren Martino: And with us as well as Diane Betsy who is a library associate with Collection Management and has run the African American book club in Rockville for the past 15 years, is that it?
Diane Betsy: Yes, 15 years, we had our 15th anniversary.
Lauren Martino: Oh, that's exciting, welcome Diane.
Diane Betsy: Thank you, I'm so glad to be here.
Lauren Martino: Let's start with, how do you define African American fiction? What makes something African American fiction?
Christian Wilson: I would say African American fiction is fiction written by African descendants of slaves that were brought here from the beginning of colonial times, so 1619 until slavery was abolished in 1865 in the United States of America and its territories. I would say fiction by any other authors who are African or Afro descended, but are from say the Caribbean or from Africa themselves would not count as African American fiction, because they just don't have the shared experiences that we do as descendants of slaves in the United States.
Lauren Martino: So something like swing time that takes place in Great Britain primarily is -- would be something that wouldn’t quite qualify?
Christian Wilson: Unless it’s written by an African American author who was a descendant of slaves in the United States, it probably would not qualify like Adichie’s books; they would not qualify, even though she was reared here, she doesn't have the African American experience of being descended from slaves that were brought here. She was -- she's from Nigeria, so that's completely different worldview.
Diane Betsy: Okay, we see things a little different...
Lauren Martino: Okay, let's discuss this.
Diane Betsy: In the African American Book Discussion Group of Rockville Memorial Library, that's our official name. Forgive me. We started out thinking African American book discussion was basically African American authors; that is people, black people born in the United States who wrote books about black people born in the United States. Over the years though, we've expanded our definition so that we include -- actually we tell people we read books by and about people of African descent.
Lauren Martino: Okay.
Diane Betsy: And therefore we read Zadie Smith, who's an English author, Chimamanda Adichie, we read a lot of Edwidge Danticat from Haiti, we read a lot of authors from the -- what they call the black Diaspora, Diaspora. So when in our book group and we say African American authors, we really mean people born or people who are descendant from Africans not specifically just the United States of America.
Lauren Martino: Okay, I guess you can define America pretty broadly too depending, it’s like…?
Diane Betsy: Yeah, because America as well…
Lauren Martino: Is Haiti part of the Americans?
Diane Betsy: The American, yeah the American content, so to say the Americas you would be including the America, so you’d be including Canada, the United States, South America. In our book group, we just say African American authors and -- but we mean, black people who were – people who were descendants from Africans from all over, we read from all over the world.
Lauren Martino: So there's a couple of different definitions and I imagine there are books that you just don't want to pass up on, because they are just that good.
Diane Betsy: Exactly, yeah.
Lauren Martino: So can anybody comment on like the history of African American fiction, kind of where does it have its roots, where did it begin?
Diane Betsy: I have a little problem with that question, because if you're saying African American fiction, if you do research on that question, do you know what you get? Slave narratives; which is not fiction.
Christian Wilson: It’s not fiction at all.
Lauren Martino: No.
Diane Betsy: So, but everything that you read if you go to Google, if you go to Wikipedia, they all say slave narratives, I'm going, “Wait a minute, that's not fiction.” But I guess some people consider that fiction, but to me fiction would be Uncle Tom's cabin, which was 1852 that would be African American fiction, I would think.
Christian Wilson: Yeah, I would also go back to like even Phillis Wheatley, her poems, she was writing in the 1700s. She was kidnapped from what is now modern day Senegal, you know she was writing very well back in those times and so I was -- considered her to be one of the progenitors of African American fiction definitely.
Diane Betsy: Fiction, exactly.
Christian Wilson: I would say that there are so many writers and if you just have to take the time and look that wrote other things besides slave narratives during the time of colonialization and slavery and then reconstruction 17/1800s passing to that time even – as you said before Uncle Tom's cabin, that's really the start. It didn't just start in the 1960s where everyone was writing for The Civil Rights Movement, it's been here since…
Diane Betsy: It started with Harriet Beecher Stowe, who by the way was not an African American.
Christian Wilson: yeah, decided to write African American fiction, so it's been here for a while, it's been here for -- since the first slaves were brought here, African American fiction has been here, I will say that.
Diane Betsy: Well yeah, if you want to count the narratives, oh well there's been fiction that we didn't know about is what you're saying.
Christian Wilson: Right.
Diane Betsy: They weren’t published, we didn't know about them, but maybe there were some fiction. But in terms of fiction we know about, I'm thinking Harriet Beecher Stowe, because her book was published in 1852, I can't think of anything that was published before that about African Americans or slaves. That was fiction.
Christian Wilson: Yeah.
Diane Betsy: So then we get to fiction when we hit the Harlem Renaissance.
Christian Wilson: Absolutely.
Diane Betsy: That started from the 20s and it went all the way to the 40s. Now you have actual fiction, you've got -- the first one I could find was a Nella Larsen.
Christian Wilson: ‘Passing.’
Diane Betsy: She wrote ‘Passing’ in 1929 and she got it published in 1928, she wrote Quicksand and then you had, of course Zora Neale Hurston, she's still being taught in universities in the United States. Her very first novel was that ‘Their Eyes Were Watching God’ that was published in 1937. And then I think I had Richard Wright in 1944 ‘Native Son.’ Those were works of fiction and they became very popular in the Harlem Renaissance 1920s, 1930s, 1940s, to me that's where African American fiction began.
Christian Wilson: And it took off at that point and just went like a rocket ship from the Harlem Renaissance and other cities where there were renaissances as well. It just really just start -- it was always there, but it just really just defined itself as the sort of like the gatekeeper, the fictional gatekeeper to the entity which is African Americans at that point.
Diane Betsy: Yeah. And I think what made that happen, that explosion in a sense if you will, is the fact that white Americans knew about it. These works of fiction that was being written about in newspapers and magazines that white Americans read. So for example, you had in the 50s, you know we had ‘A Raisin in the Sun’ this huge play by Lorraine Hansberry that was on Broadway, there's no way that got to Broadway just because of black people, I mean white people had to back that show, they had to agree to a put that show on. It was a tremendous hit and you had Ralph Ellison doing the ‘Invisible Man’ in 1952 that is still a classic. I think you were asking us about classics at some point. ‘Go Tell It on The Mountain’ by James Baldwin, 1953. Those were crossover books, those were books that the white publishers and booksellers were aware of and they were moving them and because of that, more African Americans learned about them. See, there were books possibly before, but the average African American working every day never heard of them.
Christian Wilson: I’m kind of curious as to the role of librarians and all of this. But I don’t suppose – I didn’t ask you that ahead of time, so I won't.
Diane Betsy: Well no we need to talk about a little bit, but it’s a little bit touchy, it's a little bit touchy.
Lauren Martino: Do you know? Oh really, why?
Christian Wilson: Well they weren't really allowed to promote African American books, because the libraries themselves were segregated. So African Americans could not go into the library and borrow books, even though they were paying for the library services with our tax dollars.
Diane Betsy: Exactly.
Christian Wilson: If they wanted to borrow books, they would have to do it through their churches or backdoor…
Diane Betsy: Or through a backdoor somehow, they were not allowed to go into the library building. So I think I could have this date wrong, but I think as recently as 1960…
Christian Wilson: It sounds about right.
Lauren Martino: There were two or three black men who were actually arrested for walking into a library in Virginia.
Lauren Martino: Wow!
Diane Betsy: And taken out, because up to that point, it was still against the law for black people to enter a library. So black people weren't learning very much in libraries, because they weren't allowed in. Remember originally during slavery, it was against the law to teach a black slave to read. So that grew into black people were not allowed into the library. And that was true up until, I would say the 60s probably; it was a cut off.
Christian Wilson: Mid 60s, yeah.
Diane Betsy: And we're talking now across the country that may not have been true in New York City, let's say or Washington DC possibly, but across the country it was…
Christian Wilson: Especially in the Deep South.
Diane Betsy: Deep South for real.
Lauren Martino: Wow! Now that I'm thinking about it, there's this picture book about this African American astronaut as a boy, like walking into a library and like I think maybe he got like special permission, like maybe the librarian like passed him a book. I have to look that up and maybe put it in the show notes, yeah.
Diane Betsy: I remember that story, there were many -- actually there was a children's book, wasn't it?
Lauren Martino: Yeah, it was like a picture book.
Diane Betsy: Yeah, a children's picture book right. There are a couple of books that document the difficulty that black children had getting into a library that went away eventually, but black people would not have been learning about black writers in a library. It would have been a newspaper or a neighbor, somebody they worked for said, “Oh, have you heard about this book?” Church perhaps. Not the library.
Christian Wilson: Yeah, church definitely is one of the big focal points of the African American community. So they definitely would have been learning about it through church. But the caveat, anything that would have been suggestive would not have been in the church's library, my parents’ old church in Philadelphia where I'm from, they have their own church library, but not every church could afford to have a personal library full of the box and what's going to go in there was only things that they're going to say that are appropriate for the church parishioners. So you may not get blues for Mister Charlie, which is one of my favorite James Baldwin books in the church. You may not get ‘Their Eyes Are Watching God’ you may not get A Native Son, because they made -- have determined that those books are not appropriate for the church parishioners.
Diane Betsy: Yeah and depending on year you're talking about they may not have heard of their eyes were watching God. Remember Alice Walker gave the world Zora Neale Hurston. She was doing research and she discovered this black writer named Zora Neale Hurston and she gave the world ‘Their Eyes Were Watching God’ prior to Alice Walker no one I knew, no school teachers, no publishers had ever heard of ‘Their Eyes Were Watching God.’ When did Alice Walker come along? In the 60s, so we didn't even know about Zora Neale Hurston in the 50s and the 40s, the average black person I'm saying.
Lauren Martino: So she had been -- she had published her work by then, but just nobody – it wasn’t on anybody’s radar?
Diane Betsy: She had fallen into obscurity; she did not get along with the powers that be in the Harlem Renaissance. I'm going to just slide right over all that. And she sort of left the north in disgrace, a lawsuit and all that was really ugly. And so she died virtually in poverty. She was on the welfare when she died cleaning people's homes. And Alice Walker was going to -- I think it was either Brown or -- the name, the expensive big colleges for women in the north?
Lauren Martino: Radcliffe?
Christian Wilson: Smith’s or–?
Diane Betsy: She was born in Smith -- Smith or Vassar one of those two colleges she was going to. And she was doing research…
Christian Wilson: I think it was Vassar.
Diane Betsy: And needed information on Voodoo. And as she was searching the library, she found a couple of books written by this woman named Zora Neale Hurston and turned out to be a black woman she's never heard of her. And she did a lot more research, a lot more research and discovered this writer and did her doctoral thesis on Zora Neale Hurston. And that's how the world learned about Zora Neale Hurston all over again.
Lauren Martino: So she’s kind of this literary tradition like with slave narratives and poetry that I guess you didn't really -- I'm sure people, black people weren't encouraged to write fiction, do something as frivolous as that back then way, way back in the beginning, but…
Christian Wilson: Yeah.
Diane Betsy: Well you talk about a time in American history; I think when the average person wasn't necessarily graduating from high school. So white people clearly -- black people clearly were not graduating from high school and they were lucky if they were getting out of the third grade before they had to go to work. So I'm talking about the average person now, I'm not talking – there was a black middle class across the country, very small but yeah, they had their advantages, they were going to college.
Lauren Martino: So talk a little bit about the origins of African American fiction, can you tell us a little about why African American fiction is important Christian?
Christian Wilson: It gives -- African American fiction gives African Americans a voice and literary and Cultural Community of the United States. That's why it's important. It's important for people who are represented here in the United States via population, via entertainment to be able to tell their own stories. I find as a children's librarian, it's very frustrating sometimes because we do have African American fiction in the children's department, but they're not written -- the books are not written by African American authors, they're written by white authors.
Lauren Martino: Not all the time?
Christian Wilson: Not all the time, but it's important for African Americans to be able to tell our own stories within the literary scheme, because a lot of the stereotypes are that black people don't read or black children don't read. It's important to say, “Okay, look yes they do read, not only are they reading Harry Potter, but they're reading P.S. Be Eleven by Rita Williams-Garcia. You know it's important to have our own voices out there to show that yes, we do contribute to the cultural life and of the United States beyond rap music or R&B music or you know entertainment comedy, but we do like there are -- we are multifaceted. That's why I believe African American literature fiction urban fiction is so important.
Diane Betsy: Yeah, I agree with you. I think that African American fiction is important. First of all for the same reason that fiction is important period, all fiction makes it clear to us the reader that we are not alone. I learned that from Diane Rehm.
Christian Wilson: It’s true.
Diane Betsy: That so close to my heart when she said that, because that's really true. She had another famous one, why do we have book clubs? Because it's the only place where we can discuss life. I think that's true for my book club. We get together, read the books and we discuss life. I think that some of the other points though that Christian was making is important, the members of my book club really read the black fiction for the history. We learned so much of our own history by reading fiction, not just historical fiction, but regular fiction informs us about the black experience in different parts of the country and tells us a lot about our history. Now, my book group tends to be 45 and up in terms of age. So when we were in school, in public school, I was in public school in New York City. There weren't a lot of books for us to read that were written by African Americans. So we tended to read Dickens and -- you know the story said everybody else in class read. The children who are going through school today, the black children have a wealth of black authors that they can read. They get more of the black experience at a younger age, but the people in my book group are hungry for stories about themselves, their mothers, their grandmothers, what things were like, where do we get that? We're getting that from the fiction, because it wasn't taught to us in school or the movies didn't give us that. Historical fiction is very, very popular in my book group. So for example, we loved and adored ‘The Good Lord Bird’ that was about John Brown's hanging at Harpers Ferry as…
Lauren Martino: Harpers Ferry, yeah.
Diane Betsy: Harpers Ferry. Okay, there's another book out on that same subject that talks about the five black people who were hung with John Brown.
Lauren Martino: You know by name?
Diane Betsy: Right, there's a book about it, right?
Lauren Martino: Yeah.
Diane Betsy: Well there's history that we're getting, this is a work of fiction. The Good Lord Bird was a work of fiction. ‘Darktown’ by Thomas Mullen, we read a couple of years back that was about the first eight black police officers hired in Atlanta and the fact that they were not allowed to carry guns, they would not allow to ride the car. And if they arrested someone, they had to call the white police officers to come and the rest them, this is a work of fiction, but it was heard so much about what it was like for the first black police officers. ‘Douglass' women’, has anybody read that one?
Lauren Martino: No.
Christian Wilson: That’s why it’s on my to-read-list.
Diane Betsy: Jewell Parker Rhodes, fascinating book…
Lauren Martino: She wrote adult book?
Diane Betsy: Pardon?
Lauren Martino: She wrote adult too?
Diane Betsy: You didn't know?
Diane Betsy: She started out writing adult book, her first book I think was called Voodoo about a madam Marie…
Lauren Martino: Yeah, Madam Marie Laveau.
Diane Betsy: Marie Laveau, I mean you should read that one, but she wrote a book called Douglass' women, it was about Frederick Douglass and the fact that he was married to a black woman named Anna, who he referred to as a black log.
Lauren Martino: A black, what?
Diane Betsy: Log.
Christian Wilson: Like Log.
Diane Betsy: Like a tree.
Lauren Martino: Tree stump.
Diane Betsy: Right. His daughter wanted to marry someone and he said, “No, you can't marry that person and he's not educated.” And she said, “But dad, we're in love.” And he said, “Do you want to spend your life tied to a black log like me?”
Lauren Martino: Oh Gosh.
Diane Betsy: That was a work of fiction, but the information for the book came from the diary of his daughter which is in archives. He had an ongoing affair with his assistant who was a German woman named Ottilie. And in the summer time when he wasn't traveling and she wasn't handling his speeches, Ottilie would go home with him and Ottilie stayed in the room at the top of the house and the wife and the children were downstairs and the daughter's diary talks about trips that dad made upstairs in the middle of the night.
Lauren Martino: Oh gosh.
Diane Betsy: How would we ever have known that, all right? Somewhere in history someone asked Anna Douglas why? Oh, she refused to read. That was why Frederick Douglass was angry with her. Why did she refuse to read? And her answer was, when I look at the things that people who know how to read have done, I don't ever want to learn how to read.
Lauren Martino: It's a little heartbreaking.
Diane Betsy: Anyway, I learned that through historical fiction, it's called Douglass women, Jewell Parker Rhodes that's one of the things that people in my book group get out of these books, we are learning our history.
Lauren Martino: Yeah. So these are books that are -- they're fiction, but they are well researched…?
Diane Betsy: Historical fiction very well researched.
Lauren Martino: Based on…
Christian Wilson: Colson Whitehead's, ‘The Underground Railroad’ that's another good one.
Diane Betsy: That’s another good one, right? That was just recently, did he get the National Book Award?
Christian Wilson: I think he got like…
Diane Betsy: Pulitzer, no he got the Pulitzer for ‘The Underground Railroad’
Lauren Martino: About two years ago, I think.
Diane Betsy: Yeah.
Lauren Martino: Now that's the magical realism and that is such that I just love to have someone sit down with me and say, okay, this happened, this happened, this happened and this happened.
Christian Wilson: Did you get a chance to read it?
Lauren Martino: I did read that one.
Diane Betsy: Was that fun?
Lauren Martino: It was a little bit -- I kind of felt, what's the right word? A little dizzy.
Christian Wilson: There was a long…
Lauren Martino: It was a long crazy trip.
Christian Wilson: There was a lot going on.
Lauren Martino: There was a lot going on, yeah.
Christian Wilson: But there was a lot of history in that book. So that's a good one Underground Railroad is another good historical fiction. Now you know there really wasn't an Underground Railroad, I mean there wasn’t…
Lauren Martino: I know I got that much.
Christian Wilson: He created the train.
Lauren Martino: It's really fun to imagine, like that imaging like…
Lauren Martino: It's like first of all you know there's no conductor and then there's like no track, it just kind of gets like harder and harder.
Christian Wilson: But I keep saying to myself, but it could have been true when you think of all the underground tracks that were made for coal mines. People could have connected car, I mean I kept saying, but it could have been true, because in my end its fiction, okay it's fiction, but it's historical fiction.
Lauren Martino: Yes.
Diane Betsy: Yeah and it's bringing to light things that you'd never would you know pick up the journal to read.
Christian Wilson: Exactly.
Lauren Martino: So we talked a little bit about Harriet Beecher Stowe. I'm kind of curious whether you all will agree on this or whether there's going to be some controversy. Do you have to be African American to write African American fiction?
Christian Wilson: Okay, so I'll answer this one. I think that if you have an affinity to African American descendants of slaves in the United States, as I said before, I think I opened it by saying, you know this is what I believe African American fiction is. It's the stories of African American descendants of slaves. I don't think that you have to be African American, but I think you need to understand and know our shared experience. I think if you're coming in from say Japan and you just want to write a story about the black struggle, like you need to really like live it and be in it, in order to write it. I think just writing like superficially is not going to really do anything about the black experience. Like bring it to life or you know give it a voice, because it's not authentic. It just feels like you know the soul singers of the 80s like you know Teena Marie and George Michael, like they sung soul music, but they intergraded themselves into the black music scene. So like their sound songs were authentic, I mean I still know people who didn't believe that Teena Marie was Caucasian. I mean to this day people…
Diane Betsy: A lot of people still think that Teena Marie is black, she's just a light skinned black person.
Christian Wilson: Like Ezra Jack Keats?
Diane Betsy: Yeah.
Christian Wilson: Yeah.
Lauren Martino: Like I’m looking for an African American author, can I get a book by Ezra Jack Keats…
Christian Wilson: And you are like sorry, he is Caucasian. So yes, it's possible and it has happened in the past and when we get to urban fiction, I'll discuss more about how people who are not African American are writing urban fiction.
Diane Betsy: I think that as Ezra Keats is an example of what you're saying, he could write a story about a little black toddler in the snow, because there isn't -- I mean a little black toddler in the snow is like a little white toddler in the snow or a little Asian toppling the snow. There really isn't any difference there, but when you get into adulthood now you've got serious differences. So, but I think that you're right, if you are serious about your subject and you know your subject, you can be Caucasian and you can write good books about African Americans or people of African descent. I have examples here, ‘The Secret Life of Bees’, Sue Monk Kid was not an African American; did you know that? A lot of people -- then movie came out with Queen Latifah; a lot of people were shocked to find out that Sue Monk Kid was not a black woman. Another one would be, Henrietta Lacks, The Immortal Life of Henrietta Lacks, remember that? The author…
Lauren Martino: It was nonfiction, but yeah…
Diane Betsy: That was nonfiction, but the author was Rebecca Skloot who was not an African American, but she lived with that family like it was her own. And she could write that story. How about this one was in the movies, the book was great though. The Help by Kathryn Stockett…
Christian Wilson: I was just about to say that.
Diane Betsy: Okay, ‘The Help’ was not written by an African American woman. And that was one – that the first five minutes of that movie had everybody -- we went as a book club to see and we sat there passing tissues, I mean we were crying the first five minutes. Do you know -- I forgot the actress that played that part. But in the first five minutes, someone off camera says, “Tell me about your life as a housekeeper.” And before she can speak, she gets emotional and everybody in the theater was crying, it's just incredible. But anyway, the author of The Help was a white woman named Kathryn Stockett. And then we have Uncle Tom's Cabin, we talked about that. And my favorite, this is going to surprise you, Mark Twain.
Christian Wilson: You know I have mixed feelings about him, because he used the N-word so much in his literature, but he was writing about African American character.
Diane Betsy: Have you read Mark Twain's Pudd'nhead Wilson?
Christian Wilson: I've read parts of it.
Diane Betsy: You should read the whole thing.
Christian Wilson: I need to read the whole thing.
Diane Betsy: It is his first and only book actually about an African American family, a slave woman who was pregnant and her mistress was pregnant and her master had gone off to war. They had babies on the same day, but the mistress died and the slave woman switched the children and made a scar on the white babies hip and a scar on her own hip so she could prove he was hers, but he wasn't. So it's a detective story in the sense that eventually, Pudd'nhead Wilson who's an attorney who can't get a job, who has this little game he plays with a new scientific concept called Fingerprinting, eventually it goes to court and they figure out who belongs to who? And so people have said that this book was a very good research and is it your life experiences that determines who you are or your genetics? Because we see what happens to this white child who was raised as a slave son. So, I think that is a fascinating book. My Book Club read and they adored -- they hated it, I mean they were like, I'm not reading Mark Twain, but I got them to read that book and they were like, “Oh my God, they just…” we were overwhelmed. So yes, yes to your question, you do not have to be African American to write a good book about African Americans.
Lauren Martino: I guess it really takes all of it. You need the people that have lived these experiences, whose parents have lived these experiences and also the people that are maybe the very interested outsider. There's got to be a tall order to immerse yourself into it in order to do a really job.
Diane Betsy: Well Mark Twain spent a lot of time on Mississippi river boats.
Lauren Martino: He did?
Diane Betsy: It would have been really, really hard for him to miss African American's on those river boats. They played the music and they were the –
Christian Wilson: Yeah, cooked the food.
Diane Betsy: They cooked food…
Lauren Martino: And watch the children, yeah.
Christian Wilson: But you have to look at it from a certain perspective, you can't look at it like you know your typical person availing themselves of these services, you've got to…
Diane Betsy: You have to be sensitive to what you're seeing happening around you, yes you do. Yes, but you can, you can get away with that very easily.
Lauren Martino: So we've talked about a lot of good books so far. If you could take any one book that's part of African American fiction and make everyone in the United States read it, what would it be?
Christian Wilson: I will start with ‘Waiting to Exhale’ by Terry McMillan. This is why I want to say it, because it doesn't deal with what people stereotypically think African American women should be. It's not about welfare queens, it’s not about drama -- I mean it does have drama, I will say that.
Lauren Martino: It's a book?
Christian Wilson: It’s a book it always has drama, but it's depicts for -- middle to upper middle class African American women living in a different part of this country than you would expect. They're living in Phoenix, Arizona in the suburbs of Phoenix, Arizona. And how they navigate their lives as middle aged women just to show that you know we're more alike than we are different as Americans, you know? We’re more alike than we are different as women; we're more alike than different as we are people, we go through the same exact things, you know? Heartache, divorce, adultery, drug use, you know, all these things happen and it's not class based, it's not race based, it's just this is just human things that happen. Now, I will say this, if you haven't read the book, there is something in there that does happen that's like you know whoa, I didn't expect that to happen. But you know, the way that Terry McMillan writes books -- she has a nice way of closing things up and in a very satisfactory ending, she doesn't leave cliffhangers. So if you're looking for a book that leaves a lot of cliffhangers or you know a lot of disappointment, that's not what you're going to find. But if you're looking for a good story told by a great storyteller, I would suggest ‘Waiting To Exhale’ and also the sequel ‘Getting to Happy’ because there are things that happen in ‘Waiting To Exhale’ that do get resolved in ‘Getting To Happy’, but both of those together, you know those are great books and they are great options for anyone.
Lauren Martino: I’m a sucker for a good ending.
Christian Wilson: Yeah.
Lauren Martino: ...to make this one up, Diane what do you have?
Diane Betsy: Well, my choice would be ‘Cane River’ by Lolita Tademy, because ‘Cane River’, is another – my favorite historical fiction novel. This is the story, the real story of an American black family that begins with this slave woman who was sold into Louisiana on the 19th century and we follow her daughter and what happens to her and her daughter and what happens to her all the way up to the present generation. And the family members that get sold away from each other, the slave girl that a white master fell in love with and killed her husband to make sure that he could have possession of her. The black family who in the 20s inherited all this wealth of acres of land left to them by a French grandfather and all of that land was taken legally in court by the white people in that town. She actually has pictures of the court papers in the book, but because the book is fiction, because she can't -- in the fiction you don't mention certain names and stuff, you find out what happened, but nobody gets sued. And that's why I've always said if you want to read the truth, read fiction. If you want to lie, read nonfiction, because they're so busy protecting people in nonfiction.
But in this story ‘Cane River’ you get the history of black slavery in America, what happened to those children? The children that were able to slip into white America and crossover and no one knew they were black. The children who stayed behind who eventually were disinherited from thousand -- and the papers are still in that courthouse in that town, but the book ‘Cane River’ gives you the entire story of what happened to that family over six, seven, eight generations. And it is a fabulous read, she was one of the authors at the book festival on the mall about four or five years back. It is a fabulous book. It is one of the best books you'll ever read and it's called ‘Chain River.’
Lauren Martino: So now we're talking about fiction as kind of a mask that allows you to talk about the history, not just something that brings it to light, but it kind of gives you the safe space in which you can tell what happened?
Diane Betsy: Exactly.
Christian Wilson: Absolutely.
Diane Betsy: Exactly the safe space that you can tell what happened.
Lauren Martino: That's amazing. Like my notion of fiction has been exploded. We've talked about a lot of different kinds of African American fiction; can we talk a little bit about some of the sub genres. I know some like urban fiction have gotten some mixed kinds of attention. Can you tell us a little bit about that Christian?
Christian Wilson: Well, you know there's different sub genres, Christian fiction, urban fiction, well you know the Christian fiction actually has nothing to do with me, it has just been more about the living Christianity…
Lauren Martino: Not your fiction…
Christian Wilson: It’s not my fiction, right. But urban fiction is a special stand out, because it really started out of the genesis of the civil rights movement. You had a guy named Iceberg Slim and I don't believe that, many of his books are still in print any more that you could probably find them on Amazon and eBay. He started writing about; you know the tribulations of living in a poor African American neighborhoods that were urban in the 1960s and 1970s. And so many authors caught onto what he was doing, but it kind of went dormant until the 1990s when it really started picking up again. You had authors like Omar Tyree, sister Souljah and Nina Foxx and Sapphire starting to write books. Of course Sapphire is probably the most famous urban fiction writer next to sister Souljah, because she wrote ‘Push’, which is the novel that ultimately became precious…
Diane Betsy: Precious in the movies, right.
Christian Wilson: Which was the movie that was inspired by the novel ‘Push’ that had all the big time stars, it had Mariah Carey, Lenny Kravitz, in that movie with -- what's her name? Mo'Nique, the comedian.
Diane Betsy: Right Mo'Nique, right.
Christian Wilson: So it was a way for people who really did not have their voice heard and they were not suspected of being readers or being consumers of literature to be heard. And it really did document what was going on in these neighborhoods at that point of time in their lives. And it does – I mean it's very hard to read if you're not used to it, it's very hard to read, because you're just sitting here and you're reading it and you're like, “I can't believe these experiences are happening to people, I can't live. This is really reality for many people.” And I will say that, you know, 80% of the African American community does not live in poverty, does not experience what's going on, but 20% does. And so this is a voice for the 20% and this is a voice for the marginalized and this is a voice for the oppressed.
Diane Betsy: And I think another sub genre would have been the crime novel.
Christian Wilson: Like the Walter Mosley‘s?
Diane Betsy: Walter Mosley's the ‘Devil with the Red Dress’ started a series – sorry…
Christian Wilson: Devil in a Blue Dress.
Diane Betsy: Devil in a Blue Dress started a series; the reason why I love that book so much though, is that it gives a tremendous history, African American history. Because if you ever wanted to know how did all those black people get to Compton, how did all those black people windup in California? Read the ‘Devil in a Blue Dress ‘ and you’ll find out that all those black people moved up from Texas to California during the war to go to work in the plants to make parachutes, etcetera. That is how all those black people got -- how did I find that out? I read the ‘Devil in a Blue Dress’ by Walter Mosley. And so there's a lot of history in this particular series on Easy Rawlins as a detective, a lot of African American history.
Christian Wilson: And then also very briefly, I would also say that it's not only African Americans writing urban fiction, you have a whole now even sub-sub genre of Latino urban fiction, that's out there. And you know one of the reasons I found this out was because when I was coming out of my undergraduate university, there were people who would just set up book stands. And these books were not in any library yet and it would just sell urban fiction on the street corner for $5 a book. They'd self publish, self edit and it would just sell these books.
Diane Betsy: And that's the way a lot of black poetry got started when Nikki Giovanni in the 60s standing on street corners selling her poems and eventually a publisher approach her.
Christian Wilson: Exactly.
Diane Betsy: Alright and now we have this whole field of black poets, but she started it by standing on a street corner in the 60s.
Christian Wilson: And now you have this whole field of black urban fiction being sold -- not sold, but borrowed in libraries and being circulated in libraries.
Diane Betsy: Well, Montgomery County Library -- while we're on the subject back in 2010, we would get urban fiction, maybe seven copies, maybe eight. We move up to 2017/18. We've got 23 copies of each one every…
Diane Betsy: Yeah, for every library.
Diane Betsy: Things have changed in Montgomery County Libraries when it comes to urban fiction.
Lauren Martino: I'd like to think we've made a little progress in libraries since the 60s and even as far back as 2010.
Diane Betsy: That's a lot of copies though.
Christian Wilson: It’s a lot of copies, it’s a lot of copies and I mean it's less than I would like to see, but we're doing better.
Diane Betsy: For a sub.
Christian Wilson: For a sub genre.
Diane Betsy: Sub genre of African American, it's a lot of copies, because we don't get that many copies initially of something done by Coates t or Ta-Nehisi Coates and people like that.
Lauren Martino: So we've got one more question we like to ask all of our guests on a library matters and that is, what are you reading right now?
Diane Betsy: Right at the moment, I am reading Washington Black, it is one of the best stories I have ever read. It’s written by Canadian -- a black woman named Esi Edugyan and its winning all the awards in Canada and in Britain, now I imagine in time it'll win awards in the United States. But it's about a black slave named George Washington Black, he's a little boy and he gets given to a scientist and the scientist is building contraption no one has ever heard of before, today we call them air balloons. And so he has a million adventures, sort of like the Secret Life of Pi, but it's that exciting, the things that happen to him, there’s an explosion, his face was scarred, he gets older, he winds up in Alaska. This is one incredible story; I have not read anything this good in a long time. She is married; she lives in British Columbia which is…
Lauren Martino: Who is she, the author?
Diane Betsy: The author Esi Edugyan. They live in British Columbia which is right across the Washington state line in Canada. She is married to a white man who's Canadian, who is on the best seller list. His name is Steven Price and his bestseller is called By Gaslight, came out in I think 2015; he's also an award winner for poetry. They take turns taking care of their kids and writing.
Diane Betsy: I think she's the descendant from -- parents from Ghana, but she was born and raised in Canada, fascinating book, ‘Washington Black.’
Lauren Martino: All right, Christian, what's yours?
Christian Wilson: Animal Farm by George Orwell. Oh you know it’s so funny that I picked it up because I was like you know what? This is one of the only books by him that I have not read. And so I'm reading it and you know it's very -- not interesting, but it showcases human nature and in through the animals on the farm and you're just learn the pig is superior, because he's telling everyone what to do and no one is questioning him. And it's just like, you know everyone is equal, but some people are more equal than the others.
Diane Betsy: So it's the nature of politics in the United States.
Christian Wilson: Not to get political.
Diane Betsy: I’m shocked you didn’t have to read that in schools, so I was in school…
Christian Wilson: Not political, we had a choice between Animal Farm and 1984 and I chose 1984.
Diane Betsy: See, they give the kids choices these days, when I was in school you didn't have a choice, you were told read this; this and this and one of them was animal farm.
Christian Wilson: And then also we had to read all the King's Men and so that one you know, but I was like, I need to come back and read this one these days, I do. And you know, this month was like the month I'm like, okay, this is the book I'm going to read this month.
Diane Betsy: I am so glad you read that book, I really am.
Lauren Martino: Well, I'd like to thank you so much, Christian and Diane. This has been a fascinating discussion.
Diane Betsy: Thank you.
Lauren Martino: And I'm really glad you could be guests today.
Christian Wilson: Thank you so much.
Lauren Martino: Keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don't forget to subscribe to the podcast on the apple podcast App Stitcher or wherever you get your podcasts. Also, please review and rate us on Apple Podcasts. We'd love to know what you think. Thank you very much and we will see you next time.
Lauren Martino: Welcome to Library Matters. I’m Lauren Martino and I’m here with my co-host, Julie Dina.
Julie Dina: Hello.
Lauren Martino: And today, we are here to talk about decluttering. Happy January, the holidays are over. Your house is probably packed with stuff. And it’s New Year, it’s a time for new beginnings and it’s a season to declutter. So with us today, we have two MCPL staff members, Fred Akuffo.
Fred Akuffo: Hello, everyone.
Lauren Martino: Who needs decluttering and has some very creative strategies he tells us to – that have worked for him that he’d like to share. I’m really curious to hear this, because I need this myself. And with us today as well is Angelica Rengifo.
Angelica Rengifo: Hello.
Lauren Martino: Who assures me she is on a minimalists journey. Angelica and Fred, can you define decluttering for us? What is it and why should we be thinking about it?
Angelica Rengifo: So, one of the first things that I will like to may clear is that decluttering is not organizing.
Lauren Martino: Okay.
Angelica Rengifo: So, decluttering is to get rid of things.
Lauren Martino: Okay.
Angelica Rengifo: Get rid of things you don’t use. Get rid of things you don’t want anymore. Get rid of things that are broken and you’re not thinking of fixing or getting fixed.
Julie Dina: Or you are thinking, but that’s all you’re doing.
Angelica Rengifo: Or you’re not going to get to it.
Julie Dina: Yeah
Angelica Rengifo: Yeah. So decluttering is making a space for things that matter in your life and taking away declutter that it doesn’t allow you to see and appreciate those things.
Fred Akuffo: For me, decluttering is placing things back in their proper place for better flow in your life. If you listen to a lot of TED talks as a TED talk about flow and how gaining and comprehension of how flow works makes your life better. So for me, I think decluttering is a practice that can assist with that.
Julie Dina: So every one is talking about decluttering. Now, let’s dive in and find out why is decluttering actually a thing now where people just neither 20 years ago, or was the concept simply calls something else back then. What do you guys think?
Angelica Rengifo: Did June Cleaver ever declutter? Does she ever need it? It’s what I want to know.
Julie Dina: That’s a research we need to.
Fred Akuffo: Yeah. I think with the shows like Horrors and things like that, I think it cost people to maybe pay attention to more of what they have gone on in their own homes. Now the Horrors are you know, people who are on the extreme. But I think when you watch a show like that and then you turn around and look at your own place, you see, you know, some efforts that you could probably participate in as a practice.
So I think, yeah, with some of the media that has come out now, addressing some different things that people struggle with, decluttering has become a bigger issue. Also, cluttering is not just physical, it’s –
Julie Dina: Yeah.
Fred Akuffo: – sometimes I think you can have some mental cluttering going on and that can contribute to how it looks in your life.
Angelica Rengifo: Decluttering, again, going back to the question is a thing because we – maybe the gen – now people want to have experiences. They want to create memories instead of accumulating things and more things on top of things that we sometimes don’t even know that we have and then we end up buying the same thing twice or three times because we cannot find the original thing.
For example, right now you have TV show on Netflix based on the book of Marie Kondo, “The Life-Changing Magic of Tidying Up” about how to tidy up. And we see the houses of these people filled with things that they don’t use, that don’t fit them, that were part of like a period of their lives that is long gone and we just accumulate things and that’s how I think generations have change.
We are not going to take all the stuff that we buy and we accumulate. We’re not going to take it with us once we are like sick in bed at the end of our lives. We are not going to say, “Oh, I remember that dress that I bought 15 years ago.” We’re going to remember all, “Oh, I remember the trip that I took with my kids for three days to the beach.”
Lauren Martino: All right. Have you read heard “The Life-Changing Manga of Tidying Up”?
Angelica Rengifo: Yeah, I have read a quite a few books about decluttering.
Lauren Martino: I just love the facts that there’s a life-changing Manga. So, Fred, what made you aware your need to declutter? What got you started thinking about this?
Fred Akuffo: Okay. This is an interesting one. I’ll say comments form the internal customer and what do I mean by that? I noticed one day, one point, that I had – one of the cleaners who is in-charge with cleaning up the library asked me, “So you would like me to clean your desk for you?” And, you know, I was like, “No, no, I got it.”
And then a second question came from the same person thirty seconds later, “Not really, I can do that for you if you like.” And I’m like “No, no, no. That’ll be fine. I got it. I got it.” And then not long after, maybe another day that following week I had a volunteer who work at the branch and same question came up. “Hey, you know, I can come an extra day if you like and help you out with your desk.” “No, I’m all right now. I’m good.”
Lauren Martino: Was there a spill?
Fred Akuffo: No, no, no. I let her know, “You know, I’m okay. I’m going to be getting to it in a minute.” And then the same second response from her came, “No, no, no, I’m serious. I can do that. I can come another day and we can work on your desk, you know what I mean?” And so at that point, I’m starting to become aware that –
Lauren Martino: The sign.
Fred Akuffo: – there is something wrong here and –
Lauren Martino: The world is letting you know.
Fred Akuffo: Yeah, yeah. So I took a quick glance maybe from a visitor guest point of view and just looked with some other eyes and noticed that I can’t see the color of my desk. It’s all white covered with papers, books, things like that. So, I made a mental note to myself, “Yeah, we might need to take care of that and do a little bit decluttering.” So I’m more of the folks that are need of the decluttering.
Lauren Martino: How about you, Angelica?
Angelica Rengifo: Three years ago, I could be found shopping at least once, twice a week, anything, food, clothes, shoes, accessories, decor, online, at the store. And then, I think I watched something on TV and I said to myself, “I want to travel. I want to see other things. I want to have memories. Other people are doing this, why can’t I do it?”
And I started analyzing my spending and realize that all of my money was going to shopping and things that I will wear once, maybe never. I have shoes – I had pair of shoes that I never wore. And – because they look cute on the store and they look cute on feet, but then I was not comfortable buying.
Lauren Martino: You can walk.
Angelica Rengifo: I mean, walking on them.
Julie Dina: Yeah.
Angelica Rengifo: And I decided that all my money was going to go traveling. And last year, I just went too odd that I started a no spending year. This is my third month.
Lauren Martino: No spending year.
Angelica Rengifo: It has been hard. It has not been perfect.
Lauren Martino: So what are the rules of these, like clearly you have to buy food.
Angelica Rengifo: A no cloth – yeah.
Lauren Martino: Okay, okay.
Angelica Rengifo: And so essentials I buy, food, of course, gas, doctors appointments, rent, of course, just the essentials and I give myself once a week to like go out to eat.
Lauren Martino: Okay.
Angelica Rengifo: But I’m not allowed to buy shoes, clothes, decor. I’ve been looking at this blanket for like a month then I’m like I want it but I don’t need it. So it’s also changing the mentality of buying, of wanting and masking this want as need. So that’s what has changed my perspective on consuming goods besides food, which I need. But also, I was buying more food that I needed for a week.
Lauren Martino: Yeah.
Angelica Rengifo: So, things were going bad and it was – as a result, I was wasting money that way too. So I – trying to do at least planning from Sunday two meals per week to declutter my fridge as well and my pantry.
Julie Dina: So decluttering could be seen as a way of saving money as well.
Angelica Rengifo: Oh, it is a big way of saving money towards maybe paying your debt, student loans, which is usually a big one for everybody, paying your mortgage, your credit card, making finally plans to take that vacation that you have always wanted. And so –
Lauren Martino: You’ve done any of these traveling yet that you want to do? Where it begun?
Angelica Rengifo: Yes, I have.
Lauren Martino: What this enabled you to do?
Angelica Rengifo: I’ve been to few a cities in Italy. I’ve been to London, Paris, Amsterdam, a few other ones. Yeah.
Lauren Martino: Wow. Is it worth it?
Angelica Rengifo: Yes. It has been really worth it. I’ve been getting rid of clothes at the same time and I really don’t need anymore right now, so, yes.
Lauren Martino: Do either of you have any resources you’d like to share that have been particularly helpful in your decluttering journeys?
Fred Akuffo: For me, I had read a book a friend of mine has suggested. It wasn’t a decluttering book, but he talked about things in a decluttering method. And this is a “Getting Things Done” by David Allen. And he talked about not having things build up by not taking care of things.
So, if you have something that needs to be done, do it, get it off your checklist, so it’s not building a pile up in the back of your mind. And the back of the mind, when you have a pile up building up, you start to lose other things to deal with that. So it’s kind of like I express to people sometimes and I say, “Look, if you tell me to do more than three things at a time, I’m going to start forgetting things. I’m going to start dropping things,” you know, because, you know, for me that’s what I can handle. You know, sometimes I tell my wife, “You know, only three things to the grocery list. If you had five, I’m going to forget the milk, okay?” So – but that’s –
Lauren Martino: It’s a Pat Hutchins’ book.
Fred Akuffo: Yeah, yeah.
Lauren Martino: Don’t forget the butter.
Fred Akuffo: Right, right, right. So – but that’s what I’m talking about in terms of the nonphysical side of decluttering. Sometimes you got to declutter, you know, your thoughts, your mind, you know. And sometimes we don’t want to focus on meditations much because we got sits still.
And in today’s society, everybody is moving everywhere, you know, high rates speed and all that kind of thing. But sometimes it’s good to just take that time where there would be 15 minutes in two days. Just meditate on what you’re going to get – got going on and what you need to take care of. And then take care of those things and check them off so that your mind can be free and your flow can be better.
Lauren Martino: Angelica, what do you have to share with us?
Angelica Rengifo: Some of the people that I follow on YouTube are more towards minimalism, but they also give you an insight on things that you can’t use. You don’t have to follow every single thing, you don’t have to go to the extreme. But some of my favorite ones are “Pick Up Limes”. She has decluttered and she’s a minimalist not only in her lifestyle and her work, but also even her diet.
Julie Dina: How does that work?
Angelica Rengifo: She is all about plant-based diet and her meals are very simple, very repetitive in the sense that it’s not the same thing every day, but maybe every other week she repeats a series of meals. And by practicing what you are making, what you are cooking, it becomes easier.
Lauren Martino: You get better at them.
Angelica Rengifo: So it simplifies your life, what you’re buying at the store. You’re using it more. It doesn’t go bad and you know where to get it and at what prices you’re going or what places you’re going to get the best prices from. So I really like her.
Then Joshua Becker and, of course, “The Minimalist” are the two – or three in this, three guys that – or really the pioneers in the minimalist movement.” And they also have books. They have TED Talks. And they are really good at making you think a different way about things in your clutter, in your baggage. And what you have and what you don’t need in what to – or how to appreciate what you have that you’re not seeing.
Lauren Martino: Do have any particular titles by Joshua Becker you can recommend to us.
Angelica Rengifo: Well, I am reading – he has two books and I am reading right now “The Minimalist Home.” This is – Joshua Becker is a husband and he’s a father, and he started to declutter his home with his family. And he, again, is a pioneer in this movement and he gives you guidelines on how to simplify your home lifestyle and what issues contribute to home clutter. So this is a great book to maybe start with Joshua Becker in “The Minimalist Home.”
Lauren Martino: So do either of you have any tips for those of us who just doesn’t come naturally to?
Angelica Rengifo: We have to, one, to make a change, first of all, because we can’t read all we want and it sounds pretty and it looks pretty, and it’s the fad right now. But if we don’t really wanted, it’s not going to last and we will go back to our old ways. So, first of all, we have to want it.
And then I think it will be great to create a plan. Like, what do we want to get rid of? Why do we want to get rid of things? What are we going to do with the things after we peerage them from whatever they are?
Lauren Martino: That’s the challenge.
Angelica Rengifo: How are we going to get rid of them? And know yourself that you’re going to be able to follow through, that you’re going to do the things that you plan for. And that – and also realize that not every single method that you read or hear about is going to work for you. So, I do a little bit of everything I have read. I have read the book about “The Gentle Art of Swedish Death Cleaning” by Margareta Magnusson.
Lauren Martino: Which just sounds like a crazy well novel to me, right? This is – it sounds like fiction.
Angelica Rengifo: But it’s an easy read. It’s very short if you want to do it as an audio book. And she is an older person. She is a widow and she gave me this point of view of like, do I want my family to go through all my belongings when I’m dead? And of course the answer is no for 99.9 percent of us.
Julie Dina: Why should my descendant see that I bought this horrible blue dress in the ‘80s and –
Angelica Rengifo: Exactly. So that’s one thing that I have kept with me from her book. Then I have Marie Kondo in the does this make me happy? Does this make me want to go like, oh yes, I want it. I want to keep it. So, things say that not everything is going to work for you. So you have to know yourself to decide what is going to work and be willing to try what you think my worry can then decide what to keep.
Fred Akuffo: And in terms of knowing yourself, you know, sometimes I handle things from a lazy man’s point of view. So, if you’re – if you consider yourself more on the lazier side, one thing you can do is do they wanted a challenge? And that is any area that you want to take care of in terms of cluttering, get rid of your clutter. You can take one item out of that area each day and/or it could be one or two, you pick the number five.
But whatever number gets you to point where you’re tired to do it anymore, you pick that number once a day and then by the end of the week, you’ll have a noticeable change. And it will seem like you never did anything at all.
Julie Dina: And it’s like somebody has that. I think it’s Regina Leeds has that 8 Minute Organizer book that’s like, you know, just take eight minutes and do something today and –
Fred Akuffo: Yeah, yeah, sort of along those lines. Yeah.
Julie Dina: Yeah.
Fred Akuffo: So you didn’t have to, you know, take all the time out of your life but, you know, you’re making progress in little moments as well.
Angelica Rengifo: Eight minutes.
Lauren Martino: Eight minutes.
Angelica Rengifo: Now, have I done this? No. Partially because I started doing it and then my husband rested up. So the new plan is to let’s do it together, eight minutes together.
Lauren Martino: Together.
Angelica Rengifo: Yes, so that we both see the fruits of our labor and can hopefully keep it that way.
Fred Akuffo: Yeah. If you’re going to do it a little bit out of time, you can’t put anything on top of it after you’ve it.
Angelica Rengifo: Yes, yes.
Fred Akuffo: So, you take those five pieces, make sure three pieces don’t get back on their.
Angelica Rengifo: And that’s the challenge, right?
Lauren Martino: Do either of you have any tips on decluttering sentimental items?
Fred Akuffo: Okay.
Angelica Rengifo: This is the worst.
Fred Akuffo: Yeah. My tip would be, you know, sentiment is tough because sentiment means different things to different people. And they impact people in different ways in terms of gravity.
So one thing I suggest when dealing with sentimental items is – have you – when is the last time you visited the sentiment in your life? You know, you can ask yourself that question. You know, if it’s so important, when is the last time I actually dealt with this particular item in terms of how much I claim it means to me? If it was like five years ago when you last held this item in your hands, it’s probably not that much of a sentiment.
Angelica Rengifo: I think for sentimental items, again, they are really hard to get rid off. Like Fred was saying, is different. It’s a different item for everybody. It’s a different item size for every family member. But, why not make a part of the decor, get rid of all this other clutter around this item that doesn’t let you see what is sentiment – very sentimental to you or that you’re attached to it and show off this one that is more important than this other two or three.
So, sometimes you don’t have to get rid of sentimental items. You don’t have to feel guilty about keeping them. Show them off if they are that important to you. If it is a dress, like let’s say your kid’s baptism, why don’t you frame it and put pictures around it and something like that and keep it.
Fred Akuffo: Yeah, I like that. Make it part of the decor, yeah.
Angelica Rengifo: Yeah.
Lauren Martino: So, now we’ve succeeded in decluttering, we hope. Let’s imagine we’ve gotten there. We’ve done it. Things are decluttered. How do we keep it that way?
Angelica Rengifo: So I will say some ways to keep it that way is not bringing in anymore items that you do not need. Do not bring into your kitchen single used gadgets. You don’t need a cutter for apples, one for your mangoes, one for your avocadoes; there is a knife. A knife does the same job that all those three gadgets does one way.
Think about ways that something you already have can’t – what this thing you already have can do instead of buying one new thing for just one purpose. Also, another thing that we can do is make plans for every single dollar in your budget. The way it’s planned it is like a promise to yourself that this money is going to – we’re going on a movie on Sunday and pizza afterwards. Those are memories.
Yes, you’re spending money but those are memories that you’re creating with people that you care about. Instead of bringing things into your house that are not going to give you space to lay down in the couch or walk around the bed or put your car in your garage because our priorities are so twisted that we are keeping things in our garage while we have an investment that is $30,000, $40,000 outside under the snow, rain and sun all year around instead of putting it inside the house in protecting this car that is costing us a lot of money.
Lauren Martino: It’s a good point.
Fred Akuffo: It’s interesting she said that. I – not that I’m hearing this, I’m thinking one thing that will help us stay away from the ad seen on TV store.
Angelica Rengifo: Oh, yeah.
Fred Akuffo: I’m talking about specialty item.
Angelica Rengifo: Pro-tip
Fred Akuffo: There’s a lot of –
Lauren Martino: Like the mango cutter you talked to –
Angelica Rengifo: Like that mango cutter.
Fred Akuffo: The mango cutter.
Angelica Rengifo: I almost bought it.
Fred Akuffo: Yeah, the microwave, egg boiler.
Angelica Rengifo: Yup
Fred Akuffo: You know, all those things.
Julie Dina: Well, now that we’re towards the end of our episode, this is traditional final question that we ask our guests. What are you currently reading? Fred, let’s start with you.
Fred Akuffo: “Federal Mafia” by Irwin Schiff. And it’s about taxes and the nation. And when you clutter people down with all the taxes and stuff, you can’t think freely about, you know, the ones you do need to pay or should be paying or should not be paying. So the power is that maybe benefiting from the lack of clarity of all those different tax logic, got to pay attention to. I haven’t read the book all the way yet so I’m still finding out, but that’s one.
And then another one is “Creature from Jekyll Island.” And that’s the interesting one because it talks about the Federal Reserve and how it is intentionally doing what exactly the people who created it meant for it to do, which doesn’t look like what we think it looks like.
And so that kind of relates to the cluttering too because, you know, sometimes when you are in the midst of clutter, you can’t see what things look like until somebody says to you, “Hey, I can clean that for you.” So, you know, a lot of people –
Angelica Rengifo: Like a full circle.
Fred Akuffo: A lot of people think that the Federal Reserve needs to be cleaned up and so, you know, maybe we got some decluttering to do in that space of finance for the country as well.
Angelica Rengifo: So, I am reading right now “All the Light We Cannot See” by Anthony Doerr. I wasn’t originally – was not thinking about how it relates to declutter, but thinking about it that way, this is a period in time when France was occupied by Germany and how this dad and his daughter have to move to another town. And what will you take with you if you have to leave in a hurry at your house?
Lauren Martino: Oh, wow.
Angelica Rengifo: What is important to you?
Lauren Martino: What’s that important?
Angelica Rengifo: I asked myself that question a few weeks ago and I said, I will take my dog and my passport are I think what I will take with me. Everything else can be replaced.
Lauren Martino: I will like to thank both of you for coming to our program today. Let’s keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don’t forget to subscribe to podcast on the Apple podcast app, Stitcher, or wherever you get your podcast. Also, please review and rate us on our Apple podcast; we’ll love to know what you think. Thank you once again for listening to our conversation today. See you next time.
David Payne: Welcome to Library Matters with your host David Payne. Today it's MoComCon time again. MCPL’s Annual Comic Convention MoComCon is always one of the highlights of the year for MCPL and we trust for the community as well. So with MoComCon 2019 around the corner delighted to welcome two members of the planning committee MoComCon this year Dana Alsup, Head of Adult Services at the Marilyn Praisner branch welcome.
Dana Alsup: Hi.
David Payne: I should say welcome back veteran of many appearances.
Dana Alsup: Yes, several appearances on the podcast.
David Payne: And still smiling. And also welcome to Beth Chandler from our Collection Management Division. Again, welcome back to you Beth.
Beth Chandler: Oh, thank you, glad to be back here and talking about one of my favorite events of the year at the library.
David Payne: Great. Well, I'm sure MoComCon, 2019 is going to be bigger and better than anything before but let's start with the basics perhaps. Let me ask you both to tell us a bit about what MoComCon is all about, when and where will it be taking place and what kind of audience is it for. We start with you Dana.
Dana Alsup: It's for everyone. It really is for everyone. We have stuff that goes from preschools through adults. It will be at the Silver Spring Library on January 19, 2019. There is a few different start times. So if you are one of those preschoolers or a parent of a preschooler we have two story times one at 10 AM, one at10:30 AM. It was very popular last year so we added a second one. And then you can start registering for our Cosplay Contests and our escape rooms at 11 AM. And then all of the programs start at 12 and they run until 4 o'clock.
Beth Chandler: Yeah, we have quite a bit. We have a couple of favorites coming back about focusing on a couple of new things. We are going to have WiiU with Mario Kart and also an Oculus Rift to play a VR game.
David Payne: You can tell us more about that, that sounds fascinating.
Beth Chandler: Oh, my goodness. It’s a large virtual reality glasses that you put on and the particular thing we have is called what’s the name again Dana?
Dana Alsup: It’s called Beat Saber and I like to describe it as dance, dance revolution for your arms. You hold onto two things in your hands and then what you see are boxes flying at you and you have to hit them in a certain pattern with light sabers. It's going to be pretty awesome.
David Payne: Right.
Dana Alsup: And we’re getting I think two of them and they come from the state library. They are loaning them out to us for this event.
Beth Chandler: Yes, one of the many things paid for by your state tax dollars. So if you want to get a bit of a return on that come try some virtual reality that's pretty much for all ages who are old enough to manage the equipment. We literally do have things for preschoolers through seniors, including author Don Sakers coming back. He is going to be doing just one writing and publishing workshop but we have got a nice big room to fit aspiring writers. And we also have someone coming from visionary comics to talk about comics publishing for people who are more along the lines of comics artists. FutureMakers are coming back with a special 3D craft. See what else do we have of course the Cosplay Contest.
Dana Alsup: We have the Cosplay Contest. Those are at 3:30 in the afternoon and we have children, teens and adults WiiU. There is only 20 participants for each so registrations are until 11. We also have the Washington Metropolitan Gamer Symphony Orchestra coming they are sending a string quartet and they play different videogame and movie songs which should be very fun.
David Payne: That’s great. Where will they be located?
Dana Alsup: They will be in the third floor meeting room. So they'll be at 1:15. They’re sandwiched by Don Sakers before them, and then Chuck Sellner who is doing the comics publishing one on one after them.
David Payne: Well, it sounds really exciting. I think it's safe to say that MoComCon isn’t only for comic book lovers.
Dana Alsup: It's not. It's really for anyone. If you just didn’t want – even if you just want to come in and do some crafts or have your face painted there is lots of different activities. You don't have to be a super hero buff or comic person to join MoComCon.
Beth Chandler: We have our exhibitors too. We have a couple of people from stores that sell comic books and related items.
Dana Alsup: Although they will not be selling –.
Beth Chandler: Excuse me, no. They won’t be selling at the event but we will have some local groups you know costumers and people like that as well.
Dana Alsup: However, our friends at the library will be having their book sale again and they will also be selling T-shirts this year. They look different than the staff T-shirts but they will be selling those along with their graphic novels that they’ll have there on the third floor.
Beth Chandler: Yes, so if you want to proclaim to the world that you attended MoComCon ‘19 you can wear a T-shirt that says so.
David Payne: Looking back at last year’s event I can't remember offhand what the total attendance was. I remember it was quite staggering and I'm sure there’ll be a big turnout this year and I presume most of the attendees will come from the local Montgomery County area. But as word spreads about MoComCon do you know of people coming from further away on planet Earth at least.
Dana Alsup: I know that I think most people come from either Maryland or D.C. We did have and we had a presenter I think last year or the year before that came from New York to come and participate. So she came. I don't know if anyone comes from out of state yeah, but they definitely come from out of county. They’re not all Montgomery County residents that might have something to do with the fact that I drop off flyers in other counties as well.
David Payne: Right.
Dana Alsup: And we marketed outside of the county as well.
David Payne: Yeah, right. Now let’s turn to this year's event. What are some of the highlights we can expect at this year’s MoComCon and will there be anything new?
Dana Alsup: Well, we already talked about some of them. Some of the newer ones are the symphony orchestra quartet coming. Don has been there in the past two years and his event has been so popular that we put him in the big room. This year we haven't had or we’ve had video games and that we've had Minecraft before but we decided to switch it up and do Mario Kart and then have Oculus Rift, which we just found out about last week that we got that. FutureMakers has come before, but they are doing something different this year. It's called thermoforming which is used when making masks for all of this Cosplay things costumes, but this is not masks, they're just doing a simple thing to give you the concept of it.
And we’ll have our face painters and craftists same as last year and we will have an escape, we’ll have two escape rooms this year. One is run by Game of Rooms, which is an escape room company in I think Gaithersburg is where they’re located and they’re doing the eight to 13 age Harry Potter themed escape room. And then staff has put together another escape room for adults, teens and adults it's 14 and up, and its Game of Thrones themed. You don't have to have knowledge of Harry Potter and Game of Thrones to play though you don't have to know anything about Jon Snow to be successful in our escape rooms.
David Payne: Anything you like to add Beth?
Beth Chandler: Yes, our crafts are new this year. So one of the ones that looks really Q is little superhero puppets. You can create your own superhero and put them together with Brad so that the arms can move and so we’re glad to be able to switch that up a bit.
David Payne: Sounds great. So with all this in mind let me ask you both what are you most looking forward to MoComCon 2019? Let me start with you Beth.
Beth Chandler: Oh, I just like seeing all of the people who come having fun. Last year, I spent a lot of time with our Button Maker and people we go through scraps and find the piece that they want and you’ll cut it just the right shape and maybe color it if it's black and white. And we make little buttons so they can have cool buttons with a favorite character or something else cool on it. And people were just having a blast and it was fun to see all the different things people brought to make buttons and it really was all ages. We had parents making their own buttons as well as helping their little kids.
David Payne: That’s great and Dana.
Dana Alsup: This year although I love all the smiling faces. I think I’m looking forward to Oculus Rift I will be terrible at it. But I haven't seen it before, so I'm excited to experience it. And the first year we had VR but I didn't have time to do it, so we’re going to get it up and running the night before. So I think a staff can take a turn at it and only embarrass ourselves in front of each other and not.
David Payne: Get those arms to workout.
Dana Alsup: Right, not everyone else.
David Payne: Yeah, so let’s go back – back in time a bit as we mentioned this is the third year of MoComCon. Let’s go back to the beginning and tell us how MoComCon came into existence Dana?
Dana Alsup: It started with I think it was three or four staff members who wanted to do something specifically for teens and this was their proposals to do an event a comic con type event. And it quickly snowballed and gained interests, and so we developed it into something that was all-encompassing all ages. So as we’ve said at the third time preschool to senior. And it was accepted by the then director Parker and our Acting Director, Anita has graciously let us continue to do this. So it's – but I think they did a lot of research a number of other systems do this and it's been successful at other library systems as well.
David Payne: And Beth, have you been involved since the beginning?
Beth Chandler: I have indeed is the person who buys comic books and is someone who has worked with related programs in the past. I was absolutely thrilled and basically begged to get on the committee. So I'm delighted to have been one of the “founding members”. The first year it was a lot of work, but we learned how to streamline the work over the last couple of years and what sort of things we can and can't do as staff as well as finding a really generous array of local talent for people and organizations to participate and do the programming.
David Payne: Great, that actually leads me into my next question which is that as MoComCon has developed and grown over these past couple of years, what are some of the things you've learned about setting it up? Let me start with you Beth.
Beth Chandler: Oh, I would say crowd management working out the best ways to do lines, when to do lines, when to do tickets. One of our challenges is keeping the area in front of the elevators clear so that people can get in and out of the elevators. One of the things that at times you’ll help create crowds but also help to entertain crowds is having some Star Wars Cosplayers in.
Dana Alsup: Yes, R2-D2 last year was epic I think is the correct word.
But we had to keep R2 away from the elevator as soon as he got out of the elevator we had to quickly get R2 away. Him and his handler I know he is not a real thing. I will say other challenges we've eliminated some things that were challenges or that created too much work as Beth said we streamline things. We had the themed fandom rooms and they took a long time to set up and so this year we eliminated them just to give ourselves a little bit of a break and so we could set up the rest of the event in a more timely manner because they were – they took a lot of time.
Beth Chandler: But if you enjoy Finnish things we do have scavenger hunts this year.
Dana Alsup: Yeah, we have two scavenger hunts.
Beth Chandler: Yes, one for kids and one for teens and adults. So we think that will provide a lot of enjoyment and of course people can always take pictures not just for the teen and adult scavenger hunt which is I think it's Snapchat based.
Dana Alsup: It’s an Instagram scavenger hunt. So you’ll have I think it's five or six clues or things you need to take pictures of like get your superhero squad and take a picture, find your favorite graphic novel, take a picture with it, with a specific hash tag. And then we’ll go through at the end and if you got all five or six of these clues then we’ll do a quick raffle and you’ll get a prize.
David Payne: So looking back to the very first MoComCon, did you both think that it will be an annual event, was that the intention or –?
Dana Alsup: I think it was the intention. But honestly we had no idea what was going to happen. And when the library opened at 10 and everything is set up and you're just standing there waiting I was down on the third floor at the tech bar which we use as the information desk and it was like are people going to show up, do they know that this happens. And within I don't know 15, 20 minutes I was saying the same thing for the next four hours, welcome to MoComCon, this is what you can do today, here is the events. This is what you can do, do you want to register right away and it was nonstop and I didn't realize I was tired until I sat down in my car. So on that first year no one knew what to expect and when creating an event from scratch is so much work. But now we use a lot of the same models and same outlines that we've had these past couple of years, so it makes it a slightly easier.
David Payne: Obviously it’s a great community event. What’s the most positive effect do you think MoComCon has on the community? Let me start with you Beth.
Beth Chandler: I think one of them is people who might not otherwise think of coming into the library come in. I know we had a lot of teens and twenty some things come in. We tend to get a lot of families and senior citizens but we did get some of the younger people coming in and we also I think expanded people's ideas of what the library could be.
Dana Alsup: I agree with everything Beth just said.
Beth Chandler: Yeah, it also made teens lets people know that the library is a very a comics friendly place, a crafts friendly place, a fandom friendly place that we’re not just about your regular novels and children's books and educational things but we’re about fun and creativity and high-tech also.
David Payne: Yeah, and we should also mention that the whole event is completely free.
Beth Chandler: Completely free.
Dana Alsup: Yes that because we know it can cost over $100, sometimes several $100 to go to some of the big conventions. And this way, people don't have to worry about money. And one of the reasons that we aren’t selling things is the parents don't have to worry about their children begging to be bought something, but they can go home with several crafts if they want and pictures and of course a lot of memories.
David Payne: So if anybody looking to participate as a volunteer, how can one get information on volunteering?
Dana Alsup: I would contact us via social media, and then the social media team will forward that to me and I'll be in contact with them. But we are in – we’re always looking for volunteers the whole day, part of the day, you get a free T-shirt.
Beth Chandler: And yes, for teens, we can offer –.
Dana Alsup: SSL Hours.
Beth Chandler: SSL Hours.
David Payne: And for anybody unable to make it actually to the actual event can customers participate in any other way?
Dana Alsup: We’re having lots of – all the branches are having lead up programs or most of them are having lead up programs. And one of our presenters Don Sakers will actually be doing two events one in Olney and one in Germantown. And he has been extremely popular at MoComCon in past years where we have a – we had him in a smaller room and there was a limit and people were sneaking in. And so we were having him do some other events so more people can see him and more people can participate up county that way as well rather than down county and Silver Spring.
David Payne: Just look behind the scenes obviously for those people who go it's a spectacular event. But tell us how it actually comes about, what's the planning cycle and will he be planning for the next one almost straight after MoComCon 2019 is finished?
Dana Alsup: I will be. As the team lead I don't stop and MoComCon does not stop for me. A couple of weeks after the event we all come together and we have a discussion about what worked, what didn't work, what feedback we got from customers and how we can make improvements or change things to be better for the following year. And I almost immediately start figuring out how to make those changes happen. So it does, I get about a two week break and then it kicks back up again like halfway through February for me.
The rest of the team although I will say those that have been on the team, which most of them I think six or seven of us have done it all three years now. I don't think that the thought of it stops. I think that we see things and we write little notes about other possibilities or we meet someone as a presenter during summer reading and we try and pull that in. But the actual teen planning part doesn't start until June or July. So we spend seven months planning this and we meet in person once a month as a team and then there is many emails back and forth in between all those meetings and phone calls.
Beth Chandler: And documents created or updated.
Dana Alsup: Documents, yeah, we have a joint page where we should have all of our documents and calendars and things get changed. I mean, even now are the MoComCon schedule that's up on the website has been changed three times because we’ve changed you know, we added like we were adding our Oculus Rift or changed something and it doesn't stop.
David Payne: Yeah, so check the website for.
Dana Alsup: Yes, check the website for those up-to-date information.
David Payne: So with that in mind, let me ask you both what's the first thing you’re going to do when MoComCon is over. Let’s start with you Beth.
Beth Chandler: I am going to collapse into a comfortable chair and probably at a restaurant have a nice dinner and get some rest.
Dana Alsup: It's similar. Last year I got into my car and it was so quiet and I just sat there reveling in the silence because it's very noisy in the building. And there is a lot of just kind of shouting things to other people across the room to try and tell someone something. So it's I like this silence and then I pretty much just go home and I forced my husband to figure out dinner that night. It’s usually Taco Bell then. And this year it's the Saturday before Martin Luther King Jr. Day so we get a full two day weekend after this, which is thrilling.
David Payne: So now and to put you on the spot you're going to be wearing the MoComCon T-shirt. But if you could come in costume, who would you come as Dana?
Dana Alsup: Jeez, I don’t know. Probably, I’m a Star Wars fan so I’d probably be like a Han Solo though I figure that out. Although, I’d leave my blaster at home because there is no weapons or fake weapons allowed at MoComCon. So we wouldn't have to have the question of who shot first.
Beth Chandler: Oh, I have the fantasy end covered. I’m a big Manga & Anime fan and I actually have a costume for Rahab, who is 800-year-old mage. She is a minor character in the Manga & Anime, the ancient magus bride and I just love elder wise women types so I'd probably do that.
David Payne: So from costumes to theme songs if MoComCon had a theme song, what do you think it might be? Start with you Beth.
Beth Chandler: I was racking my brains. I mentioned this to my husband and being a big Hayao Miyazaki fan, he said why not the song from My Neighbor Totoro. I’m like oh, walking song. Hey, let’s go, hey, let’s go. I'm happy as can be.
Dana Alsup: I like that.
David Payne: Could you follow that Dana?
Dana Alsup: No, I can’t. I think it would need its own new song of course.
Beth Chandler: Well, that's an idea for next year. We have a song writing contest.
Dana Alsup: There we go, yet another contest. I think it would have to be like I don't even know the name of the song, but You're The Best Around like I just it feels that way to me and that’s how I feel about the team too. I would be completely lost as a team lead if it wasn't for that team.
Beth Chandler: Okay, I should add, we have the most fun meetings usually at meetings like okay, what's next on the agenda and you know, who wants to do this and we hear crickets. And ours it's something like okay, who wants to do the research on this video game like volunteers could you?
David Payne: Right.
Dana Alsup: Yeah, we do use a lot of terms from comic con type things like tribute or we’ll have floor prefects this year and I think I’ll have them wear peas.
David Payne: So are there any special characters that one should be on the lookout for?
Dana Alsup: We usually have the FIFO first come and so they are Stormtroopers and they walk around. They’re great for a photo op, get your like Christmas card photo for next year. Last year, Chewbacca came and R2 as I’ve already mentioned which when R2 came in I think I screamed. I was so excited about it. We haven't gotten word officially if R2 will be there or not but those are our main cosplayers are Star Wars cosplayers. And then people come, our first year we had a group of people come just because they were so excited and they brought their like very serious cosplay cast students.
Beth Chandler: Oh, those were the Mortal Kombat Cosplayers.
Dana Alsup: Yeah.
Beth Chandler: They were fantastic.
Dana Alsup: They were amazing and Wonder Woman was there as well. All those photos of them are on our Flickr accounts. They were amazing and they didn't even want to participate in the Cosplay Contest. They just wanted to be there as photo ops for customers to take pictures which I thought was very nice of them.
David Payne: So do have any idea what time the Stormtroopers might be there or –?
Dana Alsup: They usually get there before the branch opens and then they change and then they walk around and they usually take a break. The first year I can’t remember a kid said where is Kylo Ren. He is here, he is somewhere because he had been walking around and I had just given Kylo Ren a water bottle then I said even villains need water breaks.
Beth Chandler: Yeah, I've been really delighted to see the array. Last year I actually saw Nausicaa from Nausicaa of the Valley of Wind. I mentioned, my husband and I are both Miyazaki fans and we were talking beforehand I would love to see one punch man. He is a Manga superhero who can defeat anybody and I mean anybody with just a single punch. And he looks like this ordinary, actually he looks like a very boring 20 or 30 something guy with a bald head, but yet I think it would be hilarious if someone cosplayed him. It’s very funny Manga. So I wouldn't be surprised if we see him. We have seen people play Haikyu, Hetalia and some other I know we’ve had at least one or two people from Naruto of course. So we’ve seen more Anime in a lot of the characters.
Dana Alsup: Always a few doctors.
Beth Chandler: Oh, yes.
David Payne: Yeah, so for those attending be prepared for anything.
Beth Chandler: Yes.
Dana Alsup: Yeah, you never know who you’re going to meet.
David Payne: Right, we’ll bump into, yeah. So for those interested in finding the most up-to-date information where can they check to find it?
Dana Alsup: On our website. So on the MCPL website just under the search box for a catalog you'll see MoComCon there and you can click on that and it's going to have the schedule of events which you can print out and bring with you, which I recommend because we don't hand out the schedules because we save paper. So we’ll have that there. And then there is also the registration forms for the Cosplay Contests there if you want to print it out and fill it out beforehand. If you are under the age of 18 your guardian must sign that form.
David Payne: So we hope the weather will be kind to us, but in case it isn't, is there a weather date?
Beth Chandler: Yes, we do. It's two weeks from then, I believe its February 2nd. Dana is checking on the precise date.
Dana Alsup: February 2nd, yes.
Beth Chandler: February 2nd and I would also like to add that when we say everybody is welcome we meet everybody. Although the crowds might take a bit to get through we are fully handicapped accessible library. And if anyone needs sign language interpreters just contact your local library and tell them that you intend to go to MoComCon and when you would like the sign language interpreters. If anyone needs a quiet space at that point our coloring room is going to be somewhat quiet. And the first floor should also be fairly quiet it’s just the post office and the coffee place.
Dana Alsup: Yes, I would assume the post office will be kind of quiet. We call it our superhero break room as our quiet room coloring room just little break.
David Payne: You want to get away from it all. Oh, yeah.
Dana Alsup: Yeah, take off your cape.
David Payne: So we traditionally close our episodes by asking the guests what are you currently reading comic book or otherwise. So let me start with you Beth?
Beth Chandler: Well, of course, I am reading Graphic Novels. I recently finished Upgrade Soul which is a very serious adult graphic novel dealing with the future way of making older people young again and of course the technology does not work as it's intended.
David Payne: Bit of a problem there.
Beth Chandler: Yes, it is. It’s multi-award-winning. I definitely recommend it if you want some really good serious science fiction and it is also wonderfully diverse.
David Payne: And Dana?
Dana Alsup: I’m on a bit of a biography binge. I just read Phyllis Reynolds Naylor's book Crazy Love, which is wonderful and she is a local author. And now I'm reading Michelle Obama's Becoming. And I have another biography on deck for next just in a biography binge.
David Payne: Well, Dana and Beth thank you very much indeed for coming in and sharing your knowledge of MoComCon 2019 and previewing it. It sounds like a great event. We’re really looking forward to it. Keep the conversation going by following us on Twitter, Facebook, Instagram and Pinterest. Don’t forget to subscribe to the podcast on the Apple podcast app Stitcher or wherever you get your podcasts. Also, please review and write to us on Apple podcast. We love to know what you think. Thank you for listening to our conversation today and see you next time.
David Paine: Welcome to Library Matters with me; David Paine.
Lauren Martino: And I'm Lauren Martino.
David: And today we are looking at mental and physical wellness. As these winter days get shorter and temperatures continue to drop, many of us begin to experience what we might call as winter blues. But while winter can be a challenging time for many of us, health and wellness is of course of your own concern. So joining us today, we have two very special guests who are going to share their knowledge and interest in mental and physical wellness. Welcome to Nicole Lucas, who is Program Officer with the Montgomery County Chapter of the National Alliance on Mental Illness, otherwise known as NAMI, welcome Nicole.
Nicole: Hi, thank you.
David: Welcome also to Elizabeth Lang, who has the very eloquent title of MCPL's Assistant Facilities and Accessibility Program Manager, is quite a mouthful, I hope I got that right?
Elizabeth Lang: You did, hello.
David: Anyway, welcome.
Elizabeth: Thank you.
David: So, let's begin by asking you both. Obviously you come from very different approaches to this. What does wellness mean to you both? Let me start with Elizabeth.
Elizabeth: Okay. Well, being a librarian, I looked it up in the dictionary. So the Merriam-Webster dictionary says that, "the quality or state of being in good health, especially as an actively sought goal." But personally, wellness to me really -- I think of is taking good care of myself physically and mentally.
David: That seems to sum it up. How about you Nicole?
Nicole: Well, I took a different approach just because of my background at NAMI. So the two of mental health and mental illness get interchanged quite frequently, and so we define mental health as how you're taking care of yourself and how you cope with stress and everyday things like work and raising children and getting through the ins and outs of what you're going through and how you handle those the emotions. And then as far as mental illness, that's more of how the illness affects the way people think, feel, behave, or interact with others.
And there are many different mental illnesses and they have different symptoms that impact people in different ways. So I think it's really important to distinguish the two. Because when you think of mental health sometimes people think mental illness when that's not necessarily the case.
David: Thank you.
Lauren: So you can come at it from a really positive perspective as opposed to just looking at what could go wrong.
Nicole: Absolutely yes. And when we do our presentations at NAMI that's one of the questions it's almost like a trick question that we ask is, well, what comes to mind when you think mental health and people automatically started throwing out depression, bipolar, sadness, anxious, worry, all that stuff. But we're just asking like you know what do you do to help deal with? What do you do for fun? And we have to kind of tease that out. But once we get that going, then it's like oh, okay, that's what you mean.
Lauren: Elizabeth, can you tell us a little bit about why the library is a good place to look for health resources?
Elizabeth: Oh sure. The Montgomery County Public Library collections include print and online resources by reputable sources on health and wellness topics, almost anything that you can imagine. Some resources have a broad overview of a topic like managing stress or staying fit. Others cover very specific topics like nutrition for healthy aging or pool workouts. That's an actual book that we have in our print collection. Resources that are available on the shelves in the library include health and wellness books, magazines, documentaries and the MCPL website also has some great resources.
We have a LibGuide about health that collects a dozens of health resources all in one place. The information includes things like getting health insurance through the Maryland Health Connection and health topics that have been in the news recently, such as the opioid epidemic. There's a section devoted to online health resources such as the Gale Health and Wellness Resource Center, which is a huge database of health information covers diseases, conditions, drugs, diagnostics, treatments, therapies, etc.
The health LibGuide also has a section that covers how to find health services locally, a section about kids' health and a listing of trusted health websites. So it's really a one-stop health resource, best of all. All of these resources are free to Montgomery County residents. They just need their library card.
Lauren: Did you mention workout videos? We get a lot of workout videos.
Elizabeth: We have many wonderful workout videos, absolutely.
Lauren: Now I got the belly dance like workout video at some point which is a lot of fun. [Laughter]
Elizabeth: I haven't seen that one -- one that I did have checked out several times as Tai chi -- Tai chi wonderful -- wonderful video, yep.
David: So turning to you Nicole, tell us a bit about NAMI, the Montgomery County Chapter is I think one of many up and down the country. How long has NAMI been in existence, and what are some of the programs that you offer?
Nicole: So the Montgomery County Chapter has been in existence for about 40 years. We actually predate the national office, so it's kind of like a fun fact that we share with the community. So we operate at three different levels: national, state, and then local. So there's over 900 affiliates or local chapters however you want to describe it, and so Montgomery County is the local chapter.
At Montgomery County, I'm the Director of Programs, and we offer about 14 different programs and our goal and our mission is to provide support, education, and advocacy for people living with mental illness and their family members. The great thing about what we do is everything is free and we also offer a helpline to the community where people can contact us for resources.
David: And how are you funded?
Nicole: We are funded through foundations, through the county government and through membership and private donations. So kind of all of the above. All hands on deck when it comes to funding or non-profit, so.
Lauren: Anyway you can.
Nicole: Anyway, we can, yes. And we are a small staff. We have five full time staff and that's the other differentiator with NAMI is that all of the programs that we offer are run by volunteers because that's the requirement in order to facilitate a support group, a class as you have to have lived experience. So that is who basically helps us run NAMI. So we do a lot of services with very small staff, but a very dedicated volunteer base.
Lauren: So you've got a lot of people in there who know what they're talking about from?
Nicole: Lived experience, that's correct.
Lauren: That's amazing.
David: And I think I read that your motto is you are not alone is that correct?
Nicole: Yes. That's right. You're not alone, which is true because one in five people live with mental illness and so I always tell people in my presentations that if you haven't been touched by it, then I don't know if I quite believe that just because everybody has had it, maybe just you know in the moment or situational. But if you yourself haven't, you definitely have a family member or a friend that has been touched by it because it's so prevalent.
David: And presumably also there's people who may have it, but aren't aware of it.
David: That comes into it too.
Nicole: It does.
David: Nicole, can you tell us about a typical program you might do some of the programs you do offer?
Nicole: Sure, absolutely. So like I said, we provide program, we provide classes, support groups and presentations. And the two populations that we serve are for the individuals with living with mental illness and the family members. But to go back to the history of NAMI and how we were founded was by five family members who had children with mental illness and they could not find any resources.
So they got together and they said this shouldn't be this hard to try to find help for my child and so they form NAMI and so that really was the foundation of NAMI and out of that came one of our signature programs or classes which is called family to family. And that is a twelve week class that we offer because for lack of a better word is a very popular class, but I'm thankful that we have it that we can offer family members who are caregivers to their loved one.
And the class is always full. We always have a waiting list. We try our best to offer it if not monthly, every other month and that's where our volunteers come into play because we need volunteers to keep up with the demand specifically for this particular class.
David: Great, thank you. Tell us more about the typical content you one might find in the program?
Nicole: Sure, so when the family to family class, it's a psycho educational class which basically means that the participants learn about different mental illnesses. They learn about how to set boundaries with their loved ones, so they learn some practical advice and suggestions on how to care for their loved one. They also learn about resources in the community because as you mentioned there are some cases where you have mental illness, but you don't acknowledge that you have it and that's the case a lot of the times.
And it's very frustrating for family members because they don't know what to do. So our class teaches them that. And it's a very full class like I said and it's a lot of content and for that reason sometimes we have multiple -- we have participants who take the class multiple times because I've heard feedback that they learn something new every time. So it's kind of generally speaking of what the content covers.
There's also -- I'm sorry one last thing. There is also an empathy exercise that we do in the class which is great because it shows the family member what it's like to live with mental illness if you're experiencing symptoms. And after we do that exercise, it is very powerful because they come out of it and say.” Wow, now I know why I can't communicate with my loved one” because they're symptomatic, they're hearing voices, they're seeing things, they're feeling you know things on their body. So it really gives a lot of insight to those family members.
David: Wonderful, thank you.
Lauren: Elizabeth, can you recommend any books or magazines that kind of speak to some of these same issues that NAMI deals with or anything else regarding physical or mental health?
Elizabeth: I'm more aware of resources relating to the physical aspect of things. One of my favorites is prevention magazine which I brought a sample of. I know that the listeners can't see it.
Lauren: We can see it.
Elizabeth: But you guys can see it. It's here. It's available in print as well as online and it covers a wide range of health and wellness topics. Sometimes it does cover mental and physical health both, but it focuses mainly on physical health.
Lauren: We have that available through Flipster, do you know?
David: I believe we do.
Lauren: Okay. That's how I read the current issue. Because it was not on the shelf when I went to find it in print. I read the current issue online.
Elizabeth: It always includes practical tips which I really appreciate. It's not just you know the fury or the research behind things. But it will tell you try this or try that. This might help or that might help.
David: Elizabeth, can you just tell us what Flipster is?
Elizabeth: Sure. Flipster is an online app that allows you to access the digital version of the magazine.
Lauren: I couldn't find the print copy so I went to the electronic copy, which is always available.
Elizabeth: Yeah, you check it out online basically instead of picking it up and sitting down or at a table in the library.
Lauren: What are some of your other favourite resources for physical and mental wellness?
Elizabeth: Okay, I brought a couple of items with me in addition to prevention magazine that I think are really good resources. Just for general information about health, one of them is a book called Whole: Rethinking the Science of Nutrition. It was written by T. Colin Campbell, who is a nutritional biochemist. And the book explores why a plant-based diet is likely the best diet for humans to eat.
It reviews research and talks a lot about the problems that we create for ourselves and we try to examine one nutrient as separate from other nutrients. And how that kind of reduction is, doesn't show us a full picture which is why sometimes there will be studies that are released that say eggs are good for you and then next week there's a study that says that eggs are bad for you. So this book takes sort of a large review and talks about how we can be skeptical of what we're hearing and how to evaluate what health claim might be valid and what might be less valid.
Lauren: That's really important because we're all constantly bombarded with conflicting information and have been for decades and decades and it speaks to that.
Elizabeth: Right, it's hard to know what to pay attention to. So his book just cautions us to be careful basically. So I really -- I recommend that people read that if they have a strong interest in health topics. I also brought a book by a local author, Robynne Chutkan, I believe this how her name is pronounced. She has gastroenterology practice in Chevy Chase I believe. And she talks a lot about gut health and this is a new area of study that science is showing is very important to personal, physical health. She runs a practice and writes some books that talk specifically about the kinds of things that we can do to make sure that our guts are healthy and how that impacts our overall health.
Lauren: Have you read I Contain Multitudes, it is kind of along the same lines, but more of a.
Elizabeth: I have not but, I know what you're referring to.
Lauren: Yeah, that's I mean it's the less you know how to version and more the amazing world of microbiomes.
Elizabeth: Right. It's about all the billions of little bacteria that live inside us that sort of help us run things properly digestively, yes.
Lauren: And what happens when we try to get rid of one and then everything else comes in like they were talking about how like hospitals are now looking at putting germs in the hospital rooms to counteract the bad ones, yeah because what do you do, you just find a way to crowd them out.
David: So a reminder to our listeners is that all of the resources that we mentioned in today's podcast can be found in our program show notes on the podcast webpage. While we are talking about library resources, Elizabeth, are there any documentaries on health and wellness available in the library collection?
Elizabeth: Yes, many. We have documentaries on the shelves in all of our branches and they cover a wide range of topics as we were referring to earlier exercise tai chi, those sorts of things. We have videos that are about eating and on topics that are more related to mental health reducing stress and wellness. My favourite resource though is not actually the DVDs that we have in the shelves.
We have an online on demand film streaming resource called canopy that has over 500 documentaries on health and wellness topics. And they're broken out into categories like sports and fitness, nutrition, mental health, death and dying in addiction. And a lot of these are award winning films. They're really excellent. I have more things on my to-watch list than I will ever have time to get to.
David: That's great. Thank you. Nicole, turning to you in the work that you do, you are so well placed to see and observe developments in the field. What are some of the current trends you're seeing in mental health and wellness?
Nicole: I think the biggest trend that we're seeing is providers are encouraging their patients or their clients to use mindfulness techniques. So they're going back to I mean, there's the traditional therapy, medication, senior doctor, but in terms of concrete treatment that you can do at home, that you could do at work, is mindfulness activities and I feel like that's a little bit of a buzzword, so I wanted to take a minute to describe what that means.
So I kind of see it as two-fold. Mindfulness can be defined as letting go of taking things for granted, meaning mindfulness challenges us to awaken from these mind habits and appreciate the little things. So you know the little things of you know your daughter coming home with a picture that she drew at school that you add to all the other 800 files- [Laughter]
Elizabeth: When you are so tempted you just say I'm just want to cook dinner.
Elizabeth: I don't need to look at that right now.
Nicole: Yes, or listening to your spouse's day or your partner's day and just really staying in the present. And then the second piece to that is that it can be defined as being in the moment. And so being more in the moment of like observing our surroundings like the trees that I'm looking at outside as we're doing this -- having this conversation, looking at Elizabeth's scarf and see how pretty it is and not thinking about what I'm going to cook for dinner and, “Oh gosh I hope my daughter did her homework,” that kind of thing.
And that's one of the things that we do, that's one of the things that we also -- that's included in our class for individuals living with mental illness and that class is called peer to peer, and is mindfulness activities and it has really been helpful. And so that's the biggest trend that I'm seeing is the mindfulness. Do you know of any resources that we have that address mindfulness? I feel like it's also been a big trend in a recent publishing?
Lauren: Yeah, we do. We have mindfulness materials and traditional, the section of the library that offers Buddhist materials. Traditionally, mindfulness is associated with Buddhism. But it has sort of grown beyond that. We do also have mindfulness materials in other areas of the library as well. So you know searching for mindfulness in our catalog online will bring all of those materials up. We've got a number of programs too. I know it's over spring we offer like meditation classes in English and Spanish, and I'm sure there are several others throughout the system that-
Nicole: Yes, we have several branches currently offering yoga, meditation, qigong, and tai chi classes, and all of those or many of those will contain a component of mindfulness.
David: So Nicole, I see you both allowing a list of recommended readings which we will include in the show notes. Can you just tell us a bit about-?
Nicole: Sure -- sure. So this has been a work in progress. So we listen to our members and those that take our classes and reach out to us because that's one of the questions that we get, especially when you're in the beginning stages of crisis for lack of a better word as what can I read. So we develop the list and we have it broken out by mental illness, so specific to the diagnosis and they vary from bipolar to depression to OCD.
So it's a combination of all of the above. And then we also included from a family's perspective because that was a feedback that we got also. That we wanted to hear what the family were saying about caring for a loved one with mental illness. It's not a comprehensive list because it's a work in progress, but it's a good starting point because I think also too when we have participants in our class, they described not way, but people who have taken the class, they are described as a deer in headlights.
Because if you think about you have a loved one with mental illness, you just got a diagnosis, you don't know where to turn to, you show up at this class, and you're like I don't know what's going to happen next or where to go next or what to do and what's going to happen. So we developed this reading list as kind of a starting point and it's somewhat of a roadmap to go along with the programs that we offer.
David: It's great. Sounds like a great start. So in talking about mental and physical wellness of course, we're referring to children as much as adults. Elizabeth, what kind of information does the library have for health and wellness for children?
Elizabeth: Well, we have the same kind of range of materials for children and about children that we do as the materials that are for and about adults. As it mentioned, the health LibGuide on our website has a section that is devoted to children. So it offers information about children's health resources and in our branches any children's department will have materials on the shelf that staff can show to our customers that address both how parents can address children's health issues as well as books for the children themselves to learn about their own health issues or health and wellness in general.
David: It's wonderful. And Nicole presumably NAMI caters as much to children in your offerings as anyone else?
Nicole: That's a really good question, because our model is a little bit different. So we offer the classes for family members who have a loved one over the age of 18 and then we have classes for the parents who have a child under the age of 18. So we don't target under the age of 18 specifically. However, we do have a program when we go into high schools and middle schools and do a suicide prevention resiliency program. So in that case, we do touch that population, but primarily in terms of NAMI's core program, it's really for adults.
Nicole: For the exception of the parents, but it's the parents for the kids under the age of 18.
David: Right, okay. Thanks for clarifying that.
Lauren: Nicole, do you have any particular advice for anybody who's struggling with or has family members who are struggling with mental health problems and I guess they're in that deer in the headlights stage, they been blindsided and they don't know where to turn, they don't know what to do?
Nicole: Yeah, absolutely. Everybody situation is different and that's why I go back to always going to your primary care provider. If it's the family member who has a loved one that's experiencing these signs and symptoms, we recommend that they keep a journal of the behaviors. So that when their loved one or if and when their loved one does go to the doctor they have some kind of documentation of the behaviors, we're not doctors at NAMI, so we don't diagnose and that's one of the things that we talk about in our presentations is that, don't diagnose your family member because that's going to-
Lauren: As tempting as it may be.
Nicole: As tempting as it may be, that's going to probably put them on the defensive. But always go to the doctor first, and if they don't go which is often the case also is that you make sure that you take care of yourself. And I know I spent a lot of time talking about the classes, but we also have support groups for both the loved one and for the person with the illness. And there is no commitment and that was one thing I didn't mention. For the classes, there is a commitment. You've to sign up and register family to family as twelve weeks, peer to peer for the person with illnesses eight weeks.
But sometimes people aren't ready to commit and that's okay. So they can do the support group and the support group is exactly what it is you just show up if you want to go and if you don't want to go you don't show up.
Lauren: Low commitment.
Lauren: Fit in the door.
Nicole: Yeah. And I see that is more like the gateway into starting the treatment process, and then once they get more comfortable then they may commit to taking a class to learn more about how they can help themselves.
David: So Nicole now that we've talked a lot about NAMI, where can anybody interested find out more information on NAMI, your services, and how to contact you?
Nicole: Okay. So you can go to our website at namimc.org. You can call us at 301-949-5852. Please like us on Facebook at NAMI Montgomery County and you can follow us on Instagram at nami_mc.
Lauren: We've covered a lot of material in a lot of different areas, but I want to make sure that you both have the opportunity to say whatever it is that you were excited about preparing for us. So what else would you like to tell us about?
Elizabeth: This winter the libraries are offering some health-related classes that I think are pretty interesting. We have at our Kensington Park and only libraries a bone-builders class for people over 55. This is offered on an ongoing basis. And it's an evidence-based bone building and fall prevention program sponsored by Montgomery County's Department of Health and Human Services, the recreation department, and the volunteer center.
Additionally, in partnership with the African-American health program, the Germantown library is hosting classes called kick starting your health, how to prevent and manage chronic diseases. That provide information and resources on how to prevent and manage diabetes, heart disease, cancer, Alzheimer's, and dementia. Those are just a few of the health related programs. If you visit our website, you can search through all of the events that we offer through our events calendar. You can contact any branch or you can look for a print copy of our calendar of events around various locations in Montgomery County.
David: So, Nicole, turning to you, mental illness, the term mental illness is a very brute. Can you tell us some of the warning signs that one might look out for mental illness?
Nicole: Sure, yeah sure absolutely. So this isn't inclusive list, but these are just signs and symptoms to look for either in yourself or for your loved one. If you're feeling sad, if you're isolating, withdrawn, unmotivated that could be a sign of depression. Also self-harming and that is where someone may be making plans to harm themselves or they're cutting, that's definitely a warning sign.
Risk-taking behaviours, where they're out of control, engaging in risky behaviors and this isn't like an all-or-nothing kind of thing, it can be one or two symptoms that you're seeing. Also, the person can be just feeling fearful all the time, sudden overwhelming fear for no reason. Sometimes they have racing heartbeat or fast breathing. Other signs could be weight change and that could be one way, you know either way weight gain, weight loss, that can be an indication for maybe an eating disorder.
Severe mood swings is another symptom or warning signs to look for. Also, the obvious substance use, excessive use of drugs or alcohol, drastic changes in behavior that's unlike them. So as the family member, you know kind of the baseline of your loved one and that's why I go back to the journal writing. It's a little bit easier as the family member to see the symptoms but when you're the person with the illness and maybe sometimes you don't have that support system. So that means they have to have the insight to recognize these things and sometimes that happens, sometimes it doesn't.
Lauren: Well, that's part of a lot of illnesses isn't? That you've just -- you cannot recognize that something is wrong.
Nicole: Right, you lack that; absolutely. And then lack of focus, difficulty concentrating and some of these things like lack of focus, I mean that could be just like not sleeping because my baby won't sleep through the night.
Lauren: No coffee.
Nicole: Right, yeah, no coffee. You're just you know working.
David Paine. Another day at work.
Nicole: Yeah, another day at work. So some of these things that's why again documenting, just monitoring the behavior so that way you have more of a timeline to see the progression of these warning signs. Montgomery County has a crisis center that we always refer to also so in addition to following up with your doctor, but if you don't have that, you can also call the Montgomery County Crisis Center which is 24/7 and that number is 240-777-4000. And they're always have someone on staff to help and they also have a mobile crisis team where they can send someone out to assist in a situation.
Lauren: It's good to know. Is there anything else you wanted to share with us Nicole about your work at NAMI?
Nicole: Sure. One of the things that I just wanted to highlight is that when you have mental illness, it's important to remember that it's not anybody's fault. It's not caused by poor parenting or weak character. It's not preventable at this time, but it's more about following your treatments whether it's medication, seeing your therapist, being involved in activities. And then it's not hopeless.
These illnesses present difficult challenges, but help is available through NAMI and other organizations, use our helpline to help get connected with resources of the community that can help you maintain your recovery. But that's one of the things that we just want to remind people that people living with mental illness, remember it's one in five and there is one, two, three, four, five people in the room right now. So, my point being is that we're all touched by it, and recovery is possible in terms of if you get connected with your treatment and you follow your plan. And that's really the message that we like to lead with at NAMI.
Lauren: Thanks a lot Nicole and thanks Elizabeth. We have one more question that we ask all of our Library Matters guests and that is what are you reading right now? Elizabeth, what would you like to share with us?
Elizabeth: Well, I'm reading several books. The most interesting of those is a graphic novel called Upgrades Soul, written by Ezra Claytan Daniels. It's about an older couple who are offered the opportunity to perhaps participate in experiment that may rejuvenate them mentally and physically. But it's an experimental treatment and they're not exactly sure how it's going to go and then lo and behold, all does not go as was expected. It's a lot of science fiction, it's very interesting, it's a big dick graphic novel which I really like. I like the more complicated stories. It was not written as a serial originally, it's just a standalone, it's very interesting I would recommend it for anybody who likes graphic novels or science fiction.
Lauren: And ties in nicely with our wellness discussion.
Elizabeth: Yes, it does.
Lauren: Nicole, what are you reading right now?
Nicole: Well, mine is work related. Just because we -- like I mentioned we have the help lines, so we get lots of calls from people and I try to stay relevant and being able to give recommendations to our callers. So I'm reading If Your Adolescent Has Depression or Bipolar Disorder, and it's by Dwight Evans and Linda Andrews. I like this book because when we get calls from especially families of adolescence; it's really hard to determine is it adolescent behavior or is it mental illness.
Lauren: Because they're not always super distinguishable.
Nicole: No, they aren't. And so this is a really clear concise road map. It's very easy to read. And one of the things that I try to be mindful of is that when you're in crisis, you probably -- you go through these different steps, you start calling all these different resources, you start reading all these books, you sign up for everything and then you're like on overload. So that's why I like this book because it was a little bit more simple, because I think that when you're going through those different stages simple sometimes, it's the whole 'less is more' kind of thing.
And I think that our callers appreciate that, especially when I tell them let's just do one thing at a time, let's focus on you know, whatever the priority is. We also have a parent support group which is something different at NAMI because it used to be just all family members in general. But now we have parent support group, so if you have a child under the age of 21, we have a specific group just for that population. And we find that to be very helpful for the families who you know, have adolescents that are experiencing these different types of symptoms and behaviors.
Lauren: Thank you so much for this conversation, Nicole and Elizabeth. It's been really informative and really helpful. Listeners, don't forget to keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don't forget to subscribe to the podcast on the apple podcast app or Stitcher, or wherever you get your podcasts. Also, please review and rate us on apple podcasts and leave us some comments because we would love to know what you think. Thanks for listening to our conversation today and we'll see you next time.
Lauren Martino: Welcome to Library Matters. I’m your host, Lauren Martino. And today I’m here with Lisa Navidi who is Head of Adult Services at the Davis Library and has worked for MCPL for 32 years. Welcome Lisa.
Lisa Navidi: Happy to be here.
Lauren Martino: And we’ve also got with us, Patrick Fromm, the new Branch Manager here at Rockville Library. Welcome Patrick.
Patrick Fromm: Happy to be here. Thanks for having me.
Lauren Martino: And today we are talking about the best and the brightest new books from 2018. So Lisa, looking back over 2018, what kind of year has it been in general for literature?
Lisa Navidi: There was an ancient Chinese curse that says, “May you live in interesting times.” And that’s what we’re living in. We have out-of-the-box type of books, fiction and non-fiction, especially about empowering women both fiction and non-fiction, and Trump.
Lauren Martino: Empowering women and Trump.
Lisa Navidi: And both. And sometimes both.
Lauren Martino: Okay.
Patrick Fromm: That was such a beautiful answer.
Lauren Martino: Anything else you’ve noticed besides empowering women and Trump, Patrick?
Patrick Fromm: Just that when you look at the bestsellers for the year whether it’s Barnes & Noble or Amazon, you see a lot of that reaction to Trump, a lot of non-fiction talking about the global lead, talking about the Trump administration, and also just talking about the state of human beings in general as we’re all bombarded with news both vile and corrosive.
Lauren Martino: So a lot – I guess we are processing as a culture now and that’s coming out in our books.
Patrick Fromm: Definitely.
Lisa Navidi: We’re all trying to process this new life.
Lauren Martino: In general, is there anything you see that’s different from last year’s best of list I mean, we were dealing with a lot of the same things last year. I don’t know if we’re processing them a little bit more this year or any particular – anything that stands out to you?
Lisa Navidi: There was a lot of last year that started the immigration wave of fiction. I think 2016, 2017 and now there’s still more of that reeling after what happened in the election, specifically “What Happened” by Clinton.
Lauren Martino: There it is in the title.
Lisa Navidi: Yes. Yeah, that pretty much says it all. I read a wonderful book in 2017 which I read in 2018 that –
Lauren Martino: That’s okay. You can talk about it.
Lisa Navidi: Can I talk about it?
Lauren Martino: Yeah, you can talk about it.
Lisa Navidi: There were actually several but I discovered a new author, Joshilyn Jackson, who wrote Almost Sisters. And when you first start reading – I mean, she’s read – she’s written several other books. But when you first start reading it, you think, “Oh, it’s an enjoyable piece of fluffy chicklet.” But actually it becomes about family, about southern family, about racism, about love and ultimately about love of family. It’s a wonderful book and it’s one on my list that I just recommend to people to listen to especially and to read.
Lauren Martino: Anything you’ve noticed, Patrick, that’s different from last year that’s you’ve seen?
Patrick Fromm: I don’t know if I have any quantitative evidence to this but I felt like a lot of the books that I was reading or recommended either by customers or by friends and family were non-fiction specifically memoirs. I read Failure Is An Option by H. Jon Benjamin. I read Dopesick and I’ll Be Gone in the Dark, as well as Educated by Tara Westover and Heavy by Kiese Laymon. And a lot of those ended up on best of list now at this part of the year. But at that time, I felt like a lot of people were saying this is what I’m reading, this is what you’ll enjoy, and in particular You’re on an Airplane by Parker Posey who is in all best of –
Lisa Navidi: Yeah. Yeah.
Patrick Fromm: Yeah.
Lisa Navidi: I didn’t read it but I read about it. I love her.
Lauren Martino: Tell me about that one. Yeah, I don’t know anything about that one. Sorry, children’s librarian here.
Patrick Fromm: So I listen to most of my books because my communities are churches. And a lot of times I like the ones by actors because they read it themselves and it’s fun to get them whispering to your ear all day.
Lisa Navidi: Right. Right.
Patrick Fromm: And she tells it like she’s telling a story to someone who is stuck next to her on an airplane.
Lisa Navidi: Oh yeah.
Patrick Fromm: So there are sounds of the airplane happening around her. She is frequently interrupting her own story to talk to the flight attendant or to order more tea or whatnot and she’s got her little dog with her as well. But her stories are really rambling and interesting, a lot of insight Hollywood talk because she was kind of nominated or self-proclaimed indie queen.
Lisa Navidi: Right. Right.
Patrick Fromm: But she didn’t really necessarily choose to do that. That just kind of happened. And so it’s really interesting to hear when she tries to strike out for big pictures like a Woody Allen film or she was in Blade as opposed to like the ones she’s really known for like the Christopher Guest movies like Waiting for Guffman and Best in Show.
Lisa Navidi: Mackumentaries.
Patrick Fromm: Yes, exactly. So I really – it was one of those books where I was excited to get into traffic like when my Google Maps is like, “Oh, it’s an hour and 30 minutes to home,” I was like, well –
Lisa Navidi: Yes.
Patrick Fromm: – I don’t get to see my baby, but I do get to –”
Lisa Navidi: Parker Posey. Yeah.
Patrick Fromm: Yeah. I definitely enjoyed pretty much all of those.
Lauren Martino: I think, yeah, a lot of comedians do the audio books and they’ve got the sound effects and, you know, bringing in their, you know, guest stars and that’s just kind of how they roll. Yeah.
Patrick Fromm: Yeah.
Lauren Martino: I mean, you mentioned that – I guess last year, there was the wave of immigration books. I feel like that’s continuing at least in children’s books in what I’ve seen.
Lisa Navidi: Oh, absolutely.
Lauren Martino: Because there’s a ton of new ones out that – I mean, things that – you know, in the past year like, “Oh gosh, we got to find a book about a Latino kid and I don’t know where to find it.” And now it’s like, “Oh, there’s all these new ones. It’s great.”
Lisa Navidi: Yeah. We do have a lot here.
Lauren Martino: Yeah.
Lisa Navidi: And there is a list put out by the Center for the Study of Multicultural Children’s Literature about the best multicultural children’s books of 2018 which includes a lot of these immigration kind of books.
Lauren Martino: And you can find it in our show notes.
Lisa Navidi: Yes.
Patrick Fromm: Lauren, did you get a chance to read Alma and How She Got Her Name?
Lauren Martino: I didn’t. I saw that on a lot of lists, but I haven’t.
Patrick Fromm: I wanted to mention it because it’s one of the few I actually did read, so I can sound really smart.
Lauren Martino: Oh, then you tell us about it, yes.
Patrick Fromm: Yeah. Well, it –
Lauren Martino: There you go, you got the children’s librarian fee. Good job. Go for it.
Patrick Fromm: It was just really interesting because it gets into the naming particularly in families from Central America, South America –
Lauren Martino: Mm-hmm.
Patrick Fromm: And Alma has six names and at first she’s a little perturbed by having that and doesn’t understand why, but then her father takes her through each name and who it represents in her ancestry, in her family. And they’re kind of represented on the page. And to me, I remember distinctly back when I was in Baltimore County, we would have issues with customers with longer names because the form that you filled out only had X number of spaces and –
Lauren Martino: The computer has no tolerance.
Patrick Fromm: Exactly. So we had to figure out how to do that and most people didn’t understand because Baltimore County isn’t nearly as diverse as Montgomery County. So we’re all kind of learning on the fly there and I distinctly remember thinking while reading this, I wish I had this book back when that happened. So I would have had a little more background because it really – it broke it down in a way I’d never quite explained before and the drawing is beautiful. It’s – she illustrates and writes it so it’s excellent.
Lauren Martino: So is there a particular place you go to find what you consider the best of – man, there are so many lists, Washington Post has them, and the New York Times. Is there any particular place you like to go to find out what you should have read this year?
Lisa Navidi: Well, I learned about the NPR’s Book Concierge.
Patrick Fromm: Yes.
Lauren Martino: Oh, what’s that about?
Lisa Navidi: Which is easy to use, has a click on thing. You can say, “I want a biography for my book club and it’s this and it’s that.” You can really focus on what you want and then you click on the title and it has this cute little thing, a summary of the book. And it’s really nice.
Patrick Fromm: And it cuts a lot of that like critiquey jargon.
Lisa Navidi: Yes.
Patrick Fromm: Like I feel like the people are really talking to you.
Lisa Navidi: Yes. This is – it’s done by the NPR staff.
Lauren Martino: Mm-hmm.
Lisa Navidi: So it is real.
Patrick Fromm: So this is what I haven’t read, but The Ministry of Utmost Happiness by Arundhati Roy, she wrote The God of Small Things which is like my favorite book of all time made it on to the list I think, for this year. But the little blurb was like, this isn’t going to fulfill everyone who thinks that The God of Small Things is all that wonderful everything that you want, but it is still worth to try for these like specific reasons. So there was like a short one paragraph blurb but it told me, I’m going to wait on reading because I don’t want to be disappointed. But yeah, you’re right. That is a – it’s a wonderful resource. That’s one I direct customers to because it’s very easy to personalize.
Lisa Navidi: There’s also one of our databases which I just discovered very recently. Books & Authors, ampersand authors, it is easy to go through, to find what you’re looking for and also has the summaries and it has the best of and award winning. So I know there’s another question about that. It does show, you know, what the best of ‘18, best of 2017, 2016, et cetera.
Lauren Martino: Mm-hmm.
Patrick Fromm: That’s really cool. Do they pull it from a specific place or is it done by that database, you know?
Lisa Navidi: I’m sure they pulled it but I don’t know where they pulled it from. Sorry.
Lauren Martino: We’ll see if we can put that in the show notes too. What books this year have you not been able to keep up with the demand for? I know there’s always that book that you’re out the desk and you’re like, “Oh, no.” And it’s like, “It’s this book called like Educated? Have you heard of it?”
Lisa Navidi: Right, yeah.
Lauren Martino: It’s like, yeah, like, the pass five people before you have asked for that book. And I couldn’t find it for them either.
Lisa Navidi: Well, finally, A Gentleman in Moscow, it’s coming down – the holds are coming down but that’s like two years ago. And there were still –
Lauren Martino: Is that the one about the guy hanging out in the airport?
Lisa Navidi: No.
Patrick Fromm: Imprisoned in a hotel.
Lisa Navidi: In the hotel in Moscow, he was –
Lauren Martino: Yeah, okay.
Lisa Navidi: He was imprisoned.
Lauren Martino: Okay.
Lisa Navidi: In the hotel in Moscow.
Lauren Martino: As an aside, this is like the perfect time of year to read that book, like you can’t recommend that enough. It’s just delightful.
Lisa Navidi: It is. It is. It’s one of those books you really can give to anybody.
Patrick Fromm: My – when we’re asking about the what we use to get a recommendation besides NPR, I always go to my aunt, Rita. She has got impeccable taste in – she likes that one enough that she bought like, you know, 10 copies and just gave it to people to convince them – and it was perfect because I kept getting asked about it and I was never going to get it on hold. That was like 380 times. So I was able to read it that way, but yeah, that – can’t recommend that one enough.
Lisa Navidi: Mm-hmm.
Patrick Fromm: I guess for this year, I’d probably say Becoming.
Lisa Navidi: Well, someone just asked how many people were on the list. There are like 700.
Lauren Martino: I feel like we should let people know that we’re on – we got this – the huge long list, we do tend to buy more copies so it’s not hopeless and you should get on the list.
Lisa Navidi: Exactly. And you never know there may be an express copy on the shelf.
Lauren Martino: That’s true. We have – oh, can you tell us a little bit about what an express copy is?
Lisa Navidi: It is – they are leased books, L-E-A-S-E-D from Baker & Taylor, we buy the hot books. You can’t renew them, you can’t reserve them. They’re either there or they’re not, and it’s like sort of winning a little lottery when you come in and, “Oh, look, A Gentleman in Moscow is here.”
Lauren Martino: Yeah.
Lisa Navidi: So it’s always – it’s a good way to show people what else there is as they’re waiting for their book or maybe find their book there.
Lauren Martino: Yeah.
Patrick Fromm: Yeah. And if you want a visual encapsulation of what’s hot in Montgomery County or –
Lisa Navidi: Yes.
Patrick Fromm: – the library world, it’s a great place to just browse. It would probably be pretty hard for us to pick a loser among the bunch.
Lauren Martino: All right. We’ve talked about some of them already but what are your absolute favorites from this year that you want to impress some people they need to read. I’ve got a picture of book one but I’ll save it.
Patrick Fromm: Well, I know probably the one that I enjoyed the most would be Circe by Madeline Miller.
Lauren Martino: Mm-hmm.
Patrick Fromm: It’s a retelling of the great story of Circe who is a goddess and she’s kind of like, unlikely goddess. She doesn’t really enjoy gods or titans. And it’s in the adults but it kind of, captures that sort of Percy Jackson mythology vibe.
Lisa Navidi: Mm-hmm.
Lauren Martino: Percy Jackson for adults.
Patrick Fromm: Yeah, exactly.
Lauren Martino: Everyone grew up reading Percy Jackson. That’s awesome.
Patrick Fromm: It’s so good. Like if you even have like a surface knowledge of Greek mythology, you’re going to love it. There’s all the big names appearing in it. But it really is a compelling story, too, and the language is beautiful, and the narrator, whose name I do not know, is British and I love listening to British. So I checked all the boxes.
Lauren Martino: It doesn’t hurt.
Patrick Fromm: And it’s definitely my favorite fiction book of the year.
Lauren Martino: Do you think Neil Gaiman fans would like that, too? People that –
Patrick Fromm: Oh, yeah, definitely. I mean, it is a spiritual – same spiritual realm as a Neil Gaiman book. Although a little less weird if – like I said, like there’s nothing that made my skin crawl.
Lauren Martino: So Neil Gaiman is too weird and creepy for you.
Patrick Fromm: This is a good middle ground. Definitely.
Lisa Navidi: Yeah. One of our children’s librarians read that and loved it, loved it and I also read about it that you really – I somehow missed Greek mythology in high school. And so, what I read about this is that you don’t have to know Greek mythology to really enjoy it.
Patrick Fromm: Very true.
Lisa Navidi: And she thought it was one of the surprising books, surprising bestsellers.
Patrick Fromm: Yeah. I only picked it up because of its cover and I was very surprised.
Lisa Navidi: Because it was Circe, right?
Patrick Fromm: Mm-hmm. Yeah.
Lisa Navidi: A librarian angel.
Lauren Martino: It’s a fun fact. Fun fact. It happens to be the name of our catalogue system. Do you have anything, Lisa?
Lisa Navidi: Yeah, I do. Eleanor Oliphant is alive and completely fine. I started reading it and I wasn’t crazy about it, then I’d listen to it and it’s wonderful. There’s been a great glut recently of captivating book titles featuring quirky characters like A Man Called Ove, which is one of my favorite books of all times, The Curious Charms of Arthur Pepper, Britt-Marie Was Here – and this is a woman who seems almost on the spectrum. She’s not happy at work. Nobody likes her and then she became obsessed with this singer that she’s never – she had just seen perform who – and she thought, “I’m going to marry him.” And so, she does all these quirky things and gets involved with his friend at work and her life – and as you’re reading it, you’re finding more and more about her life and how sad and why she is the way she is. It’s a wonderful book and it’s not light reading. It’s funny. It’s sad, you know. So that was one of my favorites.
Lauren Martino: I like books that can do funny and sad together. It’s like the emotional roller coaster.
Lisa Navidi: Yes. Yes, indeed. Indeed.
Patrick Fromm: Plus that title is impeccable.
Lisa Navidi: Yes, yes. Another one that really was not – it wasn’t published in 2018. I’m sorry. But it’s Nutshell by Ian McEwan, which is basically a fetal Hamlet.
Lauren Martino: What?
Lisa Navidi: It is narrated by the fetus. His mother and his uncle are plotting to kill his father and he is narrating this whole thing from his point of view, but his point of view is so sophisticated and there, the mother and the uncle are drinking wine and he said, “Oh, I really would have preferred a Sancerre,” you know, because it’s coming right to him. It’s a wonderful book and it’s narrated by a British – it’s not narrated by McEwan, but I loved it and it was – that was a big surprise to me. Somebody recommended that to me. And thank you for that.
Lauren Martino: Yeah. It’s one of those – it’s like you give a quick description and it doesn’t sound like anything you would actually want to read, but you’re here to tell us that you need to go for it.
Lisa Navidi: I am here to tell you and I have recommended it to people, so.
Lauren Martino: Yeah.
Patrick Fromm: Did either of you check out I’ll Be Gone in the Dark?
Lauren Martino: No, but I feel like –
Lisa Navidi: No. I’ve heard about it.
Lauren Martino: We talked about it in our True Crime episode a few episodes back with it.
Patrick Fromm: Got you.
Lauren Martino: But you want to tell us some more about it?
Patrick Fromm: Just that – it was one that I wasn’t – I heard about it separately through a True Crime podcast that I listened to and I didn’t realize it was Michelle McNamara – Patton – I knew her as Patton Oswalt’s spouse who tragically died two years ago, I guess. Patton Oswalt was a community member.
Lisa Navidi: Oh, I remember that. Yes, yes.
Patrick Fromm: So – and he gave bunch of heartfelt tributes at the time and I was very moved by that. But then, reading this, it is a better character study of her than anything I could imagine because it captures a lot of her life into it, which is almost as interesting as the case she is obsessed with.
Lisa Navidi: Mm-hmm. This was the one in California?
Patrick Fromm: Mm-hmm, the Golden State Killer.
Lisa Navidi: Right, right.
Patrick Fromm: Whew. And it’s a – I think it’s going to be a show. I want to say HBO. I’m not 100% sure, but I feel like demand will rise for it again. But there’s a really nice foreword by Gillian Flynn, the Sharp Objects and Gone Girl author, and an afterword by Patton Oswalt, her husband. So it was a great book and it’s one of those ones where listening to it, I would get totally lost into it and I have to lock all my doors and all the windows, like it’s creepy. So I highly recommend that for non-fiction likers.
Lauren Martino: That’s when they ended up finding the killer through DNA?
Patrick Fromm: Yes.
Lauren Martino: So it came into our genealogy podcast too. So in three podcasts now, this is the book to read.
Patrick Fromm: Yeah, definitely.
Lisa Navidi: I also read – I love amnesia fiction where the character –
Lauren Martino: Amnesia fiction. This is a genre.
Lisa Navidi: It should be a genre and this is – it’s almost –
Lauren Martino: It’s the next podcast. The genre of amnesia fiction. You’re our guest.
Lisa Navidi: I can’t remember what it was about, but – anyway –
Lauren Martino: It took us a second, but yeah.
Lisa Navidi: Amber wakes up in a hospital. She can’t move, she can’t speak, she can’t open her eyes so she can hear everyone around her, but no one knows because she in a coma. She doesn’t remember what happened and she has a sneaking suspicion her husband has something to do with it, so it alternates between this present, her paralyzed present, and the week before her accident, and the series of childhood diaries from 20 years ago, and you really, and the title should tell you everything, Sometimes I Lie.
So you don’t know, you don’t trust the narrator. So it’s an ultimate detective kind of hunt for who is the real bad person, the villain in this, who isn’t, and it will surprise you right up until the end.
Lauren Martino: It makes me think of Memento, I know I’m crossing genres there, materials.
Lisa Navidi: Yeah, exactly. One more, can I tell you one more?
Lauren Martino: Yes, yes, you can. Please do, please do. This is your opportunity to get all this book love off your chest.
Lisa Navidi: American Marriage by Tayari Jones, and it’s about an African-American couple, and he – I think he works in a – he worked in a law firm and she has a business, and they fell in love, and then something happens.
I don’t know whether to divulge it or not, but he gets taken away to prison, and so there’s – they’re looking at their marriage, he’s there, she is here, she’s sort of left, she doesn’t know what to do, and they’re writing letters to each other, so it has that epistolary fiction kind of genre which I love, and doesn’t end up the way you think it does. It’s just fascinating look at their lives and what could happen in an instant to change their lives.
Patrick Fromm: Cool, I wanted to check that one out, I haven’t, yeah.
Lauren Martino: Okay. I have, on our list questions, favorite kid’s books, chapter books, picture books, graphic novels, non-fiction, because of course I wrote their questions and I’m a children’s librarian, but you all are adult librarians.
So I am happy to hear what has grabbed your attention out of there. I am also – I’ve got things that I can share as well.
Patrick Fromm: For picture books, I was excited to see that Square and Triangle illustrated by Jon Klassen and written Mac Bennett, Barnett, Marc, Mac Barnett.
Lauren Martino: Mac Barnett, something like that, yes. We’re going to say Mac Barnett.
Patrick Fromm: I loved I Want My Hat Back. I’m really drawn to anything that Jon Klassen illustrates, I love those eyes. So when I saw what they’re doing on the shapes, I was like, “This is awesome.”
So immediately, I took them home and showed my daughter, and she also loves it. She was right at that time learning the word eye, and so it’s the perk, because she would just go, “Eye, eye,” and point to their eyes, and I was like, “This is exactly what I wanted as a father.”
So those, those are on top of my list, and I think they’re going to do another one, so I’m excited for that too.
Lauren Martino: Do you have anything, Lisa?
Lisa Navidi: Well, this is actually from the my children’s librarian at Davis. It’s a board book, Holi Color, H-O-L-I. I don’t know it’s called Holi or – it’s an Indian festival and it’s a board book that introduces the Hindu Holi Festival. There’s also Islandborn by Junot Diaz.
Lauren Martino: Yeah, I don’t think if I heard that one, but I’ve seen it, yeah.
Lisa Navidi: It’s a picture book about a girl who is doing a project in first grade about where she was born. She was born on an island and she uses first person accounts from neighbors to tell her story.
Patrick Fromm: I didn’t know that he had written a children’s book, that’s interesting.
Lisa Navidi: Yeah, it is interesting.
Lauren Martino: Okay. I have to share, there’s this lovely book called The Rabbit Listened, that’s a picture book, and I think it’s got to be the most concise description of how you help anyone deal with tragedy that has ever been written.
It’s just this beautiful book because basically this little boy built a tower, and it’s a big, big tower, and he’s so excited, and then it falls down. And then it’s got the ostrich that says – comes and says, “You know, you got to just bury your heard in the sand, and just forget about it,” and all these other animals that are kind of giving the appropriate, for them, response. And a bear offers him a hug, and all these other stuff, and, you know, just nothing is helping.
And then the rabbit comes over, and just sits, and he’s there, and he’s still, and everything pours out, and he hugs the rabbit, and he, you know, rages at the rabbit and sticks his head in the sand with the rabbit, and all these things that the animals suggested, he can do it with a rabbit who is just going to sit there, and be present, and I’m just like, “Wow, this is really powerful,” so I just, yeah, I should really buy that book for everybody in my Christmas list this year.
It’s like, “Go, be a better person with this book.”
Lisa Navidi: I found this book. I don’t even know if we have it, I’m sorry.
Lauren Martino: It’s okay.
Lisa Navidi: I found it – I found it on, it was on Facebook. It’s called The Winky Wonky Donkey –
Lauren Martino: The Winky Wonky Donkey.
Lisa Navidi: – and I watched this grandmother reading too, she was like Australian or something. She was reading to her, her little, probably a year-old child who just wanted to wriggle out, but she was having so much fun reading it to him, and each thing they would add another thing.
It was Winky Wonky, Crabby, Tabby, Labby, you know, and it was just so cute, so I had to buy it, so I bought it for my grandson.
Lauren Martino: Oh that’s awesome. I feel like, yeah, include that. See if we can find the video and we can put it on the show notes, because that sounds like the perfect example of this is how you need to read to a wiggly kid, and read to that wiggly kid, that wiggly kid it needs read to. That’s awesome.
See, I also enjoy this – I guess this as a teen book. While we’re talking about memoirs and biographies, Hey, Kiddo by – and I’m going to totally mess this up, Krosoczka who is best known probably for Lunch Lady, and yeah, the Lunch Lady book. So he wrote a memoir – a graphic novel memoir of his childhood that, yeah, you’re just like wow.
Patrick Fromm: What’s it called again?
Lauren Martino: Hey, Kiddo.
Patrick Fromm: Hey, Kiddo.
Lauren Martino: Because he’s raised by his grandparents, who, you know, and then just like all throughout the book they’re saying, “Hey, kiddo. Hey, kiddo.” Because his mother was a heroin addict. And yeah – and just dealing with, you know, I love my mother but my mother can’t be my mother. And yeah, so, you know, he’s raised by the grandparents who – they’re doing the best they can. They’re putting in through a, you know, valuable effort, but, you know, things are just, you know, not quite like they should be. But the ending, I was tear – tear-ridden because – and it was just – and just how you come through this and, you know, with enough power and enough, you know, you made it well enough to then publish your graphic novels.
Patrick Fromm: Well, while we’re on the graphic novel train, I do feel like I got to give a shout out to the 2018 Dog Man books that came out by Dav Pilkey.
Lauren Martino: Oh, yeah
Patrick Fromm: It’s just continuing.
Lauren Martino: Oh my gosh.
Lisa Navidi: I have –
Patrick Fromm: I could build a library building out of Dog Man books and I would still not have enough Dog Man books.
Lauren Martino: Amen.
Lisa Navidi: I have read that. I’ve read it to my grandson and daughter –
Lauren Martino: Can you – how was the experience for you?
Lisa Navidi: Well, they’re older but they loved it.
Lauren Martino: Oh, that’s awesome.
Lisa Navidi: Yeah and I loved it. I thought it was very funny and interesting and creative.
Patrick Fromm: Yeah, I had to see what all the fuss was about. And I would have to admit, I was cracking up and I was looking forward to being able to share it with my daughter when she gets a bit older.
Lauren Martino: Well, the titles will do it in and of themselves.
Patrick Fromm: Yeah.
Lauren Martino: Lord of the Fleas.
Patrick Fromm: Lord of the Fleas, yeah.
Lisa Navidi: Yes.
Lauren Martino: A Tale of Two Kitties.
Lisa Navidi: Right, right. And they’re always asking for them.
Patrick Fromm: And it’s great because now he’s got this back catalogue of Captain Underpants and Ricky Ricotta. So you can easily like – once they get through Dog Man, it’s like, “Well, I’ve got this whole another world to show you and just keep on reading.”
Lauren Martino: And you wonder how a grown man just keeps churning out these type of books.
Patrick Fromm: Where does he get these ideas?
Lauren Martino: It’s like it just doesn’t stop. I mean, I don’t know, I feel like the – well, the Dog Man titles are easier to say and you don’t have to say them like, the Preposterous Plight of Professor Poopypants or you see adults trying to say this and you just start giggling because, like, I know what you’re talking about.
Patrick Fromm: Yeah, it was always really hard to recommend a book to parent and be like, “Oh, you got a reluctant reader, well, let me tell you, Super Diaper Baby.” And they’re like, “Oh, oh, oh.”
Lisa Navidi: Yeah, the parent is shaking his head and the kid is cracking up. And the kid’s like, “Oh yeah, no, I want that book.”
Lauren Martino: Are there any new authors that published books this year that you’ve been particularly impressed with?
Lisa Navidi: There is a book that I want to read, I haven’t read it yet. And I’m looking for it, right now.
Lauren Martino: Let’s pause for station identification.
Lisa Navidi: Pause. Oh yeah, here it is. Yeah, it’s on my list of Women’s Voices Hear Them Roar which has that. I don’t – Naomi Alderman wrote The Power, which – what do you think would had – answers the question what do you think would happen if women had unstoppable power to combat misogynist – misogynism. And the answer – she answers this with a speculative novel called The Power about women actually getting the power. It starts out with teenage girls getting a strange power in their arms. So like, electric eels.
Lauren Martino: Yeah.
Lisa Navidi: So they’re able to inflict pain on whomever they choose.
Lauren Martino: So like, biological Tasers?
Lisa Navidi: Yeah. Exactly.
Lauren Martino: Yeah.
Lisa Navidi: So what could go wrong with that? Teenage girls having unstoppable powers –
Lauren Martino: Oh my goodness. I’m reimagining my high school years.
Lisa Navidi: Exactly. But it’s not funny really. And it becomes all women get these – most women get these powers. And the whole life turns, you know, and women having the power and men not. Anyways, so there’s that one.
There’s another one though that’s called Red Clocks by Leni Zumas, Z-U-M-A-S. And it’s – it’s kind of like a Handmaid’s Tale sort of thing, life, when there are no abortions. And so it’s five women having to deal with these – these scenarios. I haven’t read it but I started it and it sounds really good.
Patrick Fromm: Was this emerging authors? Is that what we’re doing?
Lauren Martino: Yes.
Patrick Fromm: Oh, I think probably for me Gaël Faye who wrote Small Country which is a book about – it takes place in Bujumbura in Burundi in Africa. And it’s taking place right around the cusp of the – the genocide in Rwanda with the Hutus and the Tutsies. And it’s – he – it’s a coming of age story taking place along that climate and dealing with the dual French identity. And the author himself is a French – I think he’s actually a rapper, it was his debut novel.
But it’s short, it’s brief and it’s really, really hard to read because it really sets in your mind how difficult it must be to be a child anywhere near an atrocity of that scale. And the normalization and the destabilization of their government and how things are falling apart but they’re still doing kid type things to that backdrop. But they just become more and more wild and influenced by the adults. So at one point they’re carting around an active grenade trying to defend their neighborhood and hiding out in like a disabled VW like van. It’s really, really good and I’m excited for whatever he does next. I haven’t listened to any of his music yet, but that’s next on my list, so.
Lauren Martino: There you go. Anything that you are excited about for 2019 that you can’t wait to read or not?
Lisa Navidi: Margaret Atwood is doing a sequel to Handmaid’s Tale.
Lauren Martino: I imagine that will be popular.
Lisa Navidi: Yes. And it will be interesting to see what she adds to that, that actually isn’t on the TV show.
Lauren Martino: Oh, my goodness, the diversions of worlds.
Lisa Navidi: Yeah, exactly. Or it may just –
Lauren Martino: And everywhere heads are exploding.
Lisa Navidi: Actually, I did read about it, that if you’re following Offred, the character, it is her diaries after, and they’re reading it after – Golum? What is the name of that – oh, well, anyway.
Patrick Fromm: Gilead.
Lisa Navidi: Gilead. Gilead?
Patrick Fromm: The place there?
Lisa Navidi: Yeah.
Patrick Fromm: I think it’s Gilead.
Lisa Navidi: Yeah, after that sort of falls, then they find their diaries. That’s what it’s about.
Lauren Martino: Oh, okay.
Patrick Fromm: That’s pretty cool. I hope it’s good. It’s one of those things where I wonder if –
Lisa Navidi: Yeah.
Patrick Fromm: – it should have been left standalone.
Lisa Navidi: Yeah.
Patrick Fromm: But I’ll read it.
Lisa Navidi: Right, right. A lot of people will.
Patrick Fromm: For me, Dark Age, which is a second book in a trilogy that was preceded by a first trilogy, the Red Rising Trilogy. They’re science fiction books that kind of take place on Mars, where there’s this sort of caste system depending on your color. It determines your lot in life. So the – I liked the original trilogy. It’s kind of Hunger Games-ian, I guess, and it was a quick read. A little into the slightly older audience, which I dug, and then it was done. And then Iron Gold came out last year – this year? I don’t remember. And I was surprised. I thought, for sure, that it was going to be one of those things where it’s just a cash grab, but I think it’s actually better than the first books in the trilogy. So the sequel to that is coming out and I’m very excited to read it. So I’m hoping that Pierce Brown continues to have success with that.
Lauren Martino: All right. So our final question, as always. Lisa, what are you reading right now? And it doesn’t have to be from 2018.
Lisa Navidi: Okay. Actually, what I’m reading right now is from 2018.
Lauren Martino: So much the better.
Lisa Navidi: I’m reading Washington Black. It’s about a slave who was brought to Barbados when he was very young, and his journey of freedom. The writing is perfect, and it’s just about – he is befriended by his master’s brother and they flee together. And it’s just adventures and what it’s like to be a slave and think about – and the guilt he feels about leaving. It’s just an amazing book.
And I’m also reading Darius the Great Is Not Okay. It’s a –
Lauren Martino: It’s another one of those names, yeah.
Lisa Navidi: Yes. It’s a YA book by Adib Khorram about a high schooler who is partially Persian – his mother is Persian, his father isn’t – who visits Iran with his family. It’s a YA book that, of course, has to include the fact that he’s chronically depressed, and so is his father. But it’s right on the mark about being Persian, growing up Persian in America. So I’m trying to decide whether my partially Persian grandson is old enough to read it. He is 13, so.
Lauren Martino: You need to have him read Not So Awful, Falafel if he is not quite ready for it–
Lisa Navidi: Okay.
Lauren Martino: – because that’s a fun one, yeah. It’s by the author of Funny in Farsi.
Lisa Navidi: Oh, right, right. I did read that.
Lauren Martino: So yeah, it’s a lot of fun. Although kind of intense at times, but it is in the children’s section, so.
Lisa Navidi: Thank you.
Lauren Martino: You’re welcome.
Patrick Fromm: For me, I’m currently listening to Lake Success by Gary Shteyngart, which is awesome. It’s really, really engaging. It’s got two narratives, one is when one’s a man. I recognize the man from something, I haven’t looked it up yet, but it is definitely –
Lisa Navidi: It’s like a road trip or something.
Patrick Fromm: Yeah. And I heard it described as like a bro going on a road trip. It really is. It’s simple finding it. It’s a guy who is a hedge fund operator, who is possibly in some legal trouble, who also has a son that’s on the spectrum who is kind of fleeing from the familial situation. And he really loves his watches, and he takes out down to Baltimore, down to Virginia and across the country to try and figure out what he’s going to do with his life and chase after his old college flame. So it’s really, really good. It’s gut-wrenching a lot of the time, and the people are all kind of unlikeable. It’s one of those, so if you don’t like that, I wouldn’t recommend it. But if you’re down with the sort of mad men, I can deal with really awful people, I highly, highly recommend it.
Lauren Martino: Tolerance, yeah.
Patrick Fromm: And then I’m reading on my Kindle, Children of Blood and Bone by Tomi Adeyemi.
Lauren Martino: Oh, I’m like way down on the list, so tell me how it is.
Patrick Fromm: It’s really good.
Lauren Martino: Yeah.
Patrick Fromm: It’s – so –
Lisa Navidi: It’s worth waiting for.
Lauren Martino: Okay.
Patrick Fromm: Yeah. Did you read it?
Lisa Navidi: No, I just –
Patrick Fromm: Oh, yeah, it’s got a lot of that sort of same young adult, teen, power story. You know, a person from a disadvantaged birth who is being held down by an oppressive government. And – but she’s got the secret power in her blood and has to go explore that. And it’s really good. I’m excited to see where it goes. But the world that it creates is particularly effective and it’s definitely got sort of like an African influence to it. And I’m just really – I’m enjoying it quite a bit. So I’m hoping that its ending will be satisfying.
And I think it’s going to be a trilogy? Question mark. So I’m hoping those will be good, too.
Lauren Martino: I think we’re slowly getting more like African-influenced like fantasy books.
Patrick Fromm: It’s such a rich thing to pull from.
Lauren Martino: Yeah.
Patrick Fromm: You got such a great, great catalogue of images and naming structures, so I’m enjoying it.
Lauren Martino: I thank you so much, Lisa and Patrick, for joining us today and sharing a year’s worth of reading. And we look forward to what you read next year.
Please keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don’t forget to subscribe to the podcast on the Apple Podcast app or Stitcher or wherever you get your podcasts. Also, please review and rate us on Apple Podcasts. And make some comments, we’d love to know what you think.
Thanks for listening to our conversation today, and we’ll see you next time.
David Payne: Welcome to Library Matters with me David Payne. And today, we're going to be talking about music and listening to music as well. And joining me today, I am very pleased to welcome our old friend and guest, Eric Carzon, manager of the Twinbrook branch library. And Eric is the man behind one of MCPL's newest services, the Library of Things Music. So, welcome Eric.
Eric Carzon: Thank you. Good to be here.
David Payne: Good to have you back. And I see you've got a few props to entertain us with too.
Eric Carzon: Yeah.
David Payne: So, let's start by asking you how did you get into music and what instruments do you play.
Eric Carzon: Not really. Well, I just always loved music. My parents loved music a lot too, so was always playing in the house or they were singing. In fact, my grandfather was a singer as well. He sang - he was in World War II and he sang for the army, in the Washington Area. So growing up my mom would play Gordon Lightfoot, my dad would play Tony Bennett, Barbra Streisand, The Platters, a lot of doo-wop, some Janis Ian. Kind of a wide spread, a lot of different kinds of music, classical music as well. And then my grandmother, of all people, introduced me to Pink Floyd, so, you know, a little rock and roll too. In college my music buddies turned me on to the Indigo Girls, and of course there's all the great 80's-90's music, Eurythmics, U2, and whatnot. So I used to always be making up little songs and walking around the block singing them.
Then later on, I was in a church choir and the county choir later on. Eventually I was in a band in high school. No Top 100 hits yet though. I play the guitar mostly, and the ukulele. Mostly a rhythm guitar player, a little bit of lead work, and I sing and write songs as well.
David Payne: Great. What age did you start playing the guitar?
Eric Carzon: About - I think I took a class around fifth-sixth grade. Put it down for a while, eighth grade I picked it back up and just a couple of classes. I'm mostly self-taught and I learned from other musicians and books.
David Payne: Okay. So self-taught on the ukulele too?
Eric Carzon: Uh-huh, yeah, I picked that up about four or five years ago.
David Payne: Well, having said that, is there a musical instrument that you don't play but would like to if you had the chance?
Eric Carzon: Oh yeah. One of the instruments in the Library of Things Music is the African djembe drum, a very popular West African drum. And I actually have one at home that I've had for decoration basically, but it's a real playing drum. And so I am motivated to learn how to play that for real. We've got some books and that we're about to have in the collection for that. And I went to a drum circle in the region recently where they sit around and they play. And it's a lot of fun, and it's very easy to get started with that instrument, so I do look forward to learning how to play that better.
David Payne: Okay. So, let's talk a bit about the Library of Things Music. For any listeners who haven't come across it before, can you tell us about your new innovation?
Eric Carzon: Oh yeah, absolutely. So we lend musical instruments, that's the Library of Things Music. It started at the Twinbrook branch, so that's the only branch right now, so you have to come to the Twinbrook branch to get the instrument, and when you return it you have to return it to the Twinbrook branch, which is in Rockville. And you have it for two weeks, 14 days. We do ask that the cardholder who checks the instrument out be 14 years or older. You could check it out for your kid obviously, and we have some that are sized for children specifically for that. But we do need a responsible party to check the instrument out. Of course, your account has to be in good standing, and you should be prepared with your identification so we can verify that your address is correct and that we have the right person.
At this time, we don't renew the checkout, so it is a strict 14 days. We don't do reserves through the computer system, but if you go to the Library of Things website, which is in the MCPL musical website you can get a look at what the instruments are and little bit of a description of what they are. And you can call us. So when you call us we'll tell you what's available or you can say, "Hey, I want a ukulele, do you have any?" And we'll look and we'll see if there's one available. So if there's one available for checkout we'll hold it for you for the balance of that business day. So if you call us 10:00 we'll hold it till 8:00, if you call us at 7:54 we'll hold it till 8:00 that day if it's a 10:00 AM to 8:00 PM day, which is Monday through Thursday for us. So that's what we can do in terms of reserve. But it's been going pretty well so far, and people seem to know how to use it.
David Payne: I was just going to ask, because we're a few weeks into it now, so yeah. So business is good.
Eric Carzon: It is. It's doing great. We have a total of 29 instruments and six amplifiers. And everything has gone out a few times and come back. Everything has come back in one piece, thank you everybody for taking care of the instruments. We've got a variety of guitars, we have a couple specifically children sized, we have the classical guitars, a couple of steel string, a couple of electric guitars, a couple of electric basses, we have several ukuleles, and then we have African drums, the djembes, we have a couple of Native American and Irish drums, a dumbak, which is like a Middle Eastern one, this Indian tabla drum, which is pretty cool, it's actually like a pair, like Master Blaster, so there's like a big one and small one, and one is brass and one is wood. It's pretty cool. We have a Jamaican steel drum, and we have a slot tongue drum, which is kind of like a wooden box with little mallets, and two kalimbas, which are pianos that you play with your thumb, so they're quite nifty.
David Payne: Quite a great collection there.
Eric Carzon: Yeah.
David Payne: So where did you, going back to the very beginning, where did you get the idea to lend musical instruments?
Eric Carzon: Well, we stole the idea. No, it's been around a long time. There have been library systems all over that country that had been lending musical instruments probably since the '60s or better in small numbers. I mean there's still not a whole lot of them, I wouldn't call it thousands of systems, but let's say there's probably at least 50-plus systems throughout the United States, and that's probably a low number, there's probably more. Ukulele, for instance, very easy, so it's very popular in a lot of systems, including several in the state, besides ourselves, lend ukuleles. I will say, we have a pretty wide selection and number, as far as I can tell, from the other systems that I looked at and compared. But it's not a new idea.
We've been wanting to do, what we call, a Library of Things in Montgomery County for a long time. But as we went through the planning processes different staff made different proposals for different kinds of things to lend. Some people had kitchenware, power tools, various kinds of computer or tablet or whatever. So there were a lot of different ideas on the table, and I proposed the music one, and it so happened that mine seemed to be the most feasible to implement so far. So we went for it.
David Payne: Right. And it seems your collection so far represents the diversity of the county.
Eric Carzon: Oh, that's what we were shooting for; get a nice wide diversity of musical instruments, kind of tempered with what we could take care of.
David Payne: Right.
Eric Carzon: So there was that sort of element, but we went as wide as we could within the scope of what we felt like we could take care of and what would sort of survive repeated use from customers.
David Payne: Right. So, obviously the response, the customer response so far has been great. Do you have any stories you can share with us about customer experience, any customers who have come in to borrow musical instruments, have you noticed anybody asking about music lessons or tutorials, anything you can share with us?
Eric Carzon: Oh, yeah. Yeah, definitely. So the response has been great, and people have been pretty happy as they've turned in their surveys. I haven't gotten anybody unhappy, and everybody is pretty much top happy, very happy. We do get a lot of questions about lessons. And we ourselves, we can’t really give lessons, it wouldn't be - there's 29 different kind of instruments, so unless there were - unless the only people interested in lessons all were interested in the same instrument it would be kind of hard for us as a library system to give classes. Now that being said, we do have an online product that does have actually several different instruments in several different genres, so we'll talk about that a little later. But that is our version of a class.
The coolest thing that's happened so far is we have a music discussion group on the first Monday of each month, at 6:30 at Twinbrook. And so this Monday's music discussion group or the November 5th one, we had this little boy. He came in and he had just started guitar lessons, so he was like maybe eight lessons in. But actually - he was pretty impressive for a kid who's only had eight lessons, and he was kind of small. I mean his hands were small, so even the small guitar was a little large for him. So at this discussion group he saw the ukulele because I demoed several instruments and ukulele was one of them, and so he gave it a try. And so by the end of that hour he had actually taught himself with the help of one of our books, Twinkle Twinkle Little Star. And he, for the last 10 minutes, he played it over and over again until he got like fully down.
David Payne: Just right, yeah.
Eric Carzon: So his first time picking up the ukulele, like literally in his whole life and he walked away with that song. So, we'll talk a little later about this, but that's why I like ukulele because it's really easy and it's a great instrument for children.
David Payne: Right. You mentioned the ukulele, and I recall from our pervious podcast with you that that came up as well in the conversation. The instrument itself seems to have become increasingly more popular. Why do you think that is, and how difficult is it to play?
Eric Carzon: To me it's extremely easy to play. I don’t know I might be a little ambitious, but I'd like to say that most people could probably walk away within a couple of hours able to play a simple song on the ukulele. It's kind of that easy. It's gotten kind of a resurgence in the past, I'd say, decade or so because you've got some pretty large stars that also play ukulele. I mean it wasn't their solo - sole instrument, but I think like Taylor Swift has got a couple of ukulele tunes, Coco - I might be getting her name wrong, I think it's Coco, she does, and several other stars. I think Jason Mraz might even have one. So there's been some super huge pop stars that have like really put ukulele back on the map. And then it was always there, I mean there was Tiny Tim in the 60's or whatnot. But, so there's that, I mean it's got some star power. And then it's just - it's fun and it's easy. So there's that.
And like if you're a guitar player ukulele is like super easy to learn because even some of the chord shapes are the same, the principles of the instrument are the same, you just have to learn a few different chord patterns and realize that the scale - like which key you're in sort of differs a little bit, but not by much. I mean it's much like the guitar very efficiently designed, and so you can pick it up real quick. And then the other thing is the instrument itself is pretty affordable. I mean for $40 you can get one that will play and you can learn on. Really, I kind of recommend more like the $60-ish - I wouldn't pay less than $60 to $75 for a ukulele, and for that price though you get one that's like real and will keep its tune and is pretty decent, and anything above $300 you're just paying for show. So that's a pretty decent price range for a musical instrument. And for about $100 you can get a super-duper competent ukulele that holds its tune very well and plays excellently. So that's a plus. That's kind of a small investment for a real musical instrument.
David Payne: Okay.
Eric Carzon: So that's why I like it. And there's all sorts of books and lessons, and it's real easy.
David Payne: Great. I see you've actually bought a ukulele in.
Eric Carzon: Oh yeah.
David Payne: Can you give us a few notes on …
[Playing Ukulele] [00:12:02]
Eric Carzon: Just a little noodling there.
David Payne: Well, thank you. And well as a musician yourself, do you have any advice for any budding musicians?
Eric Carzon: Oh yeah, I've got lots of advice.
David Payne: We could fit a whole podcast with, I'm sure.
Eric Carzon: Yeah. But I think the first thing I would say that's most important to me is that if you're going to do music do it for yourself always first. It's a way to be in touch with what's spiritual and keeps your inner child fed and happy, I like to say. And I know music has helped me through some difficult times. So it's a personal, it's a spiritual gift. To the extent that you share it with other people, if those people are reasonable and kind then they will generally be supportive. If you're asking for it then they should give you constructive criticism. And if you've got other people that are being mean to you then they're not worth your time. But play it for yourself first and foremost. If I had never performed for anybody in my life I'd still be happy because the music is for me. So don't be obsessed with perfection, because I see that in a lot of people. You see people doing music and they stop because they're like, "Oh, I can't get this right. I can't get this perfect." It's like, well, who are you playing for. Does it have to be perfect, I mean are you having fun?
David Payne: It's all about the enjoyment, right.
Eric Carzon: Exactly.
David Payne: Yeah.
Eric Carzon: So if you're having fun then roll with it. Now that's not to say like if you really want to get good and get good enough that you could play for other people and they enjoy it, then that's great to go for as well. But that it takes time. I would say as well expose yourself to a variety of music, experience live music in variety as well, as music from tape and digital and wherever. It doesn't have to be paid concerts though. I mean there are churches; there are open mics, community events, library programs, city, county programs. There's free music everywhere, so you don't have to pay for the music, but go see it live, go see somebody do it, observe them. Because if you're serious about music and you want to get serious about performing it then you're definitely going to want to encounter other musical people and pick up and learn from them.
From a practical perspective, if you really want to get good, as the Malcolm Gladwell book says, it takes about 10,000 hours to get super good at anything.
David Payne: Right.
Eric Carzon: 10,000 hours of meaningful practice, he calls it. And it's fun, but you got to make it - make it fun. Don't make it a drag. I used to put myself to sleep by kind of sitting with my guitar and taking a couple of chords and kind of just very meditatively doing everything I could with that chord.
David Payne: Uh-huh.
Eric Carzon: You know, I'd play an A sustained chord for 20 minutes and use my pinkies and other fingers to find every variation of that chord that I possibly could, and I would do that for hours on end and days on end. When you strung it all together you can write a whole song that way. And that's what I did; a lot of my songs come from some of those exercises. The other thing I'd say is don't be afraid to deviate a little or improvise. I get a lot of these musical books and sometimes they get really contorted. You're like reading that Hal Leonard and you're like, "Oh my god, I can't make that chord. My fingers just don't bend into that shape."
David Payne: Right.
Eric Carzon: You know, improvise. Sometimes you could leave a couple of fingers off and that chord will be close enough or you could pick a couple of notes and kind of skip over, especially if it's like a real quick change. Don't feel like that is the total gospel. Sometimes search around for other versions. Sometimes a song, like the original song as done by the artist or actually as cooked up by some staffer at Hal Leonard or Alfred or one of those other music company books might look super complicated to you, but then do a little Google searching or whatever, you might encounter like a super simple, like - here, here's the three-chord version of that same song. Okay, it might not sound like Janis Joplin, or Def Leppard, or Pink Floyd did it originally, but if it's close enough and you can play it and enjoy it, hey, go for it. So don't be afraid. What's the worst that could happen? You're not going to get fined.
I would say two - and I'm a little bit of a music snob on this, don't buy a cruddy instrument if you can avoid it. We have really good music stores in the county and you don't have to buy - I'm not advocating that you buy top dollar, but if you're going to buy an instrument get something that's going to stay in tune and it produces the sound properly. For guitars, that means you want a solid top natural wood guitar, and those are very common, it's not like it's hard to find that. And in some cases you're only talking about a difference of maybe $50 or $100. I talked about the pricing for ukulele earlier. And like for guitar something between $150 and $350 will get you a good solid guitar that stays in tune and plays well. Much more than that and you're paying for something that's made of real special wood and sounds extra uber super-duper good and was made in America or something like that, I mean you're paying for that kind of thing.
But they mass produce guitars in Mexico and China pretty well. And for that price point of $150 to $350 you can get some good guitar. For a guitar, you want spruce or mahogany; you don't want laminate for the soundboard. For the neck, laminate is fine. If you get the stuff that's too cheap, like the stuff you find in Toys "R" Us, or Target, or Costco, yeah, you're essentially paying for a toy. So you're still going to pay $60 to $100 for it, and for another $50 you could've got yourself a real instrument. So I had some good instruments to start with, and those were the instruments I really learned to play on. I tried to get some junkie instruments, like I wanted an electric guitar, but I got a piece of junk. So, like for 10 years, I didn't really learn how to play electric guitar because what I had was …
David Payne: And the sound was probably horrible too.
Eric Carzon: Exactly. And it didn't produce sound and it didn't stay in tune. So if you want to learn how to play an instrument do your best to find one that actually plays, because otherwise you're going to hate it, then you're not going to play it as much or not going to play it at all. And then you wasted your money and you lost out on the opportunity to really learn how to play something well.
David Payne: Right, so shop around.
Eric Carzon: Yeah.
David Payne: Well, learning an instrument as an adult can seem particularly daunting. Do you have any tips for adults who want to try an instrument?
Eric Carzon: Yeah, definitely. Now, everything I just said about the budding musician sort of applies. Do it for yourself first. You don't have to shoot for a Grammy, unless you want a Grammy. And then if you want a Grammy don't be scared, go for it. But it's going to take you 10,000 hours. But don't let that sort of quality; search for perfection dominate your experience because that's not what it's about. I do highly recommend the ukulele because I think almost anybody can learn how to play it. It's a little less painful too. Like one of the things that dissuades people from guitar sometimes is that it does hurt your tips of your fingers a little bit. Not long, I mean, if you spend a month or so getting used to it then you won't feel any pain anymore, and it's really not that much pain. But some people are very - everybody is different, so some people are more sensitive to that pain than others.
The nice thing about ukuleles and guitars is that you don't have to know how to read music. And like with piano or saxophone or a lot of those other instruments, you are going to have to learn how to read music otherwise you're not going to be able to do anything. So with guitar and ukulele they're great amateur beginner instruments because they have all tons of books with the little chords just diagrammed right on there so you can look at the little diagram like, "Oh, that's where my fingers go." And you do it and you can play a whole song and learn it, so it's easy. I've been playing for 30 years, I still don't know how to read music, but I can play a lot of different songs. So I do highly recommend the uku and the guitar for that reason. I did take a class here and there, and that's good to do. If ArtistWorks was around when I was younger I would've been all over that.
So the online courses where you've got sort of a master player and they're showing you everything, and you got little videos, and you can watch them. And they chunk it up in these little five and seven-minute segments, so you can take it at your own pace. Those are awesome, and you should definitely try that out. I've tried it myself and I like it. And I know people who have tried it and they really enjoyed it. The other thing is to find people. One of the programs we'll talk about a little later is by a group called the Songwriters' Association of Washington. And they, if you Google them, saw.org is their website, and they have oodles of events, like pretty much two to four times a week they've got something going on somewhere in the region, all the way up as high as Baltimore, as far west as Manassas, everything on the western shore, pretty much from Washington County down to Charles County, they've got something. And a lot of Montgomery County, Washington, D.C., and Arlington, and Fairfax events especially.
But there's others groups, there's one called, I think it's like the Northeast Regional Folk Alliance or I might be butchering their name a little bit. But if you look around there are some organizations, they are either low-cost or free to join, or you can attend their events and you don't have to be a member, because a lot of them do open mics at bars and stuff. And then there's church groups, community groups, put it on a bulletin board. There's lots of different ways to connect with other people playing music, I guess, is what I'm getting at.
David Payne: Right.
Eric Carzon: And if you really want the full experience, that's the full experience. So find some other people and play with them and learn with them, start your own little group if you want. A lot of these events are - songwriters' circle in somebody's basement, so you come to their house with your guitar and some cheese and crackers, and everybody sits around and plays, and you learn from each other that way. So I definitely highly recommend that as part of the experience.
David Payne: That's great. Let's turn now to music resources. And start by asking you, what print resources does MCPL offer about music, musicians, and learning to play instruments or sing?
Eric Carzon: Oh yeah, so we have a wealth of stuff. It's generally in the non-fiction section, in what I call the 780s, so that the non-fiction range from 780 to 799 contains pretty much all of the music books. And it's a variety of things, so it's going to be books about artists. So there'll be the big thick book about The Beatles or The Rolling Stones, or whatever, so there's that, so if you want to learn about musicians. Then there's sheet music, and then there's how to play different instruments or how to care for different instruments, and also books about like the music business. So we have that full spread. And I brought some with me just to give you a quick - so in my little stack here I've got, How to Rap, the Art and Science of the Hip-Hop MC; Anatomy of a Song: The Oral History of 45 Iconic Hits That Changed Rock, R&B and Pop; from the children's section I got Learn to Play Keyboards; Usborne's Guitar for Beginners.
From the adult section, we've got Jazz, Rock, and Funk Guitar; Guitar Aerobics, which is like a daily exercise regimen to strengthen your fingers and improve your skills; Drum Circle: A Guide to World Percussion, that teach you how to play that djembe drum or the bongos or the congas, The Ukulele 3 Song Chord Book, so a lot of songs, pop songs broken down into three very easy chords; Alto Sax, 101 Hit Songs; Disney Hits for Ukulele; and one of my current reads, The Daily Ukulele: 365 Songs, so you can learn one song a day on ukulele; and of course, Hamilton: Music for Piano, Vocals, and Guitar.
David Payne: All right.
Eric Carzon: So that's kind of a sampling of physical books. And there's also DVDs in that, and I wouldn't ignore our DVD collection. In a couple of different dimensions they're important. You've got DVDs in non-fiction, such as You Can Play Electric Blues: A Complete Course for Beginner; and I know there's a good bass course on DVD as well. From the juvenile section there's a thing, I think most every branch has this, called, The Music Factory, and it's like eight or 10 different DVDs with like basic music for kids. And then you've got stuff like - I've got Jimi Hendrix Live at Woodstock, so pick up a couple of the DVDs of the sort of major live concerts, Absolute Guitar for Beginners, another course. And of course, you've got movies that either are musical or are either fiction about music or like sort of classical, like Broadway - we got a lot of Broadway.
In fact, with me here I've got Rent and The Jazz Singer, the Al Jolson version, I've got Singin' in the Rain; Jersey Boys, and Pitch Perfect. So that's also a great way to experience music, so highly recommend that. And then last but not least, we do have CDs in the branches. I brought with me a copy of The Beatles, The White Album. So physical collection, we've got CDs, we've got DVDs, we've got books, and definitely worth taking advantage of.
David Payne: Some great examples there. And I should mention to our listeners that, again, the resources that we mention in today's podcast can all be found under the show notes on the MCPL podcast website.
You mentioned ArtistWorks previously. Can you tell us about that, and some of the other digital resources for music and musical schools that MCPL has?
Eric Carzon: Great. Yes, absolutely. So, everything starts from the main webpage. So go to our webpage, montgomerycountymd.gov/library. And when you're looking right at it, in the left, the sort of first menu is Books, Movies, and Music. So you go Book, Movies, and Music, and go Find, and then you go find Music. So when you get to that menu article pops up, and that's everything we got about music is kind of in that article, and it's got a couple of tabs. One, the sort of first tab has a lot of our digital assets, and then the second tab talks more about our books and our scores. So, two of the standout digital resources are Freegal and the American music Streaming Music collection.
So, we'll start with Freegal. So Freegal stands for free and legal. So, there are over four million songs in every genre that you can imagine in Freegal. And so you login for the first time, you give it your library card number and your pin number and you can download the songs from Freegal, and they come to you as DRM-free files, MP3 files, which basically means you can do anything you want with that file, you want to email it to yourself, you want to put it in your collection whether - like I'm an iTunes user, so I download it and then I put it into my iTunes library and I can make playlists with all my other iTunes songs that I bought from iTunes or that I burned from CDs that I owned. If you're a Rhapsody user you can do the same thing or a general Windows user you can do the same thing because it's an MP3 file. So whatever you have it'll manipulate. And it's got everything from pop, to classical, to world music.
Some things that are on Freegal, you've got Daft Punk, they've got Adele, Springsteen, they've got classical music, world music, jazz, probably hundreds of thousands of artists literally. They've got the really popular stuff in broad array, and then they've got stuff that you've probably never heard of that you could explore. Now, I will say this about electronic music, nobody, absolutely nobody has everything. So Freegal has the Sony catalogue, and they estimate that it's about a quarter of what you would consider popular music. And then the rest of the world is divided between Apple, Rhapsody, and other music services, so none of them have access to everything digitally. But you can download five songs a week per account. So you can get pretty deep into music with that capability.
And it has lists, so you can do previews and you can put stuff on wish lists so you can remember what you wanted to download and then each time you login you can download another, and I think it turns over every Sunday night. So Sunday, at midnight, turns over, and the next week starts fresh. And it's great. You don't - Freegal is atypical of library services in that you do not have to return these songs. You check out the song, it's yours forever. And so that's not something you'll find in almost any other library product. But that makes it very easy to put them in your collection and manipulate them. And we'll come back to Freegal in a minute, because I have some fun things about Freegal.
But I want to talk about the American Music Streaming Collection. And so this is from a - the company is called Alexander Street, and you can actually just search the whole collection or they have it broken down, like they have certain major categories. So they have like American music, classical music, world sounds, and they have a - it's a mix of music, spoken word, and sounds. So you can hear everything from recordings of the poems of Langston Hughes, or you can have like sounds from nature. I did a search for frogs, I think it's - if you want to near a North American bull toad song they've got an entry about that, or I did animal sounds and they've got one with lions in the zoo. They got a lot of spoken word, so they got like a lot of famous works that are being read either by the original person or by somebody famous who is reading somebody famous. And then of course there's the music.
It's great especially like - really, I like blues and early jazz. So a couple of searches that they have a deep amount of songs in our Nina Simone, Bessie Smith, that was the woman in that HBO recent series. So if you want to know what she's all about you could do a search and they've got tons of songs from her. Billie Holiday, the famous blues player Lead Belly. Then they've got world music, and like an example of that, I did sort of a random search and Chernobyl songs came up, so authentic sort of Russian, Ukrainian ethnic music. And then we talked about frogs. Here's a couple of interesting searches to do. Search for The Lion Sleeps Tonight, and you get lots of the different versions of The Lion Sleeps Tonight. And then if you didn't know, The Lion Sleeps Tonight actually comes from an African song in the '30s called, Mbube, m-b-u-b-e.
So search of that, and that will - that is actually the name of the genre of music from South Africa, so you'll actually come up with a bunch of South African songs in that genre that are beautiful, they sound wonderful. And then, of course, there are tons of versions of The Lion Sleeps Tonight, which was also known as Wimoweh because that's what Pete Seeger brought it over to America, and that's what he called it. And so if you search for that then you'll get like all 18 different versions of him, and then the - I think it was The Tokens that made it famous the second time around, in the mid 50's. So it's a very interesting collection. It's got a lot of deep depth that you can get in to.
And then I did this little - I call it Freegal fun, so I do these little poems made up of songs that I got from Freegal. So for instance, here's one; Bruce is not bitter baby. I was born in the USA. Baby, I was born to run. Hard times in my hometown. We have all got a hungry heart for the glory days. And then here's one for blues; I went down to the crossroads to tell my baby that she done lost her good thing now. The thrill is gone, damn right, I got the blues. So there's five blues songs in each of those - in that poem. Blues two I did was; The sky is crying, mustang sally, voodoo child, let the good times roll. And then finally, Adele's Lament, this is all from her 25 album; Don't you remember how we set fire to the rain with our love song, now we've just turning tables. So that's what you can do with Freegal, I highly recommend. It's a lot of fun.
David Payne: You've given us some great examples of some very powerful resources there. Let's talk a bit about music programming that MCPL offers?
Eric Carzon: Oh yeah. So there's two monthly series that I know of, and I did sort of a search for programming, so I think I'm correct in asserting that just these two. So there's mine, at Twinbrook I call it Make More Music Discussion Group. And we've had our two groups so far. So it's going to be the first Monday of every month at 6:30. Keep an eye out on the webpage or call us to - just in case there's a holiday or something. But so far, there have not been any holiday blockages for first Mondays, so that's one of the reasons I picked first Mondays, so first Monday, 6:30, Twinbrook. Mine is a very open format. I'll do a little demo, a little clinic if there's anybody who has an issue and they want to see if the group has any advice about it, and then some sharing if people want to share.
Now actually, the first couple of groups, we've had a lot of kids and they've not had anything to share per say, but they wanted to explore the instruments, and so we basically did that for a large portion. But I did have some sharing in the first - we had this wonderful guy, he just played classical guitar throughout the whole conversation, for like 20 minutes, and he was just awesome. And he was like, "Oh, I just learned this as a student. I don't really play well." And he's playing like this guitar god. So you never know what you're going to encounter. I mean he was wonderful. So that's mine.
And then at the Rockville Library, they have a monthly songwriters' workshop, it's the second Saturdays, at 12:30. So it runs from 12:30 to 3:00. And it's a song circle by the Songwriters' Association of Washington. So what they generally do in this program is somebody will probably speak for a little bit at the beginning, maybe play two or three songs. So they'll have sort of somebody more experienced who will start everything off and give some tips to the rest of the audience. And then, basically, they'll go in a circle and they'll take turns. So everybody who wants to participate, they'll get to play one song. And you can bring - in fact they encourage you to bring 10 or 15 copies of your song and you pass it around, and people can give you constructive criticism and advice.
People sometimes - you can come with a partial song, and sometimes people have kibbutz on heh have you tried this lyric, I thought about that lyric, or did you think about changing this word or this chord structure, or do this or do that." So, it's really great if you want to get into songwriting, and you want to get some advice from folks. It's a great experience. Then the other thing is that all the branches are - we're always doing some kind of musical program. So on any given week somebody somewhere in Montgomery County Public Libraries is sponsoring a musical event of some sort. I know the Olney Library, about once a quarter; they have kind of an open mic that's themed. Their last one I think they had was like kids; they did like a 60's one which was a lot of fun. And I think they did the 70's and maybe even the 80's.
So they're doing like decades and other specialties. But the last one they did was with kids. I haven't seen one posted yet, so that one you'll have to keep a watch out for or call, and say, "Hey, when is your next open mic?" But then I know, for instance, at Twinbrook, we're also having a jazz program on December 13th with Christiana Drapkin who is regional, she's done a lot of accent libraries in Montgomery County and other jurisdictions. So we're doing jazz for kids specialty, and then a lot of branches are doing something. So there is something, like I said, every week. And so if you search or ask your branch what's coming up they'll tell you. If you search our events calendar from our web page you would want to look - there's a checkbox on the left, and if you checked performing arts and then selected all branches and gave it a date range, it would show you all the programs coming up that involve a performance.
And like I just did a search before I came here and I got two pages worth of hits going out all the way until June 30th of 2019. So, there's definitely musical acts, and they vary everything from jazz, to folk. I don't have one booked yet, but I'm going to book a drum circle some time before the end of 2019. And I'd say it's probably evenly divided between stuff for adults and stuff for kids. So some of the musical programs are specifically designed for children, and some of them are for all ages.
David Payne: And we should also talk about a couple of significant music programs, Vinyl Record Day, and the Make Music Montgomery Contest.
Eric Carzon: Oh yes, excellent. Thank you. Yeah, so on April 27th, 2019; we are hosting the second annual Day of the Record Vinyl Record Musical Festival at the Silver Spring library. This is going to be from about 12:00 to 4:00. And one of the main events of Vinyl Record Day is going to be what we call, Make Music Montgomery. So in December, we will release instructions on MCPL website for a call for auditions. So we're looking for folks who have about three-minute acts, and they must include a live musical component. So you could play a song. Doesn't have to be original, but you got to play a song. You could have a dance act as long as somebody is doing live music while the other person is dancing, or you can dance and sing at the same time if you want.
So the advice is going to be open. We're looking for as diverse a grouping of acts as we can. But this is a musical festival so we are insisting on a live musical component. But that's going to be a lot of fun. You'll be able to submit your auditions via an electronic file, which should be pretty easy for most folks. And we will have at least one live audition. I'll have one on my February 4th Make Music Discussion Group, will be live auditions for folks who want to come and audition live. But if you don't want to audition live you can still submit the file. And the submissions will be open from approximately mid December through the end of February.
David Payne: And as far as Vinyl Record Day, building on a very successful first year, last year.
Eric Carzon: Oh yeah, it was great.
David Payne: Yeah.
Eric Carzon: And so aside from the Make Music Discussion or the Make Music event at Vinyl Record Day, the other things, we'll have a keynote speaker, which we're still negotiating with, should be a lot of fun, and a panel discussion, and then a lot of other fun events. The super fun event we will have again is making crafts with records. So we'll have a whole bunch of beat up records and record covers, and you'll be able to make a craft out of that. And that was super popular at the last event. There'll also be an auction and a sale of vinyl records. So the friends of the library will bring tons of records to buy.
David Payne: Great. So stay tuned for Vinyl Record Day. Now, do you have a favorite book about music or about a particular musician?
Eric Carzon: Yeah. I quite enjoyed the book, Legends, Icons, & Rebels by Robbie Robertson. It's in our collection. I think most often it's in the teen collection. It's got a lot of beautiful pictures, and stories, and two CDs, so it basically talks - it does like short bios of a lot of the major musicians of sort of the golden age of rock and roll, so everybody from Chuck Berry, to Bob Marley, to Carol King, Bruce Springsteen, I think is in there as well, Aretha Franklin, folks like that. Another book that I recommend is The Rap Year Book. Whether you're in to rap or not, because I'm not super into rap, but there's some rap songs I do like, and it's such a major part of our culture that I wanted to learn more about it.
And this book is great because it takes one rap song, from like 1979 up through I think the mid 90's, and talks about the song and how it came about and the artists. And it's fascinating stories about some of these songs, and it's a really great read. And that is also in our collection, and I highly recommend that one.
David Payne: Well, from books to songs. Do you have a favorite song?
Eric Carzon: I - it's a hard question because there's 50 or more songs that I love dearly and play often, not including my own songs that I've written. But if I had to go with one I'm going to go with Smile. And I didn't know this about Smile until you asked me this question, I did a little research. And Smile was originally written by Charlie Chaplin as an instrumental. And he wrote it for his last silent film, Modern Times. And around that time, his mother had passed away. So it's kind of a sad by sweet song. And later on two lyricists, named John Turner and Geoffrey Parsons, added the lyrics to it. Shortly thereafter, Nat King Cole, I think was first, and then a couple of years later, Tony Bennett both made the song with the lyrics, and that's what made the song famous. And since then it's been covered by everybody from Barbara Streisand to Michael Jackson and in between.
In fact Michael Jackson loved it so much it was his favorite song and he put it on - well he didn't; the people who made History after he died, HIStory put it on and they put on his version of Smile on to HIStory. At least according to MTV, that's where I got some of this information. Tony Bennett's version is still my favorite version, although I must say my second favorite is the TV show, Glee, did a great version of Smile with ukulele. And I like their version as well.
David Payne: Well, we typically close our podcast by asking our guests to tell us about a book they are currently reading or recently enjoyed. So what can you share with us?
Eric Carzon: Okay, I'm ready. I've been reading - I've been taking the MCPL 2018 reading challenge, and I am three books away from finishing, so I am getting there.
David Payne: Good man.
Eric Carzon: I am reading The Daily Ukulele, so picked some songs there to sort of expand my repertoire of ukulele music. I am just starting March: One, by Congressman John Lewis, and it's great. I've read March: Three, so I started kind of backwards. But it's great because it gives you a lot of information about the Civil Rights era, and told from a not Martin Luther King perspective. Because we're all taught Martin Luther King, and that's important, but it's great to see other perspectives related, I mean because he worked with Dr. King, so - but it's great to see sort of all the other players, and he really goes in to that. He like talks about a lot of the different people and a lot of the history of some of those super important seminal events in our history. So I'm looking forward to finishing March: One.
The other book I'm reading is Gather Together in My Name, which is the second autobiography by Maya Angelou. And I'd always heard about Maya Angelou and heard little snippets of her poems from the presidential inaugurations and whatnot. But I'd never taken the time to read one until I finally read I Know Why the Caged Bird Sings, which was her first autobiography, and it was unbelievable. So I actually listened to it in audiobook from the collection, and then - so I've picked up the second, because now I - the first audiobook, I Know Why the Caged Bird Sings, she sort of ends as an adolescent and she's like a young teenage mom, and then like ends. You're like, "What happened?" So the second book picks up and continues her story. So I'm really looking forward to that.
David Payne: Well, Eric, thank you very much for joining us today and sharing your passion for music, your knowledge in music. And congratulations on a great start with the Library of Things Music.
Eric Carzon: Thank you.
David Payne: Look forward to seeing it go from strength to strength.
Eric Carzon: Thank you. Appreciate it.
David Payne: Keep the conversation going by following us on Twitter, Facebook, Instagram, and Pinterest. Don't forget to subscribe to the podcast on the Apple Podcast app, Stitcher, or wherever you get your podcasts. Also, please review and rate us on Apple Podcast, we'd love to know what you think.
Thank you for listening to our conversation today. And see you next time.